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By DP30 david@thehotbuttonl.com

Essential Killing, director Jerzy Skolimowski

3 Responses to “Essential Killing, director Jerzy Skolimowski”

  1. Sarah Melsom says:

    Sounds like an interesting film. Mr Skolimowski seems kind and thoughtful. I heard from many friends Vincent Gallo’s performance is spectacular. The interviewer mentions Vincent Gallo as difficult to work with and yet i have never heard a single filmmaker mention Gallo as difficult. Francis Ford Coppola mentions how much he love Gallo and how funny he was. I think for Gallo the negative response to his website humor (which i think is super funny and smart) gets confused with his working habits and real person. I met him once and found him extremely attractive, funny and kind.

  2. movieman says:

    It’s been a long time since the days of “Moonlighting,” “The Shout” and “Deep End,” but I’m willing to give Skolimowski the benefit of the doubt.
    And I’m still hoping to someday see “Four Nights of Anna” from 2009 which is supposed to be terrific.
    Does “Essential” have a distributer (or U.S. release date) yet? It’s one of the year-end screeners I still haven’t gotten around to watching.

  3. I saw this page bookmarked and I truly liked it. will surely bookmark it too and go through your other articles when I get home.

DP/30

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento