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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Dallas IFF Announces Stellar Lineup

SXSW may be rocking Austin right now, but the Dallas International Film Festival, which runs March 31-April 10, is just a few short weeks away, and the fest, under the leadership of Artistic Director James Faust and Senior Programmer Sarah Harris has just announced an impressive slate.

Last year was the first year that the fest took off under its own steam, after three years of partnering with AFI, and this year from the looks of it Faust, Harris, who set out with the goal of bringing films from a wide array of cultures to Dallas audiences, certainly seem to be aiming for that goal. I’ll be in Dallas myself a few days toward the end of the fest, so I’ll be keeping you apprised of all the cool happenings at this year’s fest. In the meantime, you can check out the press announcement with the full line-up right here.

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain