MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Let The Premature Awardulation Begin!!!

A 20 Weeks Special

Ah, as the temperatures finally drop from the 80s in Los Angeles, it’s time to start giving out year end awards months before the year has ended.

Now, there are two classes of premature awardulation. There is the sincere and well-intended. That would be your Gotham Awards.

Desperately trying to compete for attention and position ahead of the Independent Spirit Awards, from the IFP-jumping FIND of Los Angeles (independent film AND an iPhone app that shows you where the liquor stores are!), IFP pushed The Gothams to the very start of the season a few years ago. Thing is, as breathtakingly stupid as a year-end awards show being set in October, with no really clear rules for what is indie, the punchline is that they have a really fun party that the indie universe, housed mostly in New York, really seems to enjoy. And bully for them. It has no sway over Oscar or any other awards, but anhonor is an honor and God bless multiple nominees Winter’s Bone, The Kids Are All Right, Tiny Furniture, and everyone else. Have a good time.

On the other hand, you have the cynical, ugly, somewhat desperate awards known as The Hollywood Movie Awards aka Carlos de Abreu Lines His Pockets With Hollywood’s Money Because They All Want A Foothold On The Season & They Will Take An Award In A Butcher Shop In October If It Might Get Them One.

I don’t really understand how studios continue to pony up to what is basically a con by de Abreu. He has “an advisory board,” which I was once on. Our meetings consisted of a couple of lunches a year, seeking insight into who might be Oscar nominated, which actor had a better chance than the other one, etc. Basically it was like he was trying to do a Gurus o’ Gold chart over the summer, since he was handing out awards in October. Carlos works with the studios to see who they can deliver, how many tables they will buy in the same Bev Hilton ballroom that will hold The Golden Globes in January, and makes up awards to match the talent he can land. If you don’t think the award fits, Carlos is more than happy to adjust it… just as long as the talent will show up.

Carlos is not a dumb guy. He is a very clever con. How else could he get Sean Penn, a very serious guy, to show up? He’s this year’s “Hollywood Humanitarian.” And getting Penn probably made it easier to get Robert Duvall to show up to get his “Hollywood Actor Award.” And that makes it seem less desperate for Annette Bening to show up to “win” her “Hollywood Actress Award.” And Helena Bonham Carter and Sam Rockwell, and so on.

Carlos also smartly honors more below-the-line talent than any show other than the Oscars. Honor Zimmer and Pfister and you likely get Nolan & DiCaprio to show up.

And why doesn’t the media burn this thing to the ground… even as much as they try to tear down the more legit Golden Globes/HFPA, which is still only 80something dubious journalists with a TV show, but is still not just one guy handing out statues and selling tables to studios for personal profit? Well, who wants to say that Wally Pfister doesn’t deserve awards? I don’t. He deserves the love. And I am happy that Duvall is out on the awards circuit. He deserves recognition for Get Low. Etc. Who wants to be the prick to say to them, “What the HELL are you doing accepting a clown award at a small town rodeo?” And who wants to embarrass the publicists, consultants, and studio execs who talked the talent into going to the show?

No one.

Not even me.

But every once in a while, someone needs to say it out loud… because everyone says it privately. Well, everyone who even knows what you are talking about when you bring the show up.

Taking home multiple “Carloses” will be The Social Network (4), Inception (3, given that the fix is in for Leo to win the Audience Poll at Yahoo!), and The King’s Speech (2). With only Duvall representing, Sony Classics might not even buy a table – the exception that proves the rule – with Duvall sitting with Penn (sure Carlos is working Summit to buy a table, even though he’s not officially there for Fair Game. Searchlight and Disney are each accepting 2 awards, so each might buy one table. Focus got a biggie, so they are probably in for a table. And whose table does Zach Galifianakis sit at, Focus or Warners… Annette or Leo?

The sad thing about this one-man awards show is that none of these people need the show, the award, or the smell of crap on their shoes. There is not a weak player on this list. Great actors. Great talent behind the camera. They are all in the game, as Carlos knows, and this silly event will not move the big bar a single inch.

The Globes, absurd as it is, became “important” because it has millions of eyeballs right in the flow of the Oscar season. It has become a place to be seen and to reassert your Oscar goals. Getting a Hollywood Movie Award is a little like having sex with the slut at college. Neither of you much remember what happened. No one else much cares, since they all know how low the bar for entry was. And all you have left to show from the encounter is a odd little “award” that you notice every once in a while and hope isn’t herpes.

The one good thing about this moment is that we now have about six weeks before we have to hear from the ridiculous National Board Of Reviewing Their Ability To Get Talent To Jump For No Real Reason and then, the onslaught.

6 Responses to “Let The Premature Awardulation Begin!!!”

  1. Joe Leydon says:

    Hey, you think Carlos might be looking for new advisory board members? Looks like the National Board of Review is never going to come through with that membership offer.

  2. David Poland says:

    If you lived here and he only had one or two others from Variety, free lunch might well be coming your way.

  3. Dan Krovich says:

    I follow awards to a decent extent (Hell, I even pay some attention to the Golden Satellites), and I’ve never heard of the “Carlos Awards.” That’s probably why the media doesn’t bother trying to “burn it to the ground.” I assume it’s just a very Los Angeles insider thing.

  4. sanj says:

    DP – hang outside the awards and if Leo shows up – ask
    him to do a dp/30…

  5. “why doesn’t the media burn this thing to the ground”

    Because, ultimately, who gives a shit? Pointless in the grand scheme. It just is. No victims here. No gun to anyone’s head. Taking on the 80-member HFPA is worth it because of the strong-arming.

  6. Wally Pfister says:

    Fucking hilarious dude!!
    Spot on. Im laughing all the way to the buffet table.

Leave a Reply

The Hot Blog

Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé