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Damon & Affleck: Two Roads to Stardom » matt-damon-ben-affleck-poker-africa-05

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“At the moment, when you’re airing episode-by-episode, making those arguments is irrelevant. People are either digging the characters or they’re in it as an adventure or they’re watching it for what they’re getting—or they’re not. If you lose them, you lose them. We lost a lot of people on “Treme.” But to me, that story was as well-executed as anything I’ve ever done. I look at it, and I think: It’s on the shelf. We made it. We got to say a lot of what we intended to say, and we executed at a very high level. It’s there, thank God it’s there.  And it’s all you can do. I know I can’t write something that gets you an audience the moment I put it on, and especially if everyone is presumptive of what the reasons are for it from the very beginning. But what I can do is I can make a film. I can try to get from the beginning to the middle to the end. I can put it up on a shelf. I can hope that in the weird lending library that is modern television—that is HBOGo, that is Netflix—because it’s up on the shelf people will find it. If we’ve executed well, the story will eventually prevail and find a place.”
~ David Simon on television at this moment

“Film lived in a country or a land or a planet called reality and that is not the case today. There’s no reality anymore today. Everybody is reconciled with reality, that’s what happens today. I mean reality: tables, people walking, dogs, cars. You have to go back to the old days to see a door, a kitchen, a window, a small kid, some tears, things like that. I miss a world. I miss the kids, the dogs. I miss the street corners. I’m bored with realism today. You have to concentrate on the fight with reality. For me it’s a fight.” 
Pedro Costa And Thom Andersen In Conversation

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