MCN Columnists
Leonard Klady

By Leonard Klady Klady@moviecitynews.com

Weekend Report: January 23, 2011

Zonk Went the Strings of My Heart 

The debut of rom-com No Strings Attached led weekend box office sales with an estimated $20.3 million. It was the session’s only national debut in what proved to be a depressed marketplace.

Also new were several late year Oscar hopefuls. The endurance saga No Way Back struggled to a disappointing $1.3 million while there were encouraging results for the downsizing tale The Company Men of $720,000 at 106 venues. There were also good returns for Bollywood’s Dhobi Ghat of $410,000 from 79 screens. Canadian Oscar submission Incendies bow in the country’s English sector to a not very stellar $33,800 at 19 sites.

Box office revenues dipped 19% from the prior weekend and a more severe 27% from 2010. Last year Avatar remained firmly on top in its 38th day of release with $34.9 million with the opening of Legion trailing at $17.5 million.

Hardly the sort of thing to bolster Natalie Portman’s Oscar prospects, No Strings Attached was roundly dismissed by the nation’s critics and opened to dullish response. Exit polls skewed decidedly female and indifferent audience feedback suggests a steep second weekend drop. Last weekend freshmen The Green Hornet and The Dilemma both experienced hard hits in their sophomore sessions.

With Oscar’s finalists unveiling in two days it was good for the grosses of The King’s Speech, The Fighter and Black Swan. Box office was also first rate for True Grit which has to date been largely passed over by critics and industry honor rolls and pundits predict no variance from the Academy. But its $138 million domestic gross to date outpaces all the presumed contendors.

Though the Oscar folk won’t be altering its award schedule this year or next, one can expect the issue to crop up again in 2013. The awards continue to be anticlimactic and, worse, capricious with voting members prone to vote for the unexpected … they too worn down by a bone crushing consensus that augers for inevitability for its winner’s roster. The inarguable situation has to create a heightened sense of anxiety for all those associated with The Social Network and make the likes of Colin Firth and Christian Bale ponder whether they’ve worn out their current welcome and should refrain from perceived campaigning in the coming weekss

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Title Distributor Gross (average) % change * Theaters Cume
No Strings Attached Par 20.3 (6,730) NEW 3018 20.3
The Green Hornet Sony 18.2 (5,080) -46% 3584 63.6
Dilemma Uni 9.7 (3,290) -46% 2943 33.3
The King’s Speech Weinstein Co. 8.3 (4,960) -9% 1680 57.8
True Grit Par 7.8 (2,260) -29% 3464 138.5
Black Swan Fox Searchlight 6.1 (2,540) -27% 2407 83.5
The Fighter Par/Alliance 4.5 (1,960) -12% 2275 73
Little Fockers Uni 4.3 (1,460) -40% 2979 141.1
Yogi Bear WB 4.0 (1,580) -26% 2510 88.8
Tron: Legacy BV 3.8 (1,890) -33% 2018 163.4
Tangled BV 3.1 (1,690) -21% 1860 186.4
Season of the Witch Relativity 2.2 (960) -52% 2307 22.1
Country Strong Sony 2.1 (1,470) -42% 1441 16.9
Chronicles of Narnia: Dawn Treader Fox 1.3 (1,180) -42% 1135 100.6
The Way Back Newmarket 1.3 (1,950) NEW 678 1.3
Gulliver’s Travels Fox 1.2 (1,060) -45% 1100 40
Harry Potter & the Deathly Hollows, Part 1* WB .95 (1,310) -32% 725 291.4
Blue Valentine Weinstein Co. .93 (3,840) -33% 242 4.5
The Tourist Sony .91 (1,040) -46% 875 65.9
The Company Men Weinstein Co. .72 (6,790)   106 0.72
Megamind Par .59 (1,840) -11% 320 146.4
Barney’s Version eOne/Sony Classics .48 (6,190) 35% 77 1
Weekend Total ($500,000+ Films)   $102.40      
% Change (Last Year)   -27%      
% Change (Last Week)   -19%      
Also debuting/expanding          
Dhobi Ghat UTV .41 (5,140)   79 0.41
Another Year Sony Classics .22 (4,930) 98% 45 0.73
Somewhere Focus .20 (2,440) -19% 83 1.3
Rabbit Hole Lions Gate .18 (1,760) -36% 101 1.3
The Illusionist Sony Classics 85,700 (5,710) 42% 15 0.38
Incendies eOne/Seville 33,800 (1,780)   19 2.5
Evangelion: 2.0 11 Arts 24,600 (1,640)   15 0.02
Un Vie Qui Commence Alliance 20,700 (1,480)   14 0.02
L’Autre Dumas Seville 11,800 (1,450)   8 0.01
The Woodmans Kino Lorber 5,400 (5,400)   1 0.01

One Response to “Weekend Report: January 23, 2011”

  1. IOv3 says:

    Yeah, you know The Social Network is not going to win right? Seriously, talk to David about this.

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Klady

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé