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Ray Pride

By Ray Pride Pride@moviecitynews.com

George Hickenlooper Was 47



Tributes at Hickenlooper’s Facebook page. His Friday FB update: “Thanks to all my new friends in Austin for making last night’s screening such a great success! I love Austin! One of the if not the best audience in the world. Literally. Hope to come back soon… On to Denver!

4 Responses to “George Hickenlooper Was 47”

  1. Sue Dunphy says:

    I am grieving for you, my darling friend. There are simply no words to console you. You, Frank and Charles….novena is starting today. What can I do now for you? Love, Sue

  2. christian says:

    Sadness all around.

  3. richard freeman says:

    WhHile death is always sad, he was [UNSUBSTANTIATED ALLEGATIONS].

  4. Caralea says:

    To Richard Freemen,
    Defaming a deceased person so soon upon news of his passing doesn’t make you a truth teller, it just makes you a tactless, insensitive clod.

Movie City Indie

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch