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Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

Stanley Kubrick Passed Away 12 Years Ago Today

http://www.youtube.com/watch?v=rDupoFh5Op0

One of the greatest scenes in movie history in one of the greatest films in movie history.

I remember waking up on March 7th, 1999 and seeing the news that Kubrick had died on AICN.  I couldn’t believe my eyes, thought it was some kind of joke.  The man was my hero, the man who made me interested in movies as an art form.  When I realized that it was true, I nearly burst into tears.  Eyes Wide Shut was still four months from being released and word had gotten out that he had screened it a few days before his death.  I was excited to see my first new Kubrick film in theaters – even if it wasn’t finished – but depressed because it would be the last.  The man was a visionary and I will always believe that he was the greatest filmmaker that ever lived.

To quote the ending of the film: “It was in the reign of King George III that the aforesaid personages lived and quarreled; good or bad, handsome or ugly, rich or poor, they are all equal now.”

6 Responses to “Stanley Kubrick Passed Away 12 Years Ago Today”

  1. Ed McMurchy says:

    Just finished watching “A Life in Pictures” without realizing the significance of the date. Such a spooky but wonderful coincidence. Spot-on post Noah.
    I was going to watch Lyndon again in honour but I think I’ll wait until the bluray comes out (is there a more anticipated release this year? Not bloody likely!).
    No matter how shitty the world seems to be these days we’ve always got Kubrick’s movies with us. The films themselves will never leave you feeling better about the world or humankind in general. But if you are a person who subscribes to the religion of the cinema, his films will always make you feel better about living in a world where watching these films is possible. And that is a valuable thing.

  2. Popcorn slayer says:

    “The films themselves will never leave you feeling better about the world or humankind in general. But if you are a person who subscribes to the religion of the cinema, his films will always make you feel better about living in a world where watching these films is possible. And that is a valuable thing.”

    Very well said.

  3. RP says:

    Everyone in the world knows that Damon and Affleck didn’t fully write “Good Will Hunting”. The article in ‘Premiere’ by William Goldman was a joke, but a true joke. They wrote parts of it, and they got help. How many scripts in Hollywood actually remain intact when they are hitting the screen?

    Damon is obviously the better actor, but was that ever a shock or a surprise to anyone?

    Why do people care so much about what directors that actors work with as well? Mark Wahlberg was still Marky-Mark until he made “Boogie Nights”. But Paul Thomas Anderson was a nobody until he made that movie. There are a ton of directors and actors out there that make great movies, and they never see the time of day, because people in the movie industry sit around and complain about the careers of Matt Damon and Ben Affleck. Let me tell you-they don’t give a shit-so you probably shouldn’t either.

  4. berg says:

    huh

  5. berg says:

    every year another Kubrick film becomes my “the best Kubrick film” … for a few it was Paths of Glory, then Dr. Strangelove … then Clockwork Orange … then 2001 … then parts of Eyes Wide Shut .. then Dr. Strangelove, Then The Killing on a double bill with Killer’s Kiss, then … Dr. Strangelove ….

  6. berg says:

    to go off on a Damon Affleck riiff during a Kubrick rant is like ordering a burger with stilton cheese well done with no mustard at a three star gourmet restaurant

Quote Unquotesee all »

“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima