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By DP30 david@thehotbuttonl.com

DP/30: Winter’s Bone, actor Jennifer Lawrence

9 Responses to “DP/30: Winter’s Bone, actor Jennifer Lawrence”

  1. Keil Shults says:

    Despite having read this website for years, I’ve never really gotten around to watching these DP interviews. But with my new job affording me lots of time alone in a room in front of a computer, I figured, “What the hell.”

    Anyway, interesting interview. I have yet to see Winter’s Bone, but apparently Netflix shipped it to me today, so I should be viewing it tomorrow evening. Very eager to see if the film and its newfound star are worth all this hubbub (I’m guessing they are).

    As for Lawrence herself…she seems to have many admirable qualities that appear to be lacking from many Hollywood starlets, but I suppose it’s also early in her career. Hopefully she won’t get seduced by the dark side. My heart still hasn’t recovered from realizing that Veronica Mars was only a fictional character, and the girl who played her seems intent on going against every witty, intelligent, sarcastic bone in her alter ego’s body.

  2. sanj says:

    that was fun – she got annoyed by your questions by the
    end…

    DP – time to get teen reporter to do teen actor interviews

  3. LexG says:

    “DP – time to get teen reporter to do teen actor interviews”

    Bullshit, time to get LEXG to do the teen ACTRESS interviews.

    MMMMMMMMMMMMMMMMMMMM.

  4. t.holly says:

    29:50 Action in the bedroom, hilarious.

  5. NickF says:

    Good stuff sir. She has an un-corrupted view of Hollywood, maybe even naive at times. But that is nice to see every once in a while. Her personality is very likable.

    I finally saw Winter’s Bone over the weekend, and she most definitely deserves a best actress nomination. The competition will be fierce, but the performance is exceptional.

  6. LexG says:

    Is there anything more hypnotic than a young blonde woman?

    Answer: NO.

  7. Keil Shults says:

    Since she seems to love P.T. Anderson, I’ll be the first to suggest he cast her as the lead in a Rollergirl spin-off (no pun intended).

  8. Keil Shults says:

    Finally saw the film last night. I liked the movie well enough, but felt it was a bit overrated. I’d give it a solid B+, and am definitely thinking of removing it from my Top 10 Best Pic Nominee Predictions.

    As for her performance…I thought it was really good, especially given her age and relative inexperience. However, I didn’t find it quite as amazing or affecting as I had anticipated, and while I still think a nomination is possible, it seems unlikely that she could actually win.

    And finally, John Hawkes is indeed a badass.

  9. Chris Rasmussen says:

    A solid, inspiring interview with a sincere, professional, unaffected talent. Would that the audio recordist have smacked the interviewer the first of FAR too many times that he annoyingly pounded or scratched his mic…

DP/30

Quote Unquotesee all »

“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima