
By David Poland poland@moviecitynews.com
Waste Land, director Lucy Walker

ora on: DP/30: I AM, director Tom Shadyac
Niklas on: DP/30: Tinker Tailor Solider Spy, actor Gary Oldman
The Pope on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Don R. Lewis on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
SamLowry on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Lex on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Rodney Sharpp on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
70srichard on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
Amber Colton Gardner on: DP/30 @ Sundance '13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
dust on: Exit Through The Gift Shop, producer Jaimie D' Cruz, editor Chris King
DP/30 @ SXSW: Short Term 12, actor Brie Larson
DP/30 @ Sundance ’13: Prince Avalanche, writer/director David Gordon Green, actor Emile Hirsch
DP/30 @ Sundance ’13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
DP/30 @ Sundance ’13: James Franco & directors, Kink.com/Interior. Leather Bar
DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
DP/30: Twenty Feet From Stardom, director Morgan Neville
DP/30: The Hypnotist, director Lasse Hallstrom
see all »
RT @aliciamalone: 'Behind The Candelabra'... The Boyfriend Experience? #cannes2013
RT @filmnickjames: So will we "buy" BEHIND THE CANDELABRA? About to find out #cannes2013
RT @AwardsDaily: Cost for one day of wi-fi using pay-to-play in the Palais instead of free wi-fi in press room? 15 euro, which is about $19.
DP: I should mention again… Omar is another great film from Hany Abu-Assad. Intimate, politically honest, but specific and not unfair
DP: Thoughts with @kimvoynar, whose family I think has all left OK by now… but tornadoes destroy memories too
“One of the things I wish I could do in my life would be to watch this film through somebody else’s eyes. I just can’t. I still see it as just a giant mess, and other people are seeing that it has a shape. That’s really exciting, because I still have a hard time seeing it clearly.”
~ Sarah Polley’s Greatest Wish About Stories We Tell
“Anyway, Hitchcock eventually saw a rough cut of High Anxiety. He enjoyed it. But he said nothing after it. He just left. I [thought he] wasn’t happy. The next day, about 11 o’clock in the morning, I get this enormous, beautiful case of Chateau Haut-Brion 1961. That was almost 20 years old [at the time]. I mean, it was priceless. And there were magnums six of them, in a wooden case. Haut-Brion. I mean, oh my God. I’ve still got three of them left waiting. I keep all the good wines.”
What kind of occasion is worthy? When will you know it’s time to go into number four?
“A real, real occasion. I won’t drink it just because it’s a family occasion. I’ll drink it with guys that know what a good wine is and care about, you know, exquisite wines. I have a couple of friends that know what a good wine is.”
~ Mel Brooks, Foodie

would have liked to’ve heard more about Countdown to Zero ….
one of the longest dp/30 this year
took 5 minutes and still can’t get answer about
if Exit Through the Gift Shop is fake or real
overall i liked this interview a lot
She could have talked about the fact she isn’t the real director of the movie.