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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Imagining the Future Through Film

The site Futurestates, part of ITVS, is a very cool site that challenges students to think about what the future will look like 25, 50, 100 years from now. The site combines films on pertinent subjects with lesson plans that tie in and challenge students to think about what they’re learning and hypothesize about what consequences might result decades from now, from choices they’re making today.

One of the Season One lessons, for instance, used Ramin Bahrani’s terrific short film Plastic Bag, narrated by Werner Herzog, to illustrate the relationship between humans as consumers and how we impact the environment without thinking.

One of the season two episodes, Exposure, which releases April 4, was directed by Mia Trachinger, whose film Reversion played at Sundance a few years ago. Reversion was a trippy film about a group of people who lack the ability to travel linearly through time. Trachinger used this basic conceit to explore the idea that if we don’t experience life linearly, we don’t ever see the direct consequences of actions, as an allegory for consequential morality generally.

Reversion had some flaws in the execution (Trachinger just told me she’s recut the film, though, so I am really interested to see it in this new iteration), but it was a really smart concept and Trachinger herself kind of reminds me of a sci-fi Miranda July … very smart and passionate, with a particularly interesting and engaging way of looking at the world.

Here’s the trailer for Trachinger’s film Exposure, which imagines a future world in which teams of government workers are tasked with the job of inoculating the population against disease by exposing people to contagions, and a group of people trying to avoid being exposed.

I’ll be keeping an eye on this project, now that I know about it, and maybe using some of the lessons with my middle school youth group at the Unitarian Church to kick off some discussions about some of the issues addressed. Pretty cool.

One Response to “Imagining the Future Through Film”

  1. Donkeys says:

    Just shoot him and bury him with a pig.

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“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West