MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

DP/30 Sneak Peek: Darren Aronofsky on The Wolverine

Next week, the full-length Aronofsky and Portman Black Swan DP/30s. But with the official announcement of the deal for Darren’s next movie, here’s this clip from the chat…

7 Responses to “DP/30 Sneak Peek: Darren Aronofsky on The Wolverine”

  1. LexG says:

    STACHE!!!! Awesome.

  2. actionman says:

    the sleazy porn star moustache is very bold. questionable and bold.

  3. Don R. Lewis says:

    I was JUST gonna log in to say that stache HA to go. He looks like the film critic/spy character Fassbender played in INGLORIOUS BASTARDS.

  4. NickF says:

    Darren is the best hire Fox could ever make.

  5. Keil Shults says:

    I suppose Aronofsky’s mustache could be the physical manifestation of his rebellious nature. If his choice in preferred film stock seems anachronistic, why shouldn’t his facial hair do the same? It is possible that Aronofsky’s grooming choices are part of a low-key strategy to subvert Hollywood — a follicle-fueled call to arms? Could his insistence on shaving the lower half of his face, but leaving the upper lip adorned with whiskers be his way of showing the film industry that he is above them?

    All this and more will be explored in my upcoming book, “Beards and Berets: An Illustrated History of Filmmaker Affectations.”

  6. Barry S. says:

    It’s phony and disingenuous for Aronofsky to claim the late Stuart Rosenberg as his “mentor.” The man was embarrassed to have Aronofsky as a student. After seeing Requiem For a Dream Rosenberg was famously quoted as saying, “Will that idiot ever grow up and make a film without his over-the-top performances and cheap visual gimmicks?”

  7. Great article. I really enjoy share for my friends and post on my blog.

The Hot Blog

Quote Unquotesee all »

“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton