Black Film Critics Circle 2010 Inaugural Awards

Best Picture
The Social Network

Best Director
Darren Aronofsky – Black Swan

Best Actor
Colin Firth – The King’s Speech
(tie) James Franco – 127 Hours

Best Actress
Natalie Portman – Black Swan

Best Supporting Actor
Christian Bale – The Fighter

Best Supporting Actress
Melissa Leo – The Fighter

Best Independent Film
Night Catches Us

Best Original Screenplay
Christopher Nolan – Inception

Best Adapted Screenplay
Aaron Sorkin – The Social Network

Best Documentary
Waiting For Superman

Best Foreign Film
The Girl with the Dragon Tattoo

Best Animated Film
Toy Story 3

Best Ensemble
The Social Network

Pioneer – Haile Gerima – As the independent producer, director, writer of “Teza”, Gerima has been recognized for sustaining African Diaspora culture and empowering disenfranchised populations through his highly artistic and provocative work. His commitment to speaking truth to power is depicted in a body of work from the seventies up to his ground-breaking film Sankofa of the nineties. Gerima is a visionary with an eye for promoting black culture in film in a positive and historical light.

Breakout Performance -Jaden Smith – Jaden is a rising star who is recognized for his excellent performance in the summer blockbuster remake “The Karate Kid.” With an unmistakable charisma and charm, an acting ability beyond his years, and commitment and dedication to the role, Smith was a scene stealer. There is no doubt that Smith has a bright future ahead of him.

Special Mention -Gareth Edwards – With his SF film “Monsters”, Edwards took an original and organic approach to cinema bringing the industry back to its roots of visual storytelling. Edwards’ creativity defies the trend of contrived narratives and reliance on big budgets and gimmicks and instead gives the audience rich stories and memorable characters. “Monsters” is a great look at how Sci-Fi is done right (human stories, not creature-features) by a Director who understands that less is more, with good visual effects employed economically to enhance the film – not define it.

BFCC’s Top Ten Picks
1. The Social Network
2. Inception
3. Black Swan
4. The Fighter
5. The Kids Are All Right, The Town (Tie)
7. Toy Story 3
8. The King’s Speech
9. Winter’s Bone
10. The Ghost Writer

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Black Film Critics Circle is a film critics organization dedicated to honoring excellence of professionals in the film industry in U.S. and World Cinema. The organization launched in 2010 to celebrate achievements in cinema, maintain the integrity of a true critics organization and advance a collective vision of journalists of the black Diaspora. BFCC’s mission is to acknowledge and honor the contributions by people of the black Diaspora in the film industry who work in front of and behind the camera while also welcoming promising new talent; Assist in the development of new talent in the field of entertainment journalism through educational opportunities, mentoring and strategic partnerships: Raise awareness of the significance of black film and black film history as a critical part of film culture and preservation

One Response to “Black Film Critics Circle 2010 Inaugural Awards”

  1. Troofire says:

    Interesting that “For Colored Girls” is not mentioned in any awards.

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch