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By DP30 david@thehotbuttonl.com

Blue Valentine, actor Michelle Williams

11 Responses to “Blue Valentine, actor Michelle Williams”

  1. Samuel Deter says:

    I have GOT to work with this woman. Such a good actress. So interesting. So genuine. So smart. So humble.

    Good interview Polonia! (that’s Poland in spanish)

  2. sanj says:

    this was a bit different – Michelle slowed her speech for
    first 15 minutes then went back to normal the rest of the way..

    there was only 7 minutes that was the movie itself

    since her movies aren’t repeated too often on regular cable – most of us know her from Dawson’s Creek repeats

    overall – i liked the Wendy and Lucy DP/30

  3. LexG says:

    LOOK AT HER!

  4. anghus says:

    talented gal. she’s done a great job of picking good material (mostly) and has avoided the dreaded hell of a katherine heigl career.

  5. Michael. says:

    15:07 – 15:18 was a really heartfelt moment, I think she was close to losing it but kept her composure. She’s so great, good interview DP.

  6. Foamy Squirrel says:

    Anghus: it depends on what you consider “dreaded”. I’m fairly sure there’s a sizable contingent of budding actresses who would pick a career modeled after Katherine Heigl over a career modeled after Michelle Williams.

  7. movieman says:

    Personally I’m getting a little sick and tired of Williams’ affected Method-isms. And with her new blonde dye job she’s beginning to remind me a tad of the post-”Aphrodite” Mira Sorvino.
    That said, I loved the Cassavetes rawness and bruising emotional intensity of “Blue Valentine,” although it’s really Gosling’s picture.

  8. Grace says:

    8:58 – “are you hard on yourself?”

    Wow. That sweetness just can’t be contained. Great interview. Would love to see one with Gosling.

  9. leahnz says:

    i didn’t realise ‘blue valentine’ was shot in single takes. i’m keen to see it.

  10. erin says:

    Movieman…i am curious what you mean by affected methodisms?

  11. Rahmbo says:

    MW comes across as a little precious especially when talking about the filming of Blue Valentine… perhaps that’s what movieman was referring to.

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DP/30

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“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver

“It’s possible that in the coming days or, God forbid, weeks, the president could have something more specific to say about the freighted decades-long history of political imbalance at work, in this case between a mostly black working-class town and its majority white government and police force. But this is a black man who must choose his words about race, governance, and law enforcement even more carefully than a white politician would. And this is the third summer in which, as president, he would have to do so…

“Until this point in the turmoil, the absence of the crucial second face in the incident seemed to heighten the distance between police and the people they serve. It grants them both an anonymity and autonomy that matches the bizarre transformation, in Ferguson and elsewhere, of police into troops. The riot gear turns 2014 into a dot on a Jim Crow–era timeline. Since the officer’s name wasn’t made public more immediately, it should have seemed urgent for the police to lose the riot attire and take steps to minimize distrust, to dispel the contagious assumption that silence equates racism…

“What is so affecting isn’t just that 18-year-old Michael Brown was killed when he was barely a man. It’s other things as well. One was how many reports of the incident that first day mentioned that he was about to start college. That’s a rite that’s universally emotional. But for a black male from a poor family, the first day of college is a freighted day that usually requires the sacrifice of more than one person. Black people know the odds of getting to and graduating from college, and that they’re low. That Brown seemed to be on the right path compounded the parental, local, and national outrage over his being wiped from it.”

~ Wesley Morris On Let’s Be Cops, The Shooting In Ferguson, Obama…