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Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

Bad Teacher red-band trailer looks pretty good…

I gotta say, this looks like it could be a pretty funny flick.  Jake Kasdan has been hit or miss in the past, but I’ll always love him for his underrated debut Zero Effect.  I think Timberlake is bound to become a big movie star and after The Social Network, he looks more comfortable in this picture than he has in the past.  The dude’s got charisma.  I love the idea of Cameron Diaz as a terrible teacher and the title of the film is almost a direct allusion to Bad Santa, which this film seems hell-bent on aping…but that’s not a bad thing by any stretch.  Jason Segel is in this too and he’s always a welcome presence.  The big surprise in this trailer?  Phyllis from The Office killing it.  I’d love it if she became the big break-out star…and if I could remember her name.

One Response to “Bad Teacher red-band trailer looks pretty good…”

  1. Gratitude is not only the greatest of virtues, but the parent of all others. Your view and voice is important to me. Don’t give up and looking forward to your new posts, all the best.

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“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray