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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

A Word on Without

Mike Tully has a piece up on his indieWIRE blog about the Maryland Film Festival (never been to that one, but this isn’t the first time I’ve heard raves about it, so I need to add it to my bucket list, I guess). One thing that caught my eye in the write-up was Tully’s shout-out to Mark Jackson’s Without, a film of which I’m also a big fan.

I didn’t review Without from Sarasota, where I saw it, because it was in the narratives competition and I was on the jury. It will be on my upcoming SIFF preview as a recommended film for folks to try to catch at SIFF. Prior to winning at Sarasota (against, I should add, a stack of very good competition films), Without received a Special Jury Mention at its Slamdance debut, along with a second Special Jury Mention for lead actress Joslyn Jensen.

And I should mention here, too, that if Without had been playing at Sundance in the Midnight category, Jensen would have been garnering mention in the same “Girls of Sundance” articles that were talking up Elizabeth Olsen, Felicity Jones and Brit Marling. She’s a terrific new talent, and if she chooses wisely with her projects and steers clear of crappy studio rom-coms, she could really be something. She reminds me a bit of Brittany Murphy circa 8 Mile, walking the line between fragility and strength and emotional in a layered, complex performance.

Jackson’s direction is technically proficient, but beyond that the way he builds suspense in this film, through story outline and seamlessly tight editing choices, is really impressive. The interesting thing is, after briefly talking to Jackson at the Sarasota closing party, I’m not sure he even has any idea yet just how good he is, or why people are taking such notice of his little film. He struck me as completely unaffected and rather overwhelmed by all the positive attention his film is getting.

I’m hoping to connect with both Jackson and Jensen when they’re in Seattle for SIFF, to catch up with how things are going for them. I hope Jackson’s able to step back, take a deep breath here, and process and hang onto WHY people are impressed with this film. Watching Without, you get that sense that you’re bearing witness to the on-screen birth of two potentially big talents. He has that same potential I talked the other day with regard to Daydream Nation director Michael Goldbach.

It’s new directors like Goldbach and Jackson (and, for that matter, Mike Tully) who make me feel good about the future of independent film, particularly low-budget indies. Smart indie films that rely on story and character rather than effects, tightly directed, for a low-enough budget that they can actually make their money back (as Tully did in a matter of months with Septien)? Good stuff.

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“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson 

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles