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By DP30 david@thehotbuttonl.com

Essential Killing, director Jerzy Skolimowski

3 Responses to “Essential Killing, director Jerzy Skolimowski”

  1. Sarah Melsom says:

    Sounds like an interesting film. Mr Skolimowski seems kind and thoughtful. I heard from many friends Vincent Gallo’s performance is spectacular. The interviewer mentions Vincent Gallo as difficult to work with and yet i have never heard a single filmmaker mention Gallo as difficult. Francis Ford Coppola mentions how much he love Gallo and how funny he was. I think for Gallo the negative response to his website humor (which i think is super funny and smart) gets confused with his working habits and real person. I met him once and found him extremely attractive, funny and kind.

  2. movieman says:

    It’s been a long time since the days of “Moonlighting,” “The Shout” and “Deep End,” but I’m willing to give Skolimowski the benefit of the doubt.
    And I’m still hoping to someday see “Four Nights of Anna” from 2009 which is supposed to be terrific.
    Does “Essential” have a distributer (or U.S. release date) yet? It’s one of the year-end screeners I still haven’t gotten around to watching.

  3. I saw this page bookmarked and I truly liked it. will surely bookmark it too and go through your other articles when I get home.

DP/30

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“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner