Hawaii Asked For Tax Credits To Support Kavanaugh, Bing Studios
Archive for April, 2011
Hawaii Asked For Tax Credits To Support Kavanaugh, Bing Studios
Saturday, April 30th, 2011Bringing An Intimate Arthouse To Miami’s South Beach
Saturday, April 30th, 2011How to Have a Royal Wedding in the Age of Social Media
Saturday, April 30th, 2011This picture of Princesses Eugenie and Beatrice arriving for the Royal Wedding is my favorite pic from the official photostream of the wedding. Check out those hats. You have to have been born a royal to pull off outfits like those with your dignity intact.
If ever there was a sign that we are firmly entrenched in the age of technology, with no way out except perhaps the robot apocalypse, it’s surely the way the British Royals took advantage of the Internet and social media in the handling of Prince William and Kate Middleton’s wedding.
The Official Royal Wedding website was flush with information for royal watchers — everything from the Official Royal Wedding Photographs to the live feed of the wedding itself, to information for those coming to London for the big day.
There’s a link to the Royal Wedding Charitable Gift Fund that was set up so well-wishers could donate to charitable causes rather than send the Duke and Duchess tons of stuff they don’t need, and so many Official Videos you could kill an awful lot of “work” time watching them.
Point being: It was smart of the royal family to recognize that William and Kate are of a younger generation, and to use that to their advantage in satisfying the hunger of millions of royal watchers to feel “in the know” by putting tons of information out there — while also carefully controlling what was put out there. Can you even imagine the meeting where someone sat down with Queen Elizabeth to explain to her why there should be an official Royal Wedding website, and what Twitter, Facebook and Flickr are?
Or maybe I’m not giving her enough credit. Maybe Her Royal Majesty is already savvy to the ways of the Internet age, and she’s hanging out on Facebook playing Farmville all day and tweeting under some anonymous name.
Friday Estimates: April 29
Saturday, April 30th, 2011Fast Five|33.1*|3644|NEW|33.1
Rio|3.5|3707|-67%|92.8
Madea’s Big Happy Family|3.1|2288|-71%|34.1
Water for Elephants|2.9|2820|-58%|26.1
Prom|1.8|2730|NEW|1.8
Hoodwinked Too!|1.1|2505|NEW|1.1
Soul Surfer|1.0|2010|-57%|31.5
Insidious|1.0|1584|-53%|46.6
African Cats|0.95|1224|-72%|9.2
Source Code|0.8|1645|-56%|47.2
|||||
Also Debuting|||||
Dylan Dog|0.25|862||
Cave of Forgotten Dreams|38,800|5||
13 Assassins|12,800|4||
Nenu Naa Rakshasi|15,600|17||
Chalo Dilli|10,200|26||
Exporting Raymond|Exporting Raymond|13||
Vaanam|7,700|9||
Lebanon, Pa.|3,100|2||
The Robber|3,000|4||
Sympathy for Delicious|2,100|2||
That’s What I Am|1,800|10||
Earthwork|1,200|1||
* in millions
Europacorp’s TREE OF LIFE Blu-Ray Out In France Sooner Than Later
Saturday, April 30th, 2011Here.
Dear God! The Handwritten Cover To Tarantino’s Newest Script May Have Leaked!!
Friday, April 29th, 2011Joanna Russ, 74, Author Of Feminist Sci-Fi Including “The Female Man”
Friday, April 29th, 2011Mike Tyson’s Tattoo Artist Files To Bite Off Hangover 2 Release Date
Friday, April 29th, 2011Is Joe Wright Wrong For H’wd?
Friday, April 29th, 2011End of Days: April 29, 2011
Friday, April 29th, 2011 
I wish I really knew what the wave of entertainment media crazy means. The Elvis Mitchell drama, reports that Jay Penske will throw away more of his fortune on Variety, and now, the return of Anita Busch, nine years after she left entertainment journalism. Anita’s story is not unlike Elvis’, in that there was and will now be a lot of guessing about what it true and what is just giddily repeated rumor.
All I can offer is that Anita was a neurotic handful back in the day, and whether her sense of what was happening to her was accurate or inaccurate, she definitely suffered from the experience. Is anyone really actionable aside from Pellicano and his employees? Magic Eight Ball says, “Unlikely.”
Of course, one has to love the idea of Jay Penske being unable to make money on Deadline, Movieline, et al, and going deeper in with Variety. It’s the entertainment news version of Donald Trump running for President… and like that, it’s not too likely to happen. But the thought is fantastic! Nikki Finke as the agoraphobic Charles Foster Krazy would make putting up with the ignorant press hype worth enduring. And Penske could finally take his well-earned position next to Sam Zell as a media mogul.
Meanwhile, while I am bullish on Paramount/Viacom B in 2011, the spin on this week’s quarterly that has been gobbled up by the press is pathetic. Love Rango, but Paramount will have more net profit on distribution only on DWA’s How To Train Your Dragon than on Rango. And there is no reason to assume Rango can be repeated. Also the bottom line of this quarter and the quarter before last year were skewed significantly by a lack
of theatrical product and a massive DVD push, followed by a good quarter that included the re-purchase of the $900m DreamWorks library.
I am not saying that Paramount will not do better under Grey than ever this year… just that the increase over 2010 this last quarter is a paper tiger.
I’m happy to see that Soderbergh’s retirement was a figment of his own imagination.
Fast Five seems to be ushering a new era of theatrical domination!!! The film has a good shot at breaking the record for an April opening… and may even double the record best opening for the second half of April, The Scorpion King. (Yes… The unbridled enthusiasm is sarcasm… The record possibilities are not… congrats to Universal… but there is nothing surprising about a well-marketed, commercially appealing film opening big. And looking forward to the July 4 weekend premiere of the $30 VOD… which no one will buy as they head to the multiplex to see Trannies 3.)
WGA Makes Final Ruling On X-Men First Class Credits: Some Left Empty-Handed
Friday, April 29th, 2011Nigel Andrews Asks If 70 Years On, Kane’s Still The Ablest
Friday, April 29th, 2011Animated: “Stanley Kubrick: A Filmography”
Friday, April 29th, 2011Gentle. Bittersweet.
Frank Bruni Visits With Betty White
Friday, April 29th, 2011“I see couples, and they’ll be sitting there and all of a sudden one will put a hand over the other’s. I miss that kind of personal contact.”
Frank Bruni Visits With Betty White
Breznican Conducts “John Hughes 101″
Friday, April 29th, 2011BYOB: Hard To Write
Friday, April 29th, 2011“There’s No Movie Magic In ’90s Nostalgia”
Friday, April 29th, 2011SIFF ANNOUNCES GALAS, TRIBUTES, SPECIAL EVENTS FOR 37th SEATTLE INTERNATIONAL FILM FESTIVAL
Friday, April 29th, 2011Seattle, WA – The 37th Seattle International Film Festival, the largest and most highly-attended event of its kind in the United States today announced the galas, tribute events and special presentations for this year’s Festival. The 25 day event, which runs from May 19 through June 12, will feature 441 films (257 features, 184 shorts) – including 96 feature and short premieres and a Festival record 74 countries represented – with screenings at venues throughout Seattle, Renton, Everett and Kirkland.
“This year’s Festival will feature one of the largest and most diverse programs that we have ever put together in our 37 year history, highlighting the best in cinema from around the world,” said SIFF Artistic Director Carl Spence. “There’s something for everyone as audiences will have a wide range of films and events to choose from including evenings with our special guests Ewan McGregor, Warren Miller, and Al Pacino as well as our strong line-up of films in competition and a record number of countries represented which all combine to make this one of the leading international film festivals.”
Galas
The Festival begins Thursday, May 19 with the annual Opening Night Gala and a screening of The First Grader (UK/Kenya, National Geographic Entertainment), directed by Justin Chadwick, which tells the remarkable story of an 84-year-old Kenyan villager determined to seize his last chance to get the education he could never afford. The screening is at Seattle Center’s McCaw Hall, with the Opening Night Gala reception at Seattle Center’s Exhibition Hall immediately following the screening.
The Centerpiece Gala will be Saturday, June 4 and feature a screening of Service Entrance (France, Strand Releasing), directed by Philippe Le Gauy, a comedy about a Parisian stockbroker whose life is turned upside down when an exuberant Spanish maid moves into the servants’ quarters above, at the Egyptian Theatre, with the Centerpiece Gala reception at Seattle’s Daughters of the American Revolution Hall immediately following the screening.
The Festival will conclude on Sunday, June 12 with the Closing Night Gala a screening of the groundbreaking documentary Life in a Day (UK, National Geographic Entertainment), directed by Kevin Macdonald, which brilliantly weaves footage submitted by thousands of contributors from around the world to catalog the events of a single day, into a spellbinding mosaic masterpiece. The screening is at the Cinerama Theatre, with the Closing Night Gala reception at the Pan Pacific Hotel immediately following the screening.
Tributes
SIFF 2011 will also feature plenty of star power, with tributes to honor Ewan McGregor and Warren Miller and a special, one night only event with Al Pacino scheduled.
In recognition of his illustrious career, Ewan McGregor will receive this years’ Golden Space Needle Award for Outstanding Achievement in Acting at a special tribute event featuring a screening of his new film, Beginners (USA), on Sunday, May 22 at the Egyptian Theatre.
A special tribute dinner for Mr. McGregor and 75 guests will take place immediately following the screening and interview at Prava Studios and will be prepared by James Beard Award-winning chef, Thierry Rautureau of Rover’s and Luc Restaurants in Seattle. Tickets for the dinner are $250, which includes reserved seating to the tribute event, and are available for purchase at SIFF.net.
Special retrospective screenings of Moulin Rouge! andPeter Greenaway’s The Pillow Book, and the Seattle premiere of another of Mr. McGregor’s new films, David Mackenzie’s Perfect Sense,will also be featured at the Festival.
Warren Miller, an industry legend whose name has been synonymous with action sports films for over 60 years, will be honored with the Festival’s Golden Space Needle for Lifetime Achievement on Wednesday, June 8 at Benaroya Hall.
In conjunction with the Seattle Theatre Group, SIFF will also welcome one of cinema’s most riveting stars, Al Pacino, for a special, one night only, event to discuss his passion for acting and directing, up close and personal, at the Paramount Theatre on Saturday, June 11.
Feature Premieres
World Premieres: A Lot Like You (USA), August (USA), Do You See Colors When You Close Your Eyes? (USA), Holy Rollers: The True Story of Card Counting Christians (USA), Lys (Germany), Sushi: The Global Catch (USA), The Darkest Matter (USA)
North America Premieres: Above Us Only Sky (Germany), Absent (Argentina), Almanya (Germany), Angel of Evil (Italy), Backyard (Iceland), Bicycle, Spoon, Apple (Spain), Blinding (Canada), Bruce Lee, My Brother (Hong Kong), Every Song is About Me (Spain), Flying Fish (Sri Lanka), Heading West (Netherlands), Johan Primero (Netherlands), Killing Bono (UK), King of Devil’s Island (Norway), The Mountain (Norway), Nobody (Greece), Our Home (Brazil), Qarantina (Iraq), Red Eagle (Thailand), Revenge: A Love Story (Hong Kong), Rosario (Philippines), Sevdah for Karim (Bosnia-Herzegovina), Spud (South Africa), Third Star (UK), A Thousand Fools (Spain), Yellow Sea (South Korea)
U.S. Premieres: The Cashier Who Liked Gambling (Italy), Ex (Hong Kong), Fathers & Sons (Canada), Finisterrae (Spain), Funkytown (Canada, Quebec), The Intruder (Thailand), Late Autumn (South Korea), Norwegian Wood (Japan), Oliver Sherman (Canada), Por El Camino (Brazil), Princess (Finland), Rene Goes To Hollywood (Georgia), Red Eyes (Chile), Silent Sonata (Slovenia), Snow White (France), A Thousand Times Stronger (Sweden), Trigger (Canada), The Whisperer in Darkness (USA), We Are the Night (Germany)
In addition to the above listed feature premieres, this year’s Festival will also include 44 short film premieres.
Pathways
New to this years’ Festival, SIFF has developed ten Pathways to help moviegoers find the film and experience that suites their moods. Instead of using traditional categories, SIFF Pathways easily connect the audience with films by organizing them into areas that help answer the question “what sort of film do I feel like seeing tonight?”
2011 Festival Pathways:
Love Me, Do! Romance and love in all its forms, pleasures, and idiosyncrasies.
Make Me Laugh Films that make you chuckle and tickle your funny bone.
Thrill Me Suspense, thrills, and action. Films with a faster pace that might also surprise you when you least expect it.
Creative Streak The exploration of artistic endeavors from all disciplines: literature, film, art, dance, and performance.
Open My Eyes Revealing films and documentaries revolving around history, politics, and contemporary events from around the world.
Sci-Fi and Beyond Science, technology, environment, the future-and beyond.
Take Me Away Be prepared to be taken to another place – from exotic far-off lands to vibrant experiences outside of everyday life.
Spellbinding Stories Mesmerizing dramas and documentaries that explore thought-provoking questions, realities, and topics.
To the Extreme Explore the outer limits with films that go beyond the edge.
Face the Music Films that intersect the world of music on all fronts: from biopics and concert films, to musicals and live events.
Special Presentations & Parties
This year’s Festival will feature 5 special presentation screenings: The Importance of Being Earnest (Dir. Brian Bedford, United Kingdom); Mysteries of Lisbon (Dir. Raul Ruiz, Portugal); Norwegian Wood (Dir. Tran Anh Hung, Japan); Tornado Alley (Dir. Sean Casey, USA); and The White Meadows (Dir. Mohammad Rasoulof, Iran). Two additional films will be presented with after-parties. The New American Cinema Party will feature a screening of The Future (Dir. Miranda July, USA) on May 21 at the Pacific Place Cinemas. The Gay-la party will feature a screening of August (Dir. Eldar Rapaport, USA) on Thursday, June 9 at the Egyptian Theatre. Austin Powers: The Spy Who Shagged Me (Dir. Jay Roach, USA), which had its US debut as the closing night film of SIFF in 1999 will be shown as a free outdoor evening screening at Juanita Beach Park on Saturday, May 28.
Competitions & Awards
New Directors Competition Festival programmers select 10 films remarkable for their original concept, striking style and overall excellence. To be eligible films must be a director’s first or second feature and without U.S. distribution at the time of their selection.
2011 Entrees: Absent (Dir. Marco Berger, Argentina); Almanya (Dir. Yasemin Samdereli, Germany); Artificial Paradises (Dir. Yulene Olaizola, Mexico); Belle Epine (Dir. Rebecca Zlotowski, France); Cairo 678 (Dir. Mohamed Diab, Egypt); Every Song is About Me (Dir. Jonas Trueba, Spain); Flying Fish (Dir. Sanjeewa Pushpakumara, Sri Lanka); Gandu (Dir. Q – Kaushik Mukherjee, India); The Most Important Thing in Life is Not Being Dead (Dirs. Olivier Pictel, Pablo Martin Torrado, Mark Recuenco, Switzerland); Por El Camino (Dir. Charly Braun, Brazil)
Documentary Competition Festival programmers select 10 films that are unscripted and uncut, the world is a resource of unexpected, informative, and altogether exciting storytelling. Documentary filmmakers have, for years, brought these untold stories to life and introduced us to a vast number of fascinating topics we may have never known existed-let alone known were so fascinating.
2011 Entrees: An African Election (Dir. Jarreth Merz, Ghana); Bicycle, Spoon, Apple (Dir. Carles Bosch, Spain); The Green Wave (Dir. Ali Samadi Ahadi, Germany); Hot Coffee (Dir. Susan Saladoff, USA); Marathon Boy (Dir. Gemma Atwal, India); PressPausePlay (Dirs. David Dworsky, Victor Köhler, Sweden); Red Eyes (Dirs., Juan Pablo Sallato, Ismael Larrain, Juan Ignacio Sabatini, Chile); Rothstein’s First Assignment (Dir. Richard Knox Robinson, USA); Sushi: The Global Catch (Dir. Mark Hall, USA); To Be Heard (Dirs. Amy Sultan, Roland Legiardi-Laura, Deborah Shaffer, Edwin Martinez, USA)
SIFF Shorts Competition All short films shown at the Festival are eligible for both the Golden Space Needle Audience Award and Jury Award. Shorts Competition jurors will choose winners in the Narrative, Animation, and Documentary categories.
WaveMaker Award for Excellence in Youth Filmmaking Sponsored in part by Adobe Youth Voices and presented to one filmmaker, 18 years old or younger, from the FutureWave program, whose talents celebrate the creative possibilities of film. All FutureWave films shown at the Festival are eligible for the award.
FIPRESCI Jury Award Selected by the International Federation of Film Critics from 10 films from the New American Cinema section.
2011 Entrees: August (Dir. Eldar Rapaport, USA), Black, White and Blues (Dir. Mario Van Peebles, USA), Codependent Lesbian Space Alien Seeks Same (Dir. Madeleine Olnek, USA), Gun Hill Road (Dir. Rashaad Ernesto Green, USA), Jess + Moss (Dir. Clay Jeter, USA), Letters From the Big Man (Dir. Christopher Munch, USA),Love (Dir. William Eubank, USA),Natural Selection (Dir. Robbie Pickering, USA), On the Ice (Dir. Andrew Okpeaha MacLean, USA), Roadie (Dir. Michael Cuesta, USA)
Golden Space Needle Awards Given in five categories (Best Film, Best Documentary, Best Director, Best Actor, Best Short Film) as voted by festival audiences. Awards are presented on Sunday, June 12 at the Space Needle.
Venues
SIFF venues in Renton, Everett and Kirkland will each have their own Opening Night festivities as well. Renton Opening Night is Friday, May 20 and will feature a screening of Black, White and Blues (2010). Everett Opening Night is Thursday, May 26 and will feature a screening of Young Goethe in Love (2010). Kirkland Opening Night is Thursday, June 2 and will feature the latest filmby award-winning director David Pinillos, Bon Appétit (2010).
Seattle: Admiral Theatre, Benaroya Hall, Cinerama Theatre, Egyptian Theatre, Harvard Exit, Majestic Bay Theatres, McCaw Hall, Neptune Theatre, Pacific Place Cinemas, Pacific Science Center IMAX, Paramount Theatre, SIFF Cinema, SIFF Film Center, SIFF Lounge at boom noodle, The Triple Door
Everett: Everett Performing Arts Center
Kirkland: Kirkland Performance Center, Juanita Beach Park
Renton: Renton IKEA Performing Arts Center
To learn more about this announcement and 2011 SIFF, go to http://www.siff.net/press/pressreleases.aspx
The Royal Wedding is Over. You May Now Stop with the Snark.
Friday, April 29th, 2011I didn’t wake up at 2AM to watch the Royal Wedding of Prince William to Kate Middleton, now Duke and Duchess of Cambridge, but I get why a lot of people did. The Internet is chock-full of Royal Wedding coverage today — but it’s almost as chock-full of people writing about how stupid the wedding is, or how stupid people are for being interested in it. To which my response is: Really?
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Box Office Hell — April 29
Friday, April 29th, 2011Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com
Fast Five|75.2|77.5|81.0|70.0|76.0
Rio |16.5|17.9|17.0|16.0|16.5
Tyler Perry’s Madea’s Big Happy Family|11.5|11.2|10.0|10.0|8.5
Water for Elephants |10.0|10.6|9.0|9.0|9.9
Hoodwinked Too! Hood vs. Evil|9.2|6.5|7.0|8.0|9.0
Prom|8.0|8.7|13.0|n/a|10.5














