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By DP30 david@thehotbuttonl.com

Essential Killing, director Jerzy Skolimowski

3 Responses to “Essential Killing, director Jerzy Skolimowski”

  1. Sarah Melsom says:

    Sounds like an interesting film. Mr Skolimowski seems kind and thoughtful. I heard from many friends Vincent Gallo’s performance is spectacular. The interviewer mentions Vincent Gallo as difficult to work with and yet i have never heard a single filmmaker mention Gallo as difficult. Francis Ford Coppola mentions how much he love Gallo and how funny he was. I think for Gallo the negative response to his website humor (which i think is super funny and smart) gets confused with his working habits and real person. I met him once and found him extremely attractive, funny and kind.

  2. movieman says:

    It’s been a long time since the days of “Moonlighting,” “The Shout” and “Deep End,” but I’m willing to give Skolimowski the benefit of the doubt.
    And I’m still hoping to someday see “Four Nights of Anna” from 2009 which is supposed to be terrific.
    Does “Essential” have a distributer (or U.S. release date) yet? It’s one of the year-end screeners I still haven’t gotten around to watching.

  3. I saw this page bookmarked and I truly liked it. will surely bookmark it too and go through your other articles when I get home.

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“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour