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David Poland

By David Poland

Interesting Short Film Concept

6 Responses to “Interesting Short Film Concept”

  1. Iggy Romero says:

    Supercool. David Poland, you are a gentleman and a scholar.

    So Now Then:

    This isn’t a “fake trailer” so much as a short film hijacking that format (hence the extended length) for pacing and musical purposes. Using and abusing all the familiar beats of a theatrical preview to tell its story.

    The concept was also meant to be a commentary on how trailers more often than not give away the whole movie…

    Enjoy! (I hope!)

    ~ Iggy

  2. LexG says:

    That guy has my physique and he’s with a skinny chick.

    How do you get an acting agent?

  3. Iggy, I gotta say, I was very impressed by this. Made me laugh out loud several times, which is more than I can say for most “comedy” trailers. Love the Peter Andrews/Roderick Jaynes bit in the credits. Shoot me an email – – would love to introduce myself.

    Thanks for posting this, DP.

  4. DappaDave says:

    Iggs, love it. I love this guy Will too, I think he’s perfect. MORE!

  5. Bob Burns says:

    miss your writing….the main reason I come to this site.

  6. Iggy Romero says:

    @Lex – This didn’t occur to you while you were watching “Knocked Up”?

    @Jeff – Done and done, my good man.

    @DappaDave – Consider yourself cast in my feature film debut, once I find an agent who will acknowledge my existence.

    @Bob BuzzKill – …..

    ~ Iggy

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima