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Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

Bad Teacher red-band trailer looks pretty good…

I gotta say, this looks like it could be a pretty funny flick.  Jake Kasdan has been hit or miss in the past, but I’ll always love him for his underrated debut Zero Effect.  I think Timberlake is bound to become a big movie star and after The Social Network, he looks more comfortable in this picture than he has in the past.  The dude’s got charisma.  I love the idea of Cameron Diaz as a terrible teacher and the title of the film is almost a direct allusion to Bad Santa, which this film seems hell-bent on aping…but that’s not a bad thing by any stretch.  Jason Segel is in this too and he’s always a welcome presence.  The big surprise in this trailer?  Phyllis from The Office killing it.  I’d love it if she became the big break-out star…and if I could remember her name.

One Response to “Bad Teacher red-band trailer looks pretty good…”

  1. Gratitude is not only the greatest of virtues, but the parent of all others. Your view and voice is important to me. Don’t give up and looking forward to your new posts, all the best.

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“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

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