MCN Blogs
Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Juno Temple Joins The Dark Knight Rises. Cool.

Here’s some casting news in which I’m particularly interested: Variety is EXCLUUUUUSIVELY reporting that indie starlet Juno Temple is locked to join the cast of Christopher Nolan’s The Dark Knight Rises. The pot had already been sweetened by the addition Joseph Gordon-Levitt to the mix, but Juno Temple being cast as well is great news.

Rumors are flying fast and furious as everyone gets into some heavy petting in their excitement about this film. Is Temple being cast as a Robin-like character? whispers Ain’t It Cool News. Nah, more likely as Holly Robinson, asserts Spinoff Online.

Meanwhile, Variety reports JGL has been cast as Alberto Falcone (The Holiday Killer), while EW calls bullshit.

As for Temple, she was great in Dirty Girl and KABOOM!, and I’ve been interested in seeing what path she’d take. I don’t think there’s a universe where agreeing to star in a Chris Nolan film is a bad move career-wise, with the caveat that I hope she’ll use that leverage to keep making smart choices and stay the hell away from lame rom-coms.

One Response to “Juno Temple Joins The Dark Knight Rises. Cool.”

  1. Yes! The cast of “The Dark Knight Rises” grows interesting with every new anoucement. Hope Nolan doesn’t lose narrative focus with so many characters. Love the way Nolan uses former character actors in all his movies; Hathaway seems like an odd choice here.

Leave a Reply

Quote Unquotesee all »

Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest