Black Film Critics Circle 2010 Inaugural Awards

Best Picture
The Social Network

Best Director
Darren Aronofsky – Black Swan

Best Actor
Colin Firth – The King’s Speech
(tie) James Franco – 127 Hours

Best Actress
Natalie Portman – Black Swan

Best Supporting Actor
Christian Bale – The Fighter

Best Supporting Actress
Melissa Leo – The Fighter

Best Independent Film
Night Catches Us

Best Original Screenplay
Christopher Nolan – Inception

Best Adapted Screenplay
Aaron Sorkin – The Social Network

Best Documentary
Waiting For Superman

Best Foreign Film
The Girl with the Dragon Tattoo

Best Animated Film
Toy Story 3

Best Ensemble
The Social Network

Pioneer – Haile Gerima – As the independent producer, director, writer of “Teza”, Gerima has been recognized for sustaining African Diaspora culture and empowering disenfranchised populations through his highly artistic and provocative work. His commitment to speaking truth to power is depicted in a body of work from the seventies up to his ground-breaking film Sankofa of the nineties. Gerima is a visionary with an eye for promoting black culture in film in a positive and historical light.

Breakout Performance -Jaden Smith – Jaden is a rising star who is recognized for his excellent performance in the summer blockbuster remake “The Karate Kid.” With an unmistakable charisma and charm, an acting ability beyond his years, and commitment and dedication to the role, Smith was a scene stealer. There is no doubt that Smith has a bright future ahead of him.

Special Mention -Gareth Edwards – With his SF film “Monsters”, Edwards took an original and organic approach to cinema bringing the industry back to its roots of visual storytelling. Edwards’ creativity defies the trend of contrived narratives and reliance on big budgets and gimmicks and instead gives the audience rich stories and memorable characters. “Monsters” is a great look at how Sci-Fi is done right (human stories, not creature-features) by a Director who understands that less is more, with good visual effects employed economically to enhance the film – not define it.

BFCC’s Top Ten Picks
1. The Social Network
2. Inception
3. Black Swan
4. The Fighter
5. The Kids Are All Right, The Town (Tie)
7. Toy Story 3
8. The King’s Speech
9. Winter’s Bone
10. The Ghost Writer

_____________________

Black Film Critics Circle is a film critics organization dedicated to honoring excellence of professionals in the film industry in U.S. and World Cinema. The organization launched in 2010 to celebrate achievements in cinema, maintain the integrity of a true critics organization and advance a collective vision of journalists of the black Diaspora. BFCC’s mission is to acknowledge and honor the contributions by people of the black Diaspora in the film industry who work in front of and behind the camera while also welcoming promising new talent; Assist in the development of new talent in the field of entertainment journalism through educational opportunities, mentoring and strategic partnerships: Raise awareness of the significance of black film and black film history as a critical part of film culture and preservation

One Response to “Black Film Critics Circle 2010 Inaugural Awards”

  1. Troofire says:

    Interesting that “For Colored Girls” is not mentioned in any awards.

Leave a Reply

Quote Unquotesee all »

“I suddenly couldn’t say anything about some of the movies. They were just so terrible, and I’d already written about so many terrible movies. I love writing about movies when I can discover something in them – when I can get something out of them that I can share with people. The week I quit, I hadn’t planned on it. But I wrote up a couple of movies, and I read what I’d written, and it was just incredibly depressing. I thought, I’ve got nothing to share from this. One of them was of that movie with Woody Allen and Bette Midler, Scenes From a Mall. I couldn’t write another bad review of Bette Midler. I thought she was so brilliant, and when I saw her in that terrible production of ‘Gypsy’ on television, my heart sank. And I’d already panned her in Beaches. How can you go on panning people in picture after picture when you know they were great just a few years before? You have so much emotional investment in praising people that when you have to pan the same people a few years later, it tears your spirits apart.”
~ Pauline Kael On Quitting

“My father was a Jerome. My daughter’s middle name is Jerome. But my most vexing and vexed relationship with a Jerome was with Jerome Levitch, the subject of my first book under his stage and screen name, Jerry Lewis.

I have a lot of strong and complex feelings about the man, who passed away today in Las Vegas at age 91. Suffice to say he was a brilliant talent, an immense humanitarian, a difficult boss/interview, and a quixotic sort of genius, as often inspired as insipid, as often tender as caustic.

I wrote all about it in my 1996 book, “King of Comedy,” which is available on Kindle. With all due humility, it’s kinda definitive — the good and the bad — even though it’s two decades old. My favorite review, and one I begged St. Martin’s (unsuccessfully) to put on the paperback jacket, came from “Screw” magazine, which called it “A remarkably fair portrait of a great American asshole.”

Jerry and I met twice while I was working on the book and spoke/wrote to each other perhaps a dozen times. Like many of his relationships with the press and his partners/subordinates, it ended badly, with Jerry hollering profanities at me in the cabin of his yacht in San Diego. I wrote about it in the epilogue to my book, and over the years I’ve had the scene quoted back to me by Steve Martin, Harry Shearer, Paul Provenza and Penn Jillette. Tom Hanks once told me that he had a dinner with Paul Reiser and Martin Short at which Short spent the night imitating Jerry throwing me off the boat.

Jerry was a lot of things: father, husband, chum, businessman, philanthropist, artist, innovator, clown, tyrant. He was at various times in his life the highest-ever-paid performer on TV, in movies, and on Broadway. He raised BILLIONS for charity, invented filmmaking techniques, made perhaps a dozen classic comedies, turned in a terrific dramatic performance in Martin Scorsese’s “The King of Comedy,” and left the world altered and even enhanced with his time and his work in it.

That’s an estimable achievement and one worth pausing to commemorate.

#RIP to Le Roi du Crazy

~ Biographer Shawn Levy on Jerry Lewis on Facebook