Z

By MCN Editor editor@moviecitynews.com

FOX SEARCHLIGHT PICTURES ACQUIRES REMAKE RIGHTS TO THE BENGALI DETECTIVE

FOR IMMEDIATE RELEASE

Specialty Arm Acquires Worldwide Remake Rights

PARK CITY, UT January 24, 2011 – Fox Searchlight Pictures President of Production Claudia Lewis announced today that the company has acquired worldwide remake rights from Native Voice Films to the entertaining original feature documentary, THE BENGALI DETECTIVE, directed by Philip Cox and produced by Giovanna Stopponi, Annie Sundberg and Himesh Kar.

“We adored this film and are delighted to have the chance to work with such entertaining, funny material. We were charmed by this story of a dedicated husband and self-made detective who dreams big,” said Lewis.

“We are thrilled that Fox Searchlight has fallen in love with our leading man Rajesh and his wild adventures as a detective in Kolkata.  Fox Searchlight has an amazing track record of bringing stories set in India to a worldwide audience, and we are excited to be sharing this journey with them,” said director Phil Cox and The Bengali Detective team.

In THE BENGALI DETECTIVE, Calcutta’s criminal underworld is explored by intrepid private eye Rajesh Ji.  Following both his investigations and Rajesh’s pursuit of his dream to dance on Indian TV, THE BENGALI DETECTIVE provides a look at modern India through the eyes of one of its most unlikely heroes.

The deal was brokered on Fox Searchlight’s side by Senior Vice President of Business Affairs Megan O’Brien with Andrew Hurwitz of Schreck Rose Dapello Adams & Hurwitz, LLP on behalf of Native Voice Films.  Creative Executive Richard Gold will oversee development for Fox Searchlight Pictures.

Fox Searchlight Pictures is a specialty film company that both finances and acquires motion pictures.  It has its own marketing and distribution operations.  Fox Searchlight Pictures is a unit of Fox Filmed Entertainment, a unit of Fox Entertainment Group.

FOX SEARCHLIGHT PICTURES A UNIT OF FOX FILMED ENTERTAINMENT

Leave a Reply

Z

Quote Unquotesee all »

“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

Z Z