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By Ray Pride Pride@moviecitynews.com

ROGER EBERT RECEIVES “GOLDEN CIUPAGA” AWARD FROM THE POLISH FILM FESTIVAL IN AMERICA

Roger Ebert, one of the most respected and widely-read film critics in the world, is the recipient of the 2010 Golden Ciupaga Award, for his contribution in promoting European cinema in the United States, including works by Polish filmmakers. This prestigious prize is being presented by the Polish Film Festival in America, which hosts the largest showcase of Polish cinema beyond Poland and is one of the most extensive annual programs of European film in North America.

Regarded as the most powerful and popular film critic in America today, Roger Ebert was born in Urbana, Illinois, in 1942. Ebert received his degree from the University of Illinois at Champaign-Urbana. He then attended the Universities of Cape Town and Chicago. He started working for the Chicago Sun-Times in September of 1966, and has been their film critic since 1967. Roger is best known for his film reviews in the Sun-Times and online through rogerebert.com, and for his television programs, “Sneak Previews,” “At the Movies” and “Siskel & Ebert and The Movies,” all of which he co-hosted for a combined 23 years with Gene Siskel of The Chicago Tribune. After Siskel’s death in 1999, Ebert teamed with Richard Roeper for “Ebert and Roeper & the Movies.” Although his name remained in the title, Ebert did not appear on the show after mid-2006, when he suffered surgical complications which left him unable to speak.

Ebert’s movie reviews are syndicated to more than 200 newspapers worldwide and his website attracts 100 million visits a year from around the globe. He has written more than 20 books, including his famous annual movie yearbook which is a collection of his reviews of the past year. In 1994 he published “Great Movies” which has since continued with “Great Movies II” and now “Great Movies III.” These books contain reviews of movies he deems important for people to see. He also recently published “Scorsese by Ebert.”

In 1975, Ebert became the first film critic to win the Pulitzer Prize. He has received honorary degrees from the University of Colorado, the AFI Conservatory and the School of the Art Institute of Chicago. In 2005, Ebert was awarded a star on the Hollywood Walk of Fame, the first professional film critic to be so honored. In 2009, he was made an honorary life member of the Directors Guild of America. More recently, he was honored as the 2010 Webby Person of the Year, which is the leading international award honoring excellence on the internet.

In 1999, Ebert established the “Overlooked Film Festival” at his alma mater, the University of Illinois. Now called “Roger Ebert’s Film Festival” or “Ebertfest,” it just celebrated its 13th anniversary. The festival brings filmmakers from all over the world to Urbana-Champaign to share their films. Roger Ebert’s contribution to the appreciation of European film in America is unquestioned. While teaching at the University of Chicago Extension Courses, he regularly featured a semester dedicated to a particular director, including Krzysztof Kieslowski, Andrzej Wajda and was an early champion of Krzysztof Zanussi. Ebert considers “Decalogue” as one of the most important films in the history of cinema. From the 1999 Cannes Film Festival, he wrote that Jerzy Hoffman’s “With Fire and Sword,” shown at the Festival’s Marketplace, was one of the few interesting films shown there.

Ebert has described his critical approach of films as “relative, not absolute.” He reviews a film for what he feels will be its prospective audience, yet always with at least some consideration as to its value as a whole.

For many years, Roger Ebert has been supported by his wife Chaz, currently the Executive Producer of the upcoming “Roger Ebert Presents At the Movies,” which is set to air in January 2011, on public television stations nationwide. Ebert is an extraordinary example of a man whose passion for films has overcome even his serious health limitations.

The Polish Film Festival in American is proud to honor Roger Ebert with its “Golden Ciupaga Award” for his long-standing promotion of European films in America, and Polish films in particular.

Roger Ebert will receive the award in person at the Award Closing Night Ceremony on Saturday, November 20th, of the 22nd annual Polish Film Festival in America, at Big Cinemas Golf Glen 5 (9180 Golf Rd., Niles). Following the presentation, he will be available to sign his new books, “Great Movies III,” and “Roger Ebert’s Movie Yearbook 2011.”

2 Responses to “ROGER EBERT RECEIVES “GOLDEN CIUPAGA” AWARD FROM THE POLISH FILM FESTIVAL IN AMERICA”

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“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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