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By DP30 david@thehotbuttonl.com

Black Swan, actor Natalie Portman

SPOILER WARNING: We discuss the ultimate scenes in the film in this conversation.

6 Responses to “Black Swan, actor Natalie Portman”

  1. Jessica says:

    Great interview with Miss Portman. She seems very thoughtful and lovely and oh so cute!

  2. Peter says:

    Since Lexg hasn’t commented yet, I will do the honors.

    LOOK AT HER!!!!!

    In all seriousness, she is wonderful in the movie. Actually, I really can’t think of a word(s) that can describe how good she is here. Performance of the year?

    Great interview.

  3. sanj says:

    this interview belongs on the dvd extras – you’ve got so many Black Swan interviews i figure all will be in the dvd?

    also saw Natalie on Dave Letterman – Natalie had 2 segments – the most interesting thing about that was Dave never mentioned any of the other actors / directors or any of the usual questions a movie like this gets.
    Dave thinks Natalie will win the Oscar …

  4. Bruce says:

    Just watched the interview, with Natalie. There seems to be intelligent life in planet Hollywood! She is well spoken, modest, and articulate. What a refreshig change from the usual.

  5. Margot Channing Tatum O'neal says:

    After seeing Black Swan and having concluded that (SPOILER ALERT!!!!!) Nina didn’t die, I had yet to find anyone who agreed with me.

    Nice to see you and the lovely Natalie Portman do.

    What an interesting film and what a great metaphor for womanhood. The Black Swan (woman) transformation is by far one of the most memorable scenes I’ve seen in film this year.

  6. amir says:

    sensytiv lovly girl

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Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook

“I expected ‘Salesman’ to take the step backward every day that Chekhov and Beckett did — but no, it was there to help all the time. The circumstances are like a brick shithouse, they are so solid. You can’t really be satisfied, but I am pretty close to it because the cast took it and ran. They get better every day. I’ve never seen anything like that before, and I don’t know if I’ll ever see it again. Is my ambition sated? I don’t know. To get something right, it can’t be sated because you can’t ever get enough of it right—and even if it is right, it won’t stay right. That’s the thing about a play. But with ‘Salesman,’ it’s different. I don’t know how, but they just keep getting better each night. I really don’t think I’ll direct another play. This is as good a time as I’ve ever had, and I don’t want to fuck it up.”
~ Mike Nichols To Stephen Galloway At The Time Of “Death Of A Salesman”