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Ray Pride

By Ray Pride Pride@moviecitynews.com

Raising Kael: What’s In A Title?

PAULINE KAEL is set to join the ranks of the esteemed litterateurs of the Library of America (alongside her peer Manny Farber), and there are new collections of Philip Roth and Kurt Vonnegut in the next batch of releases as well. The volume’s edited by Sanford Schwartz, and coming from the critic who wrote “I Lost It At The Movies,” “Kiss Kiss Bang Bang,” “Going Steady,” “Deeper Into Movies,” “When The Lights Go Down” and “Taking It All In,” what sweetly skeevy double-entendre of a title has the august press arrived at? “The Age of Movies: Selected Writings of Pauline Kael.” Whut? What opportunity has been missed here? “The Tender Age Of Movies”? Nah. “The Underage of Movies”? No. “The Long And Short: Selected Movie Writings By Pauline Kael,” that wouldn’t be half-bad. Why is an appropriately inappropriate title so hard?

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Feature films are suffering a kind of bad time right now, in my opinion, because the feature films that play in theaters are blockbusters. That seems to fill the theaters, but the art-house cinema is gone. If I made a feature film, it might play in L.A. and New York, a couple of other places, for a week in a little part of a cineplex, and then it would go who knows where. I built this to be on the big screen. It will be on a smaller screen, but it’s built for the big screen. You want a feature film to play on a big screen with big sound, and utilize all the best technology to make a world. It’s really tough after all that work to not get it in the theater. So I say that cable television is a new art house, and it’s good that it’s here.”
~ David Lynch

“The purpose of film isn’t to present the kindness of the world.”
~ Isabelle Huppert