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By Ray Pride Pride@moviecitynews.com

Raising Kael: What’s In A Title?

PAULINE KAEL is set to join the ranks of the esteemed litterateurs of the Library of America (alongside her peer Manny Farber), and there are new collections of Philip Roth and Kurt Vonnegut in the next batch of releases as well. The volume’s edited by Sanford Schwartz, and coming from the critic who wrote “I Lost It At The Movies,” “Kiss Kiss Bang Bang,” “Going Steady,” “Deeper Into Movies,” “When The Lights Go Down” and “Taking It All In,” what sweetly skeevy double-entendre of a title has the august press arrived at? “The Age of Movies: Selected Writings of Pauline Kael.” Whut? What opportunity has been missed here? “The Tender Age Of Movies”? Nah. “The Underage of Movies”? No. “The Long And Short: Selected Movie Writings By Pauline Kael,” that wouldn’t be half-bad. Why is an appropriately inappropriate title so hard?

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“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel

“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall