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By DP30 david@thehotbuttonl.com

Black Swan, actor Natalie Portman

SPOILER WARNING: We discuss the ultimate scenes in the film in this conversation.

6 Responses to “Black Swan, actor Natalie Portman”

  1. Jessica says:

    Great interview with Miss Portman. She seems very thoughtful and lovely and oh so cute!

  2. Peter says:

    Since Lexg hasn’t commented yet, I will do the honors.

    LOOK AT HER!!!!!

    In all seriousness, she is wonderful in the movie. Actually, I really can’t think of a word(s) that can describe how good she is here. Performance of the year?

    Great interview.

  3. sanj says:

    this interview belongs on the dvd extras – you’ve got so many Black Swan interviews i figure all will be in the dvd?

    also saw Natalie on Dave Letterman – Natalie had 2 segments – the most interesting thing about that was Dave never mentioned any of the other actors / directors or any of the usual questions a movie like this gets.
    Dave thinks Natalie will win the Oscar …

  4. Bruce says:

    Just watched the interview, with Natalie. There seems to be intelligent life in planet Hollywood! She is well spoken, modest, and articulate. What a refreshig change from the usual.

  5. Margot Channing Tatum O'neal says:

    After seeing Black Swan and having concluded that (SPOILER ALERT!!!!!) Nina didn’t die, I had yet to find anyone who agreed with me.

    Nice to see you and the lovely Natalie Portman do.

    What an interesting film and what a great metaphor for womanhood. The Black Swan (woman) transformation is by far one of the most memorable scenes I’ve seen in film this year.

  6. amir says:

    sensytiv lovly girl

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DP/30

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork