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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

How Many Scott Pilgrims Does It Take to Screw in a Lightbulb?

We’re off to Sakura Con, the Pacific Northwest’s biggest anime con, this weekend. My husband and I will be kept busy-busy schlepping our six kids plus a couple of their friends all over the Washington State Convention Center, going to panels, and admiring all the awesome costumes that blossom over downtown Seattle like cherry blossoms each April.

Friday is always my favorite day of this con, just because downtown is still dense with working professionals who always look a little askance at their yuppie turf being invaded by a bunch of young people (and old people like us, too!) dressed up in an astonishing array of costumes.
We popped downtown yesterday to grab our badges, having learned the hard way last year that if you wait until Friday to do so, you get to wait in line for maybe three hours to pick up the badge you paid for six months ago, because for some reason they won’t just mail out badges like Pax does. So all we have to do is check into our hotel and hit the ground running.

Judging from the percentage of costumes we saw just last night, there’s going to be an awful lot of Scott Pilgrims running around downtown Seattle this weekend. It’s the perfect costume for the slacker guy who doesn’t want to dress up in something “dorky,” but whose girlfriend insists on cosplaying and dragging him with her. Okay, so I’ll be Scott Pilgrim and you be Ramona Flowers, babe. Pretty much win-win for the guy — he gets to toss on jeans and a t-shirt and grab his bass (and who in Seattle doesn’t have a bass lying around?), and walk around with a hot chick in purple leggings and a blue or purple wig all weekend.

I’ll take some pics of the better costumes we see this weekend to post later, so you can see the insanity for yourself. Happy Easter weekend!

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3 Responses to “How Many Scott Pilgrims Does It Take to Screw in a Lightbulb?”

  1. Kim Voynar says:

    Don …. well, yeah. You’ve met me. You know this. :-)

  2. Joe Straatmann says:

    I tried to talk my girlfriend into the Scott Pilgrim thing for a con in November, but she insisted on other costumes and we made a deal that I don’t have to pay for mine as my birthday present and we’ll go with her idea. I’m not really a costume person as I just like watching the stuff, but eh, the things you do for love. I’ll just have to explain the tagged pictures to the normal folk I watch football with. I imagine it’ll go something like, “I’ve posted links to a metal cover band of Studio Ghibli songs. You were expecting me to not be a dork?”

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“It’s incredibly exciting to fabricate a world. I was like, ‘Man, why doesn’t every movie do this?’ You allow yourself the freedom to have every color of the palette make a statement. You allow yourself the freedom to paint buildings whatever color you want. You get to adjust or subvert the reality around you. And I say this as someone whose first films as a student were documentaries. With La La Land, I wanted to get at reality in an indirect way. It’s an emotional portrait of L.A., not a realistic one. And I wanted to push back against the strict reliance on realism, which is one reason why Hollywood doesn’t do musicals anymore. It wasn’t always this way. Just look at the movies of Douglas Sirk or Powell and Pressburger. They always went beyond ordinary realism to get to emotions. They were both mainstream and avant-garde. They were commercial at their core but also balls-out insane.”
~ Damien Chazelle On The Look Of La La Land

Fey: How are we going to proceed with any kind of dignity in an increasingly ugly world? And I actually was thinking — because I’ve got to write something for when I get the award — to use Sherry Lansing as an inspiration because she was a lady who worked in a very, very ugly business and always managed to be quite dignified. But in a world where the president makes fun of handicapped people and fat people, how do we proceed with dignity? I want to tell people, “If you do two things this year, watch Idiocracy by Mike Judge and read Leni Riefenstahl’s 800-page autobiography and then call it a year.”
Letterman: Wait a minute. Tell me about Leni Riefenstahl.
Fey: She grew up in Germany. She was in many ways a brilliant pioneer. She pioneered sports photography as we know it. She’s the one who had the idea to dig a trench next to the track for the Olympics and put a camera on a dolly. But she also rolled with the punches and said, “Well, he’s the führer. He’s my president. I’ll make films for him.” She did some terrible, terrible things. And I remember reading 20 years ago, thinking, “This is a real lesson, to be an artist who doesn’t roll with what your leader is doing just because he’s your leader.”
Letterman: My impression of this woman is that she was the sister of Satan.
Fey: She was in many ways. But what she claimed in the book was, “He was the president, so what was I supposed to do?” And I feel a lot of people are going to start rolling that way.
~ Tina Fey And David Letterman Are Anxious