

ora on: DP/30: I AM, director Tom Shadyac
Niklas on: DP/30: Tinker Tailor Solider Spy, actor Gary Oldman
The Pope on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Don R. Lewis on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
SamLowry on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Lex on: DP/30 @ SXSW: Short Term 12, actor Brie Larson
Rodney Sharpp on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
70srichard on: DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
Amber Colton Gardner on: DP/30 @ Sundance '13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
dust on: Exit Through The Gift Shop, producer Jaimie D' Cruz, editor Chris King
DP/30 @ SXSW: Short Term 12, actor Brie Larson
DP/30 @ Sundance ’13: Prince Avalanche, writer/director David Gordon Green, actor Emile Hirsch
DP/30 @ Sundance ’13: Manhunt, documentarian Greg Barker and 3 CIA agent/subjects
DP/30 @ Sundance ’13: James Franco & directors, Kink.com/Interior. Leather Bar
DP/30: Skyfall, sound re-recording mixer (& 16-time Oscar nominee) Greg Russell
DP/30: Twenty Feet From Stardom, director Morgan Neville
DP/30: The Hypnotist, director Lasse Hallstrom
“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass
“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true. Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television? Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater – Ann Arbor And Director, Art House Convergence, To Mr. Spielberg

Despite having read this website for years, I’ve never really gotten around to watching these DP interviews. But with my new job affording me lots of time alone in a room in front of a computer, I figured, “What the hell.”
Anyway, interesting interview. I have yet to see Winter’s Bone, but apparently Netflix shipped it to me today, so I should be viewing it tomorrow evening. Very eager to see if the film and its newfound star are worth all this hubbub (I’m guessing they are).
As for Lawrence herself…she seems to have many admirable qualities that appear to be lacking from many Hollywood starlets, but I suppose it’s also early in her career. Hopefully she won’t get seduced by the dark side. My heart still hasn’t recovered from realizing that Veronica Mars was only a fictional character, and the girl who played her seems intent on going against every witty, intelligent, sarcastic bone in her alter ego’s body.
that was fun – she got annoyed by your questions by the
end…
DP – time to get teen reporter to do teen actor interviews
“DP – time to get teen reporter to do teen actor interviews”
Bullshit, time to get LEXG to do the teen ACTRESS interviews.
MMMMMMMMMMMMMMMMMMMM.
29:50 Action in the bedroom, hilarious.
Good stuff sir. She has an un-corrupted view of Hollywood, maybe even naive at times. But that is nice to see every once in a while. Her personality is very likable.
I finally saw Winter’s Bone over the weekend, and she most definitely deserves a best actress nomination. The competition will be fierce, but the performance is exceptional.
Is there anything more hypnotic than a young blonde woman?
Answer: NO.
Since she seems to love P.T. Anderson, I’ll be the first to suggest he cast her as the lead in a Rollergirl spin-off (no pun intended).
Finally saw the film last night. I liked the movie well enough, but felt it was a bit overrated. I’d give it a solid B+, and am definitely thinking of removing it from my Top 10 Best Pic Nominee Predictions.
As for her performance…I thought it was really good, especially given her age and relative inexperience. However, I didn’t find it quite as amazing or affecting as I had anticipated, and while I still think a nomination is possible, it seems unlikely that she could actually win.
And finally, John Hawkes is indeed a badass.
A solid, inspiring interview with a sincere, professional, unaffected talent. Would that the audio recordist have smacked the interviewer the first of FAR too many times that he annoyingly pounded or scratched his mic…