The Women Film Critics Circle 2010 Awards

2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010

BEST MOVIE ABOUT WOMEN
Mother And Child

BEST MOVIE BY A WOMAN
Winter’s Bone

BEST WOMAN STORYTELLER [Screenwriting Award]
The Kids Are All Right

BEST ACTRESS
Annette Bening/The Kids Are All Right

BEST ACTOR
Colin Firth/The King’s Speech

BEST YOUNG ACTRESS
Jennifer Lawrence/Winter’s Bone

BEST COMEDIC ACTRESS

Annette Bening/The Kids Are All Right

BEST FOREIGN FILM BY OR ABOUT WOMEN: *TIE*
Mother
Women Without Men

BEST FEMALE IMAGES IN A MOVIE
Conviction

WORST FEMALE IMAGES IN A MOVIE

Black Swan

BEST MALE IMAGES IN A MOVIE: *TIE*
Another Year
The King’s Speech

WORST MALE IMAGES IN A MOVIE
Jackass 3D

BEST THEATRICALLY UNRELEASED MOVIE BY OR ABOUT WOMEN [Includes films released on DVD or TV, or screened at film festivals, in recognition of the limited opportunities available for films by and about women on screen]
Temple Grandin

BEST EQUALITY OF THE SEXES: *TIE

Another Year
Fair Game

BEST ANIMATED FEMALES
Despicable Me

BEST FAMILY FILM
Toy Story 3

LIFETIME ACHIEVEMENT AWARD
Helen Mirren

ACTING AND ACTIVISM
Lena Horne [posthumous]

*ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women:
Winter’s Bone

*JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America
For Colored Girls

*KAREN MORLEY AWARD: For best exemplifying a woman’s place in history or society, and a courageous search for identity
Fair Game

COURAGE IN ACTING
[Taking on unconventional roles that radically redefine the images of women on screen]
Helen Mirren/The Tempest

THE INVISIBLE WOMAN AWARD
[Performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]
Q’Orianka Kilcher/Princess Kaiulani

BEST DOCUMENTARY BY A WOMAN
A Film Unfinished

WOMEN’S WORK: BEST ENSEMBLE
Mother And Child

BEST SCREEN COUPLE
Another Year: Jim Broadbent/Ruth Sheen as Tom and Gerri

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“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

“HBO’s investment in these outlets for criticism belies an approach that blends the show itself with discussion about the show to create an overarching viewer experience. It’s not just the plot that entertains, but also theorizing, exploring the world’s mythology, and more that has engaged book readers for decades — and those aspects are now part of what HBO is producing, not just something happening at whatever passes for a water cooler or comic book shop these days. Benioff, Weiss, and HBO are blending entertainment and criticism into one giant, all-encompassing amalgamation of content. Something as grandiose and, indeed, as stunning, as ‘Game of Thrones’ requires it.”
#Content: Expanding Entertainment, Collapsing CriticismBy Matt Hartman

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