Night Moves

Black Film Critics Circle 2010 Inaugural Awards

Best Picture
The Social Network

Best Director
Darren Aronofsky – Black Swan

Best Actor
Colin Firth – The King’s Speech
(tie) James Franco – 127 Hours

Best Actress
Natalie Portman – Black Swan

Best Supporting Actor
Christian Bale – The Fighter

Best Supporting Actress
Melissa Leo – The Fighter

Best Independent Film
Night Catches Us

Best Original Screenplay
Christopher Nolan – Inception

Best Adapted Screenplay
Aaron Sorkin – The Social Network

Best Documentary
Waiting For Superman

Best Foreign Film
The Girl with the Dragon Tattoo

Best Animated Film
Toy Story 3

Best Ensemble
The Social Network

Pioneer – Haile Gerima – As the independent producer, director, writer of “Teza”, Gerima has been recognized for sustaining African Diaspora culture and empowering disenfranchised populations through his highly artistic and provocative work. His commitment to speaking truth to power is depicted in a body of work from the seventies up to his ground-breaking film Sankofa of the nineties. Gerima is a visionary with an eye for promoting black culture in film in a positive and historical light.

Breakout Performance -Jaden Smith – Jaden is a rising star who is recognized for his excellent performance in the summer blockbuster remake “The Karate Kid.” With an unmistakable charisma and charm, an acting ability beyond his years, and commitment and dedication to the role, Smith was a scene stealer. There is no doubt that Smith has a bright future ahead of him.

Special Mention -Gareth Edwards – With his SF film “Monsters”, Edwards took an original and organic approach to cinema bringing the industry back to its roots of visual storytelling. Edwards’ creativity defies the trend of contrived narratives and reliance on big budgets and gimmicks and instead gives the audience rich stories and memorable characters. “Monsters” is a great look at how Sci-Fi is done right (human stories, not creature-features) by a Director who understands that less is more, with good visual effects employed economically to enhance the film – not define it.

BFCC’s Top Ten Picks
1. The Social Network
2. Inception
3. Black Swan
4. The Fighter
5. The Kids Are All Right, The Town (Tie)
7. Toy Story 3
8. The King’s Speech
9. Winter’s Bone
10. The Ghost Writer

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Black Film Critics Circle is a film critics organization dedicated to honoring excellence of professionals in the film industry in U.S. and World Cinema. The organization launched in 2010 to celebrate achievements in cinema, maintain the integrity of a true critics organization and advance a collective vision of journalists of the black Diaspora. BFCC’s mission is to acknowledge and honor the contributions by people of the black Diaspora in the film industry who work in front of and behind the camera while also welcoming promising new talent; Assist in the development of new talent in the field of entertainment journalism through educational opportunities, mentoring and strategic partnerships: Raise awareness of the significance of black film and black film history as a critical part of film culture and preservation

One Response to “Black Film Critics Circle 2010 Inaugural Awards”

  1. Troofire says:

    Interesting that “For Colored Girls” is not mentioned in any awards.

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“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall

“He’s not one of my heroes. He doesn’t touch me or inspire me. There are so many people who inspire me, so many people who touch my heart. It doesn’t matter if he’s not a hero of mine. It doesn’t matter if I don’t tell the whole world how honoured I am to share a prize with a man who made somebody play with words over the years. He’s a hero in cinema historically, but he’s not a personal hero of mine. Jean-Luc Godard did this press release and he mentioned he would never go and see Mommy in theatres because he already knew what Mommy was about: another ‘TV movie’ and that nowadays everything is predictable. He’s this old grinchy man. He’s the grinch from Switzerland in the mountain. Deaf, blind, smoking, literally. Basically being provocative about everything.”
~ Xavier Dolan On Jean-Luc Godard