By MCN Editor editor@moviecitynews.com

GK FILMS AND INFINITUM NIHIL’S THE RUM DIARY LANDS AT FILMDISTRICT

JOHNNY DEPP STARS
FilmDistrict to release October 28

NEW YORK, March, 29, 2011 – It was announced today at CinemaCon, by Bob Berney, President, Theatrical Distribution that FilmDistrict will release “The Rum Diary,” based on the early Hunter S. Thompson novel that was ultimately published in 1998. It stars Johnny Depp and will be released on October 28, 2011. The film is directed by Bruce Robinson (“Withnail and I”) from his own screenplay and also stars Aaron Eckhart, Amber Heard, Michael Rispoli, Richard Jenkins and Giovanni Ribisi. “The Rum Diary” is produced by Infinitum Nihil, the production company headed by Depp and Christi Dembrowski, along with Graham King and Tim Headington. Anthony Rhulen and Robert Kravis also produce.

“The Rum Diary” tells the increasingly unhinged story of itinerant journalist Paul Kemp (Depp). Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman (Jenkins). Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s “The Lost Generation,” Paul soon becomes entangled with a very attractive American woman, Chenault (Heard) and her fiancée Sanderson (Eckhart), a businessman involved in shady property development deals. It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.

“Hunter S. Thompson became close with Johnny Depp during the filming of “Fear and Loathing in Las Vegas” and showed Depp the unpublished manuscript for The Rum Diary,” says producer and FilmDistrict co-founder Graham King. “I am extremely proud to bring this novel to film and to honor Hunter’s legacy.”

Peter Schlessel, CEO of FilmDistrict and President of GK Films, says, “The Rum Diary” is a special project for all of us here, as it is a true collaboration between both of our entities. Depp gives an extraordinary performance in this remarkable adaptation.”

“Robinson directed one of my favorite films, “Withnail and I” – combine that with Hunter S. Thompson and it’s a match made in celluloid heaven,” says Bob Berney, President of Distribution, FilmDistrict.

“The Rum Diary” is a GK Films, Infinitum Nihil and Film Engine production produced by Johnny Depp, Christi Dembrowski, Anthony Rhulen, Robert Kravis, Tim Headington and Graham King.

About FilmDistrict
FilmDistrict is a multi-faceted acquisitions, distribution, production and financing company focusing on wide release, commercial pictures. Founded in September by Graham King and Tim Headington’s GK Films, in partnership with Peter Schlessel, the company’s films include INSIDIOUS, April 1; SOUL SURFER, April 8; DRIVE, Sept. 16; and LOCKOUT, February 24, 2012. For more information, visit filmdistrict.com.

About GK Films
Graham King launched GK Films in May 2007 with business partner Tim Headington. Most recently, GK Films produced the animated tale “Rango,” directed by Gore Verbinski and produced with his Blind Wink Productions for Paramount Pictures, “The Town,” written and directed by Ben Affleck for Warner Bros., and “The Tourist,” directed by Florian Henckel von Donnersmarck and starring Angelina Jolie and Johnny Depp.

The company is currently in post-production on the 3-D adventure film “Hugo Cabret,” directed by Martin Scorsese set for release through Paramount Pictures on November 23rd 2011, an untitled love story, written and directed by Angelina Jolie, the crime drama “London Boulevard,” starring Colin Farrell and Keira Knightley and written and directed by Academy Award®-winning screenwriter William Monahan and “The Rum Diary” starring Johnny Depp and produced with Depp’s production company, Infinitum Nihil.

GK Films has announced several projects in development including the screen adaptation of “Jersey Boys,” the untitled Freddie Mercury story starring Sacha Baron Cohen and written by Peter Morgan and a reboot of the successful action franchise,“Tomb Raider.”

Previous GK Films releases include “Edge of Darkness,” and the three-time Academy Award® nominated “The Young Victoria.”

In 2010, Graham King and Tim Headington launched a new division, GK-TV. Run by President Craig Cegielski, GK-TV is dedicated to the development, production and worldwide distribution of television programming. GK-TV’s miniseries “Camelot,” set to premiere on Starz on April 1, 2011, stars Joseph Fiennes and Eva Green.

GK Films, in partnership with Peter Schlessel, formed FilmDistrict, a multi-faceted studio that encompasses acquisitions, distribution, production and financing on wide release commercial pictures. The company will theatrically distribute several films per year.

GK Films can be found at http://gk-films.com

About Infinitum Nihil
Infinitum Nihil was formed in 2004 and enjoys a production deal with GK Films. The two companies have produced the forthcoming film The Rum Diary starring Johnny Depp and written and produced by Bruce Robinson, as well as Hugo Cabret directed by Martin Scorsese and set for release on November 23rd through Paramount Pictures. Additionally, Infinitum Nihil and Graham King are in pre-production on Dark Shadows for Warner Brothers with Johnny Depp set to star with Tim Burton directing.

Infinitum Nihil and GK Films share a number of films in development for Warner Brothers, including Shantaram, based on the book by Gregory David Roberts and adapted by Eric Roth; Attica adapted by Linda Woolverton and to be directed by Sam Fell; Gordon Dahlquist’s The Glass Books of the Dream Eaters and the Tom Robbins classic Fierce Invalids Home from Hot Climates adapted by Eric Aronson.

Infinitum Nihil is also developing the Nick Tosches book In The Hand of Dante as well as journalist-author James Meek’s The People’s Act of Love.

Leave a Reply

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch