Archive for April, 2011

Bellamy And Howard Go Really, Really, Really Long On The Films Of Wong Kar-Wai

Saturday, April 30th, 2011

Bellamy And Howard Go Really, Really, Really Long On The Films Of Wong Kar-Wai

Cannes As Photographed By Generations Of Traversos (Mind That Pool!)

Saturday, April 30th, 2011

Cannes As Photographed By Generations Of Traversos (Mind That Pool!)

SAG National Board of Directors Unanimously Establishes Merger Task Force; Adopts Successor Union Mission Statement

Saturday, April 30th, 2011

FOR IMMEDIATE RELEASE

Guild Task Force to work directly with AFTRA counterparts to develop formal merger plan for approval by National Boards in January 2012.

Los Angeles, (April 30, 2011) – The Screen Actors Guild National Board of Directors today unanimously approved the creation of a Merger Task Force to work with their AFTRA counterparts in developing a formal plan to unite SAG and AFTRA members in one union.

The Board’s resolution instructed the newly-formed Merger Task Force “to meet with representatives of AFTRA as soon as practicable, but no later than June 2011, to initiate the development of a plan to create a successor union formed from the best elements of both SAG and AFTRA.” The full text of the resolution appears below.

Led by Screen Actors Guild National President Ken Howard, the Merger Task Force members were selected from among those who served on the Guild’s SAG-AFTRA Relations Task Force.

The National Board’s creation of the Merger Task Force elicited enthusiastic support from the Guild’s top officers.

SAG National President Ken Howard said, “The message from SAG and AFTRA members across the country has been clear – they want this done as soon as possible. If our boards approve the merger plan in January, our members will make the final decision through a referendum vote less than a year from now. I’m proud that we’ve taken a major step today, and I’m extremely grateful for the unanimous support of the SAG National Board. I also want to thank AFTRA National President Roberta Reardon, whose remarkable leadership has been essential inbringing us to this point.”

Screen Actors Guild National Secretary-Treasurer Amy Aquino said, “As treasurer, and as a member of both unions, I could not be more heartened. Not only will creation of one union increase our bargaining leverage, it will allow us to pool our resources to give members the protection they need by actively enforcing contracts and organizing new work.”

Screen Actors Guild 1st Vice President and Hollywood Division Chair Ned Vaughn said, “The entertainment industry is undergoing a transformation, and the only way for middle-class performers to remain strong is to have one union fighting for them with a unified strategy. I’m excited to be a part of making that happen.”

Screen Actors Guild 2nd Vice President and New York Division President Mike Hodge said, “The labor movement is under attack in this country. As performers, we have to fight back harder than ever before, and joining together in one union is the strongest way forward.”

Screen Actors Guild 3rd Vice President and Regional Branch Division Chair David Hartley-Margolin said, “Today’s action is a crucial step toward creating a new national union for media workers – one that will embody many of the tenets members across the country have been embracing for decades, both philosophically and in practice. We are finally seeing a light at the end of a long, long tunnel.”

In addition to establishing the Merger Task Force, the Board also adopted a draft mission statement for the successor union. The full text of the mission statement appears below.

The Merger Task Force was also authorized to engage advisors and create sub-workgroups in consultation with the SAG national executive director and other staff.

The recommendation and mission statement grew out of the work of the joint SAG and AFTRA Presidents’ Forum for One Union that has been meeting regularly since October. The Presidents’ Forum has held a series of member listening tour meetings across the country and, in early April, released a public statement reporting significant progress toward the goal of uniting SAG and AFTRA.

The statement also reported that Presidents’ Forum participants had unanimously approved both the draft mission statement and draft resolutions for consideration by the unions’ respective National Boards of Directors. At its meeting on May 14, 2011, the AFTRA National Board of Directors will take up a corresponding recommendation to establish a 13-member committee to work in concert with SAG’s Merger Task Force in developing a formal merger plan by January 2012.

Today was the first day of the SAG National Board of Directors regularly scheduled, two-day plenary at SAG headquarters in Los Angeles. The Board meeting will continue through Sunday.

Text of the National Board’s Merger Task Force Resolution

“The National Board hereby establishes a Merger Task Force to be comprised of thirteen members. The members shall be President Howard and twelve individuals as recommended by the President from among the members of the SAG/AFTRA Relations Task Force. The remaining members and alternates of the SAG/AFTRA Relations Task Force shall serve as alternates to the Merger Task Force, but will attend meetings only upon the request of an absent member of the task force or as designated by the chair if such a request is not timely made.

The Merger Task Force is hereby instructed to meet with representatives of AFTRA as soon as practicable, but no later than June 2011, to initiate the development of a plan to create a successor union formed from the best elements of both SAG and AFTRA. The Merger Task Force, in consultation with the National Executive Director and other staff, may engage any advisors and create any sub-workgroups it deems necessary to accomplish this goal. The Merger Task Force is further authorized to populate any sub-workgroups with members of the task force, alternates to the task force, other elected officials, or from the general membership of the union.

The Merger Task Force shall work with the AFTRA New Union Committee to prepare a merger agreement, constitution and dues policy in order to submit these documents to the Unions’ respective National Boards for approval in January 2012. In furtherance of the above-mentioned actions, the Mission Statement attached hereto is adopted as the guiding document of this process.”

Approved unanimously Text of The Successor Union Mission Statement

“The successor union (the successor union is used herein as a placeholder only) brings together two great American labor unions: Screen Actors Guild and the American Federation of Television and Radio Artists. Both were formed in the turmoil of the 1930s, with rich histories of fighting for and securing the strongest protections for media artists. Our members united to form the successor union in order to preserve those hard-won rights and to continue the struggle to extend and expand those protections into the 21st century and beyond.

We are actors, announcers, broadcast journalists, dancers, dj’s, news writers, news directors, program hosts, puppeteers, recording artists, singers, stunt performers, voiceover artists and other media professionals. Our work is seen and heard in theaters, on television and radio, sound recordings, the internet, games, mobile devices, home video: you see us and hear us on all media distribution platforms. We are the faces and the voices that entertain and inform America and the world.

The successor union is committed to organizing all work done under our jurisdictions; negotiating the best wages, working conditions, and health and pension benefits; preserving and expanding members’ work opportunities; vigorously enforcing our contracts; and protecting members against unauthorized use of their work.

A proud member of the AFL-CIO, the successor union partners with our fellow unions in the U.S. and internationally to seek the strongest protections for media artists throughout the world. We work with governments at the international, federal, state, and local levels to expand protections for American media professionals both at home and abroad.

It is a core value of the successor union that our strength is in our diversity. We are committed to the broadest employment and involvement of our members, regardless of gender, race, age, religious beliefs, disability, nationality, and sexual orientation or identification. The successor union strives to educate and engage members so that they may be full participants in the workings of their union. We are proud to be a model of inclusion, democratic organization and governance.“

Follow SAG Communications on Twitter (twitter.com/sagnews) and Facebook (facebook.com/screenactorsguild)

About SAG

Screen Actors Guild is the nation’s largest labor union representing working actors. Established in 1933, SAG has a rich history in the American labor movement, from standing up to studios to break long-term engagement contracts in the 1940s to fighting for artists’ rights amid the digital revolution sweeping the entertainment industry in the 21st century. With 20 Branches nationwide, SAG represents more than 125,000 actors who work in film and digital motion pictures and television programs, commercials, video games, industrials, Internet and all new media formats. The Guild exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. SAG is a proud affiliate of the AFL-CIO. Headquartered in Los Angeles, you can visit SAG online at SAG.org.

About the SAG Regional Branch Division

For a list of Branch offices within the Guild’s Regional Branch Division please visit SAG.org.

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SAG Nat’l Board Unanimous In Scootch Toward AFTRA Merger

Saturday, April 30th, 2011

SAG Nat’l Board Unanimous In Scootch Toward AFTRA Merger
With – The Complete Statement, Including Merger Text

Tribeca Audience Award Goes To Give Up Tomorrow

Saturday, April 30th, 2011

Tribeca Audience Award Goes To Give Up Tomorrow

2011 TRIBECA FILM FESTIVAL ANNOUNCES HEINEKEN AUDIENCE AWARD WINNER – GIVE UP TOMORROW

Saturday, April 30th, 2011

New York, NY [April 30, 2011] – The 10th annual Tribeca Film Festival (TFF), co-founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff, and presented by founding sponsor American Express, announced the winner of the Heineken Audience Award – Give Up Tomorrow – tonight at Eye Beam in New York City. The film’s director, Michael Collins, will receive a cash prize of $25,000.

Throughout the Festival, which kicked off on April 20, audiences have been able to vote for the Heineken Audience Award by completing nomination ballots upon exiting screenings of TFF films. Films in the World Narrative Competition, World Documentary Competition, Viewpoints, Spotlight and Cinemania sections were eligible for the Heineken Audience Award, the audience choice for best feature film. Final results were tabulated and announced during this evening’s Festival wrap party.

Give Up Tomorrow received a Special Jury Mention in the World Documentary Competition at this year’s TFF and played to rapturous response and standing ovations.  The film was also supported by the Tribeca Film Institute’s Gucci Tribeca Documentary Fund, and the filmmaker is an alumnus of the Tribeca Film Institute’s Tribeca All Access program.

The film tells the story of culinary student Paco Larrañaga, who, at 19 years old in 1997, was arrested for the kidnap, rape, and murder of two sisters on the provincial island of Cebu in the Philippines. Despite demonstrable evidence of his innocence, including 40 eyewitnesses and photographs placing him hundreds of miles from the scene, Paco’s legal ordeal was only just beginning. Dubbed the Philippines’ “trial of the century,” Paco’s ordeal became a galvanizing focal point in a far-reaching exposé of gross miscarriage of justice at the highest levels.

Following the case and its aftermath for more than a decade, the film traces Paco’s story from the ethnic and class tensions at its roots, through a distracting thread of tabloid sensationalism, and ultimately to appeals and interventions from foreign governments and NGOs as the injustice of Paco’s situation becomes ever more stark and undeniable.

“From the first standing ovation of Give Up Tomorrow at its premiere at the Festival it was clear that audiences were passionate about the portrayal of Paco Larrañaga’s unjust incarceration. We hope that the film will raise awareness of Paco’s plight and lead to his freedom,” said Nancy Schafer, Executive Director of the Tribeca Film Festival. “This film is remarkably well crafted and I hope this award brings it the additional visibility it deserves.”

“Tribeca was there from the beginning. They really gave us the introduction to the film world,” said director Michael Collins. “This award gives us so much hope. Now I know that the film is going to be seen by a broader audience and I’m incredibly grateful.”

Give Up Tomorrow will screen tomorrow (Sunday, May 1) at 12 noon and 9 p.m. at Clearview Cinemas Chelsea, as will the rest of the films that won awards at the 2011 Tribeca Film Festival. Specific times for the other films are available on the Festival website, www.tribecafilm.com. All other 2011 TFF award winners were announced previously at an awards show on Thursday, April 28, 2011. A full list of winners can be found at www.tribecafilm.com.

Tickets for 2011 Festival:

Tickets for the Festival will be $16.00 for evening and weekend screenings, and $8.00 for daytime weekday and late night screenings.

Single tickets can be purchased online at www.tribecafilm.com, or by telephone, toll free, at (866) 941-FEST (3378), or at one of the Ticket Outlets, with locations at Tribeca Cinemas at 54 Varick Street, Chelsea Clearview Cinemas at 260 West 23rd Street, and AMC Village VII at 66 3rd Avenue. The 2011 Festival will continue ticket discounts for evening and weekend screenings for students, seniors and select downtown Manhattan residents. Discounted tickets are available at Ticket Outlet locations only. Discounted ticket packages can only be purchased online and by phone. Additional information and further details on the Festival can be found at www.tribecafilm.com.

About the Tribeca Film Festival:
Robert De Niro, Jane Rosenthal and Craig Hatkoff founded the Tribeca Film Festival in 2001 following the attacks on the World Trade Center to spur the economic and cultural revitalization of the lower Manhattan district through an annual celebration of film, music and culture.

The Festival’s mission is to help filmmakers reach the broadest possible audience, enable the international film community and general public to experience the power of cinema and promote New York City as a major filmmaking center. Tribeca Film Festival is well known for being a diverse international film festival that supports emerging and established directors.

The Tribeca Festival has screened more than 1,100 films from over 80 countries since its first festival in 2002. Since its founding, it has attracted an international audience of more than 2.3 million attendees and has generated an estimated $600 million in economic activity for New York City.

About the 2011 Festival Sponsors:

As Founding Sponsor of the Tribeca Film Festival, American Express is committed to supporting the Festival and the art of filmmaking, bringing business and energy to New York City and offering Cardmembers and festivalgoers the opportunity to enjoy the best of storytelling through film.

The Festival is pleased to announce the return of its Signature Sponsors: Alfred P. Sloan Foundation, Apple, Bloomberg, Borough of Manhattan Community College (BMCC), Brookfield, Caesars Atlantic City, Heineken USA, LG Electronics USA, NBC 4 New York, NCM Media Networks, New York Nonstop, RR Donnelley, Stolichnaya Vodka, The New York Times, Time Warner Cable, and Vanity Fair. The Tribeca Film Festival is also honored to welcome the following new Signature Sponsors: Accenture, Bing, Cadillac, Doha Film Institute, JetBlue Airways, and Magnum Ice Cream.

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Friday Estimates by Fast Klady (commentary by really slow Poland)

Saturday, April 30th, 2011

Fast Five|33.1*|3644|NEW|33.1
Rio|3.5|3707|-67%|92.8
Madea’s Big Happy Family|3.1|2288|-71%|34.1
Water for Elephants|2.9|2820|-58%|26.1
Prom|1.8|2730|NEW|1.8
Hoodwinked Too!|1.1|2505|NEW|1.1
Soul Surfer|1.0|2010|-57%|31.5
Insidious|1.0|1584|-53%|46.6
African Cats|0.95|1224|-72%|9.2
Source Code|0.8|1645|-56%|47.2

Also Debuting
Dylan Dog|0.25|862
* in millions

Atlas Shrugged Producer Shifts Back Into Optimistic Mode

Saturday, April 30th, 2011

Atlas Shrugged Producer Shifts Back Into Optimistic Mode

Digital Foraging: The More Starbucks Any City Like New York Gets, The More Thieves Quietly Walk Off With iPads, Laptops, iPhones, BlackBerrys…

Saturday, April 30th, 2011

Digital Foraging: The More Starbucks Any City Like New York Gets, The More Thieves Quietly Walk Off With iPads, Laptops, iPhones, BlackBerrys…

William Campbell, 83, Was In Coppola’s Dementia 13; Sang With Elvis In Love Me Tender; Remembered For Early “Star Trek” Episodes

Saturday, April 30th, 2011

William Campbell, 83, Was In Coppola’s Dementia 13; Sang With Elvis In Love Me Tender; Remembered For Early “Star Trek” Episodes

Bryan Singer On The Challenge Of Writing Credits

Saturday, April 30th, 2011

Bryan Singer On The Challenge Of Writing Credits

Remembering Canadian Film Pioneer Gerald Pratley, Who Died Last Month At 87

Saturday, April 30th, 2011

Remembering Canadian Film Pioneer Gerald Pratley, Who Died Last Month At 87; CBC’s First Film Critic, Founder Ontario Film Institute (Now TIFF Cinematheque), Historian, Teacher
And – Was “One Of The Real Guys”
Was – “The Godfather Of The Cinematheque”

Limited Edition Mars Needs Moms Pins Still Available!

Saturday, April 30th, 2011

Limited Edition Mars Needs Moms Pins Still Available!

NZ Approves Showing Of LA Zombie, Gay Horror Banned In Australia

Saturday, April 30th, 2011

NZ Approves Showing Of LA Zombie, Gay Horror Banned In Australia

Ebert Pages His Fest Bloggers

Saturday, April 30th, 2011

Ebert Pages His Fest Bloggers

On Director Kelly Reichardt As Taskmaster

Saturday, April 30th, 2011

On Director Kelly Reichardt As Taskmaster

On The Brilliance Of W. C. Fields’ Line Readings

Saturday, April 30th, 2011

On The Brilliance Of W. C. Fields’ Line Readings

Thompson Gets QT Project Confirmation; Includes Spoiler-ish Synopsis

Saturday, April 30th, 2011

Thompson Gets QT Project Confirmation; Includes Spoiler-ish Synopsis

Adam Thirlwell On My Dog Tulip

Saturday, April 30th, 2011

Adam Thirlwell On My Dog Tulip

Kenny On Moderating Scorsese And Cissé

Saturday, April 30th, 2011

Kenny On Moderating Scorsese And Cissé