By MCN Editor editor@moviecitynews.com

A&E INDIEFILMS INVESTS IN SUNDANCE ENTRY “CORMAN’S WORLD: EXPLOITS OF A HOLLYWOOD REBEL”

Film has its World Premiere Friday as part of the Park City at Midnight Section of the Sundance Film Festival

New York, NY (January 17, 2011) – Television rights to the upcoming Sundance premiere: CORMAN’S WORLD: EXPLOITS OF A HOLLYWOOD REBEL have been picked up ahead of its Sundance premiere by A&E INDIEFILMS as part of an investment in the project.  The film marks the directorial debut of Alex Stapleton and chronicles the incredible career and massive Hollywood influence of legendary director and producer, Roger Corman. Corman will be in Park City for the world premiere of the film this Friday, January 21. The film also features bold-faced “Cormanites” such as Jack Nicholson, Ron Howard, Jonathan Demme, Martin Scorsese, and many others. The film was produced and financed by Far Hills Pictures’ Stone Douglass and Taylor Materne.  Stapleton, Izabela Frank, Mickey Barold, and Jeff Frey also served as producers on the project.

The deal for CORMAN’S WORLD: EXPLOITS OF A HOLLYWOOD REBEL was negotiated by Molly Thompson, Vice President of A&E IndieFilms, with WME Global on behalf of Far Hills Pictures. Of the deal, Bob DeBitetto, President and General Manager of A&E Network and BIO Channel says, “Corman’s World is the preeminent retrospective of the life and career of one of Hollywood’s most prolific and influential filmmakers and we are pleased to partner with Stone Douglass and Taylor Materne to bring Alex Stapleton’s film to audiences around the world.” WME GLOBAL represents the film’s remaining available rights.

CORMAN’S WORLD: EXPLOITS OF A HOLLYWOOD REBEL marks the third major film coming out of Douglass and Materne’s Far Hills Pictures.  Company, which formed in August 2009, also produced the Magnolia Pictures release BARRY MUNDAY, and Martin Scorsese’s acclaimed doc  A LETTER TO ELIA.  Of the acquisition Douglass says, “A&E IndieFilms and Molly Thompson have an amazing history of distributing the highest quality documentaries.  They are the ideal partner for a film that celebrates the birth of independent filmmaking and its godfather, Roger.”  Far Hills is repped by WME Global.

CORMAN’S WORLD: EXPLOITS OF A HOLLYWOOD REBEL tracks the triumphant rise of the true “godfather” of independent filmmaking, Roger Corman. The single most prolific writer-director-producer, Corman financed hundreds of profitable low-budget films and helped launch the careers of Jack Nicholson, Peter Fonda, Dennis Hopper, Martin Scorsese, Francis Ford Coppola, James Cameron, and many more. With archival footage of American culture and countercultures from the 1950’s to present day, and dynamic interviews with alumni of Corman’s cutthroat school of filmmaking, Corman’s World takes us back to the days when Corman was King. The film also shows the rise of the recent Corman renaissance featuring Indiewood’s new school of filmmakers – including Quentin Tarantino, Paul W.S. Anderson and Eli Roth. And of course it follows Roger himself as he successfully continues to produce and distribute films outside the studio system the Corman way: fast, cheap and out-of-this-world!

Pic was executive produced by Jared Moshe, Rich Lim, Joshua Ray Levin, Polly Platt and Antonio Von Hildebrand. Executive producers for A&E IndieFIlms are Bob DeBitetto, Robert Sharenow, and Molly Thompson.

*                      *                      *                      *

About A&E IndieFilms

A&E IndieFilms is the feature documentary production arm of A&E Network.  A&E IndieFilms is committed to developing the work of outstanding independent filmmakers and helping them reach the broadest possible audiences.  A&E IndieFilms commissions, acquires and provides finishing funds for feature documentaries intended for co-branded theatrical release.  Films include the 2006 and 2007 Academy Award nominees for best Documentary Feature, MURDERBALL and JESUS CAMP; Nanette Burstein’s AMERICAN TEEN, which received the Directing Award at the Sundance Film Festival; Amir Bar-Lev’s MY KID COULD PAINT THAT; R.J. Cutler’s THE SEPTEMBER ISSUE; Amir Bar-Lev’s 2011 PGA Award nominee THE TILLMAN STORY and Alex Gibney’s 2011 PGA Award and DGA Award nominee CLIENT 9: THE RISE AND FALL OF ELLIOT SPITZER.

About Far Hills Pictures

Stone Douglass and Taylor Materne created Far Hills Pictures in August ‘09 as an independent financing, development and production entity.  Stone Douglass formerly ran STICK N STONE Productions where he financed and sold the independent feature, SPIN, which Universal released in the spring of 2010.  Far Hills Pictures’ first feature, BARRY MUNDAY was released by Magnolia Pictures in October of 2010. The film (based on the novel, LIFE IS A STRANGE PLACE by Frank Turner Hollon), stars Patrick Wilson, Chloe Sevigny, Judy Greer, Jean Smart, Malcolm McDowell, Billy Dee Williams, Colin Hanks and Cybil Shepherd.  Stone and Taylor also executive produced and co-financed A LETTER TO ELIA, which was co-written, directed and produced by Martin Scorsese. It aired on PBS ‘AMERICAN MASTERS’ in October 2010.

# # #

2 Responses to “A&E INDIEFILMS INVESTS IN SUNDANCE ENTRY “CORMAN’S WORLD: EXPLOITS OF A HOLLYWOOD REBEL””

  1. Dewitt T. Wood Jr. says:

    To Whom It May Concern,

    The purpose of this email is to introduce myself and my Reality Show I’ve written. My name is Dewitt T. Wood Jr., and I have been doing a lot of researching, about the television business and how I can get companies to look at my Reality Show.

    Why is it so hard to break into Hollywood, if you do not have the resources others do. I live not to far from the White House. You would think by living in Washington, DC, that you would have an advantage.

    All of these studios only deal with agents and people they have dealt with in the past. But when someone like me comes along, which is once every so decade, you have to go with the flow. A lot of networks have garbage on TV and what I have will not add to it. My show has 5 key elements, wide audience range 18 to 50, which means millions of viewers, provide the need for advertisers to publicize their products, Facebook and Twitter accounts, linked to show, money (high revenues). This will be the highest rated show ever and it will last just like Price is Right, Family Feud and a few more I have not listed.

    I would really appreciate any advice or help you can give me, to help me move my Reality Show forward.

    I’ve attached a peek at what my show will be like in PDF Format, without giving away to much, so I cover myself legally, until I get a face-to-face meeting set-up with a TV Network. Thank you for taking time out to help me.

    Sincerely,

    Dewitt T. Wood Jr.
    14101 Valleyfield Dr. Unit #6
    Silver Spring, MD 20906
    (H)301-438-7405 (M)240-876-9976
    Email: dtwj23@aol.com

    Creator/Producer/Co-Host: Dewitt T. Wood Jr. Program Length: 1 hour
    Series , Special or Reality: Reality Show Weekly or Monthly: Weekly

    Reality TV Show Title: To protect my creation, I’ll disclose that information with
    full details of my Reality Show in a face-to-face meeting.

    Target Audience: Ages 18 to 49, with segments that will appeal to all ages, by involving Tweeter and
    Facebook, which both have several million followers. All of who will be tweeting and facebooking,
    while viewing my TV Show.

  2. jiggly_phew says:

    Check out the movies that made Corman a legend and support him in the making of his next film: http://www.newhorizonspictures.com/b/2521325011

Leave a Reply

Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé