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By DP30 david@thehotbuttonl.com

Black Swan, actor Natalie Portman

SPOILER WARNING: We discuss the ultimate scenes in the film in this conversation.

6 Responses to “Black Swan, actor Natalie Portman”

  1. Jessica says:

    Great interview with Miss Portman. She seems very thoughtful and lovely and oh so cute!

  2. Peter says:

    Since Lexg hasn’t commented yet, I will do the honors.

    LOOK AT HER!!!!!

    In all seriousness, she is wonderful in the movie. Actually, I really can’t think of a word(s) that can describe how good she is here. Performance of the year?

    Great interview.

  3. sanj says:

    this interview belongs on the dvd extras – you’ve got so many Black Swan interviews i figure all will be in the dvd?

    also saw Natalie on Dave Letterman – Natalie had 2 segments – the most interesting thing about that was Dave never mentioned any of the other actors / directors or any of the usual questions a movie like this gets.
    Dave thinks Natalie will win the Oscar …

  4. Bruce says:

    Just watched the interview, with Natalie. There seems to be intelligent life in planet Hollywood! She is well spoken, modest, and articulate. What a refreshig change from the usual.

  5. Margot Channing Tatum O'neal says:

    After seeing Black Swan and having concluded that (SPOILER ALERT!!!!!) Nina didn’t die, I had yet to find anyone who agreed with me.

    Nice to see you and the lovely Natalie Portman do.

    What an interesting film and what a great metaphor for womanhood. The Black Swan (woman) transformation is by far one of the most memorable scenes I’ve seen in film this year.

  6. amir says:

    sensytiv lovly girl

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DP/30

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Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest