“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
~ James Gray
By Kim Voynar Voynar@moviecitynews.com
Looks Like a Swell Swell Season
The film I most wish I was seeing at Tribeca right now is Swell Season, which Peter Knegt just wrote up for indieWIRE. The doc follows Once duo Marketa Irglova and Glen Hansard (my super-secret musician boyfriend) during their three-year tour following their Oscar win, in a film that started out to be a doc about musicians who won an Oscar, and ended up capturing the end of Irglova and Hansard’s personal relationship in the whirlwind aftermath of that glory.
I’m hoping (fingers crossed, fingers crossed) that Swell Season will be playing at SIFF next month, and that I’ll be able to write it up from here. Given that SIFF runs for something like 89,000 days, I should be able to squeeze it into my schedule, if it’s on their slate (which is due to be announced May 5, I think).
For now, though, here’s the trailer for Swell Season. A good trailer is about setting up the the story and creating a desire for “more” without being too long or giving away too much. And for me, the trailer for this little film does that just about perfectly.
Also, if you’re interested in hearing about the behind-the-scenes action, here’s a video of the post-screening Q&A from Tribeca, from indieWIRE’s Peter Knegt: