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By Ray Pride Pride@moviecitynews.com

Warren Ellis In The Pink Over WGA

Writer Warren Ellis, whose “RED” was basis for the current film, gets a cert in the mail. “Membership of the Guild is a necessity for working with major studio… It wasn’t something I was given a choice in. And there’s a lot about the WGA I’m not thrilled by. That said… I now have this stuck above my desk. There’s a peculiar pleasure in it. When you’re a kid reading about these people, living in a 6′ by 6′ bedsit in the shit end of Essex and eating once a day if you’re lucky, wondering what it was really like to be those people and do those things… it’s an interesting thing, to become one of those people. I like being a member of the WGAw.”

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“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel