Dallas-Fort Worth Film Critics Association 2010 Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

TOP TEN
    
1. The Social Network
    2. The King`s Speech
    3. Black Swan
    4. 127 Hours
    5. Winter`s Bone
    6. Inception
    7. The Fighter
    8. True Grit
    9. The Town
    10. The Kids Are All Right

BEST PICTURE
The Social Network

BEST DIRECTOR
David Fincher, The Social Network

BEST ACTOR
James Franco, 127 Hours

BEST ACTRESS
Natalie Portman, Black Swan

BEST SUPPORTING ACTOR
Christian Bale, The Fighter

BEST SUPPORTING ACTRESS 
Melissa Leo, The Fighter

BEST SCREENPLAY
The Social Network

BEST FOREIGN FILM
Biutiful

BEST DOCUMENTARY
Waiting for Superman

BEST ANIMATED FILM
Toy Story 3

BEST CINEMATOGRAPHY
127 Hours

RUSSEL SMITH AWARD
Winter`s Bone

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“During the mid-’70s, keyboardist Ian McLagan finds himself in a room with Dylan and Led Zeppelin’s infamously brutish manager Peter Grant: ‘Hello, Bob. I’m Peter Grant, I manage Led Zeppelin.’ After a short silence, Dylan replies: ‘I don’t come to you with my problems.'”
~ “37 Hilarious Bob Dylan Stories

Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”