MCN Blogs
Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Looks Like a Swell Swell Season

The film I most wish I was seeing at Tribeca right now is Swell Season, which Peter Knegt just wrote up for indieWIRE. The doc follows Once duo Marketa Irglova and Glen Hansard (my super-secret musician boyfriend) during their three-year tour following their Oscar win, in a film that started out to be a doc about musicians who won an Oscar, and ended up capturing the end of Irglova and Hansard’s personal relationship in the whirlwind aftermath of that glory.

I’m hoping (fingers crossed, fingers crossed) that Swell Season will be playing at SIFF next month, and that I’ll be able to write it up from here. Given that SIFF runs for something like 89,000 days, I should be able to squeeze it into my schedule, if it’s on their slate (which is due to be announced May 5, I think).

For now, though, here’s the trailer for Swell Season. A good trailer is about setting up the the story and creating a desire for “more” without being too long or giving away too much. And for me, the trailer for this little film does that just about perfectly.

More, please.

Also, if you’re interested in hearing about the behind-the-scenes action, here’s a video of the post-screening Q&A from Tribeca, from indieWIRE’s Peter Knegt:

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“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner