MCN Blogs
Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

I’d Like to Thank the Academy …

… for announcing its nominations at such a ridiculously early hour during Sundance every year. Everyone in the business who’s already hitting their exhaustion point at the fest really appreciates getting to wake super early so we can hear nominations that rarely offer any huge surprises. But we’ll see.

… Okay, there were a few surprises, pleasant and otherwise:

I’m happy to see Dogtooth get a nomination for Best Foreign; we’ve been talking about that film since Toronto 2009, so it’s nice to see it get some love. But I’ll be rooting for my #1 film of the year, Biutiful, to win the category.

Speaking of Biutiful, how great is it that Javier Bardem got that well-deserved Best Actor nomination? In a perfect world, he would win it, but all things being what they are in Hollywood, you can give the performance of your career as he does here and still be the underdog.

No Ryan Gosling, though, which is too bad. Not sure which Best Actor nominee I would have bumped to make room for him. Bridges, maybe.

And also good to see John Hawkes get the Supporting Actor nom for Winter’s Bone. He’s my pick to win it. Fingers crossed.

On the chick side of things, I’m not unhappy to see any of the actresses who were nominated for Best Actress. It would be easy to get excited about the nominees all being from films with small budgets. Not that there’s anyone from a bigger film I would have liked to have seen nominated, but still.

As for the Supporting Actress noms, nothing shocking there, though it’s probably Hailee Steinfeld’s to lose. Here’s hoping her career survives the dreaded “child nominee” backlash, and that she has someone smart guiding her script choices post-True Grit.

Aronofsky and the Coens got well-deserved director nods. I wish Debra Granik’s name was on that list as well, but at least they tossed her a bone for screenplay. And what? No Christopher Nolan?

Nothing terribly shocking in the docs nominations. Once Exit Through the Gift Shop made the short list, it seemed likely to make the final cut. I hope it wins. And I guess I am going to have to get off my ass and force myself to watch Restrepo.

Good for The Illusionist for at least getting a nomination … maybe that will interest more parents in watching it with their kids. Okay, probably not, but a girl can dare to dream. If it actually beat out Toy Story 3 that would be probably the biggest shocker of the Oscars this year, but I wouldn’t hold my breath for that to happen.

And yay for the Roadside Attractions team for scoring noms for two films, Winter’s Bone and Biutiful. It’s been interesting to watch as Roadside has stepped up into the awards game with some smart acquisitions. Nice guys all around, and I’m happy for them almost as much as for the films, both of which I loved.

Okay, thanks Academy. Back to Sundance.

4 Responses to “I’d Like to Thank the Academy …”

  1. Marley says:

    grow up. look at yourself – you’ve got a job. it’s glamourous. too fucking bad you have to get up early. wah wah wah. you make me sick.

  2. NickF says:

    5:30AM PACIFIC damn time is stupid.

    They must be oblivious to which coast they’re on.

  3. brainypirate says:

    A college friend of mine who’s now in the Hollywood news industry says it’s many journalists’ least favorite experience–and not just because they have to be there so much earlier than the announcements that they might as well just stay up the night before….

  4. Ando says:

    The most important time is for Business (remember Hollywood is a business), EST–New York. Even Hollywood knows and readily caters to us. Rise and shine la-la land.

Quote Unquotesee all »

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima

“They’re still talking about the ‘cathedral of cinema,’ the ‘communal experience,’ blah blah. The experiences I’ve had recently in the theatre have not been good. There’s commercials, noise, cellphones. I was watching Colette at the Varsity, and halfway through red flashes came up at the bottom of the frame. A woman came out and said, ‘We’re going to have to reboot, so take fifteen minutes and come back.’ Then they rebooted it from the beginning, and she had to ask the audience to tell her how far to go. You tell me, is that a great experience? I generally don’t watch movies in a cinema at all. Netflix is the future. It’s the present. But the whole paradigm of a series, binge-watching, it’s quite different. My first reaction is that it’s more novelistic, because if you have an eight-hour season, you can get into complex, intricate things. You can let it breathe and the audience expectations are such that they will let you, where before they wouldn’t have the patience. I think only the surface has been touched with experimenting with that.”
~ David Cronenberg