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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Looks Like a Swell Swell Season

The film I most wish I was seeing at Tribeca right now is Swell Season, which Peter Knegt just wrote up for indieWIRE. The doc follows Once duo Marketa Irglova and Glen Hansard (my super-secret musician boyfriend) during their three-year tour following their Oscar win, in a film that started out to be a doc about musicians who won an Oscar, and ended up capturing the end of Irglova and Hansard’s personal relationship in the whirlwind aftermath of that glory.

I’m hoping (fingers crossed, fingers crossed) that Swell Season will be playing at SIFF next month, and that I’ll be able to write it up from here. Given that SIFF runs for something like 89,000 days, I should be able to squeeze it into my schedule, if it’s on their slate (which is due to be announced May 5, I think).

For now, though, here’s the trailer for Swell Season. A good trailer is about setting up the the story and creating a desire for “more” without being too long or giving away too much. And for me, the trailer for this little film does that just about perfectly.

More, please.

Also, if you’re interested in hearing about the behind-the-scenes action, here’s a video of the post-screening Q&A from Tribeca, from indieWIRE’s Peter Knegt:

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“I’m a governor in the Academy, so I cannot talk freely. We have meetings that are sometimes filled with disputes, but everything stays in the room. But I can tell you that this is a full industry issue. The Oscar nominations are for achievements at the top of someone’s career. It’s less an Academy issue than an employer issue. Employers have to hire with diversity for people to do content that can become choices for Academy members to nominate. I dispute the notion Academy members vote by race or gender. The choices presented to Academy voters are the choices presented by the industry, which elected which movies to make and which people to hire. The real change has to occur at the base. It’s a huge issue.”
~ Michael Mann On Diversity

“Jonas Mekas spoke a lot about ‘necessity’ last night at the Film Society. “Why do anything if it’s not needed,” he asked at one point. Mekas said that he created a publication, wrote for the Village Voice, founded an archive, because it was necessary.

“Somebody had to do it,” the 93 year old Mekas said, standing during the entire hourlong Q&A. He also spoke to the notion of curation: “If I see something I like, I don’t really enjoy it unless I can share it with others.”
~ Jonas Mekas, via Eugene Hernandez