“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
~ James Gray
By Kim Voynar Voynar@moviecitynews.com
Dallas IFF Announces Stellar Lineup
SXSW may be rocking Austin right now, but the Dallas International Film Festival, which runs March 31-April 10, is just a few short weeks away, and the fest, under the leadership of Artistic Director James Faust and Senior Programmer Sarah Harris has just announced an impressive slate.
Last year was the first year that the fest took off under its own steam, after three years of partnering with AFI, and this year from the looks of it Faust, Harris, who set out with the goal of bringing films from a wide array of cultures to Dallas audiences, certainly seem to be aiming for that goal. I’ll be in Dallas myself a few days toward the end of the fest, so I’ll be keeping you apprised of all the cool happenings at this year’s fest. In the meantime, you can check out the press announcement with the full line-up right here.