By mcneditor editor@moviecitynews.com

9 FOREIGN LANGUAGE FILMS CONTINUE TO OSCAR® RACE

Posted Wednesday, January 19th, 2011 - Comments Off

Beverly Hills, CA – Nine films will advance to the next round of voting in the Foreign Language Film category for the 83rd Academy Awards®. Sixty-six films had originally qualified in the category.

The films, listed in alphabetical order by country, are:

Algeria, “Hors la Loi” (“Outside the Law”), Rachid Bouchareb, director;

Canada, “Incendies,” Denis Villeneuve, director;

Denmark, “In a Better World,” Susanne Bier, director;

Greece, “Dogtooth,” Yorgos Lanthimos, director;

Japan, “Confessions,” Tetsuya Nakashima, director;

Mexico, “Biutiful,” Alejandro Gonzalez Inarritu, director;

South Africa, “Life, above All,” Oliver Schmitz, director;

Spain, “Tambien la Lluvia” (“Even the Rain”), Iciar Bollain, director;

Sweden, “Simple Simon,” Andreas Ohman, director.

Foreign Language Film nominations for 2010 are again being determined in two phases.

The Phase I committee, consisting of several hundred Los Angeles-based members, screened the 66 eligible films between mid-October and January 13. The group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist.

The shortlist will be winnowed down to the five nominees by specially invited committees in New York and Los Angeles. They will spend Friday, January 21, through Sunday, January 23, viewing three films each day and then casting their ballots.

The 83rd Academy Awards nominations will be announced live on Tuesday, January 25, 2011, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2010 will be presented on Sunday, February 27, 2011, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar® presentation also will be televised live in more than 200 countries worldwide.

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ABOUT THE ACADEMY

The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards – in which the members vote to select the nominees and winners – the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

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“Just got back from Dark Shadows at the Lincoln Square IMAX (102′ wide screen, over 50 sears per row). I loved almost every second of it. What a shock. I can see why people under 49 hate it, and it’s not just because of its ’60s TV roots–it’s a very traditional, classic-style horror film: leisurely-paced, character-driven, beautifully designed (mostly real sets, not CGI), music used as a humorous or ironic underline, not particularly violent (there’s more blood in the 1970 version), perfectly cast with superb actors, and of course a nice sense of humor to balance the horror. No jump scenes, no teens sliced to pieces by some mask-wearing non-entity, just good old-fashioned story-telling. It’s more like Hugo than Hostel, and not just because it shares cast members and underperformed. And as for the much-derided third act: the complaints are horseshit. Everything that takes place in the climax is logically built up to in what precedes it. Yes, the werewolf is a surprise, but it shouldn’t be given the family history and that character’s behavior, and the explanation is eminently reasonable. In an era where Bridesmaids is considered award-worthy writing, it’s no surprise that many people have forgotten what a well-made script can be like. So fuck all the haters. Dark Shadows lived up to my expectations (no small feat), and should be seen by everyone who still appreciates quality, grown-up, Old Hollywood-style filmmaking. Cadavra has spoken.”
~ Cadavra on Dark Shadows

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GQ: Whose tuxedo did you wear on the red carpet here in Cannes?
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~ Stylin’ Tom Hardy

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