http://www.youtube.com/watch?v=9K-4aLeGWF4&feature=player_embedded
Gonzalo Jimenez on: Borzage's MOONRISE (1948) opening (4'58')
Ben on: Dave Brubeck "Take Five," Live, 1966 (5'22")
Ricky on: RIP Taylor Mead
Fabian Villarreal on: A Rose For Roger
Exam Informer on: Noam Chomsky On How To Talk To Women (1'28")
Møller on: World's oldest cinema reopens in Beijing
Linda Murray on: RIP Jonathan Winters (6'02")
EM on: DVD Interview: Benh Zeitlin on Water
Ray Pride on: Siskel & Ebert On TAXI DRIVER (8'34")
spassky on: Siskel & Ebert On TAXI DRIVER (8'34")
Nic Refn On Prostitutes; Hw’d (4’09″) MNSFW
Trailering AIN’T THEM BODIES SAINTS (2’29″)
GREAT GATSBY Party Preem In Sydney (4’43″)
Borzage’s MOONRISE (1948) opening (4’58′)
College Humor Collates All Of JJ Abrams’ Lens Flares In STAR TREK (8’30″)
Stream THE SOURCE FAMILY’s Psychedelic Soundtrack
Class Photo For NYMPH()MANIAC, Opening Christmas Day
Newt Gingrich’s Compelling New Andy Rooney Impersonation
Teasing “Cinéma, de notre temps: James Benning and Richard Linklater” (1’58″)
see all »
RT @rkhorovitz: CWFD our star Jane Birkin on the Cote in the 70's http://t.co/KfvfenO1Cs
RT @DavidPoland: Hum about IFC cutting Life of Adele could turn good fortune into a car wreck. Leave the movie alone (as I am sure you were…
RT @craigary: The Mel Brooks American Masters on PBS is a joy, as he is. I know some of the anecdotes already and of course it's all praise…
DP: Buying a Playboy in a foreign airport kinda kills the “I read it for the articles” claim
DP: Hum about IFC cutting Life of Adele could turn good fortune into a car wreck. Leave the movie alone (as I am sure you were planning to)
“The true punk film of the festival.”
~ Romain Blondeau On Claire Denis’ Les Saluds in Les Inrocks
“It’s also defined commercially by the difference between a colorful, Hawaii-set comedy starring George Clooney and a black-and-white, prairie-based old-age odyssey featuring a straggly and unkempt Bruce Dern. All the same, Paramount Vantage should be able to ride accolades for this very fine Cannes competition entry to respectable specialized returns in fall release.”
~ McCarthy On Nebraska
Could go either way, but it’s nice to see a trailer that’s evocative rather than showing every damn plot point and twist in the movie, and props to Smith for making a wild-hairy-assed-Soderbergesque move in his career. This looks quite unlike anything he’s done up to now, like CHILDREN OF THE CORN by way of Harmony Korine.
I like that description.