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David Poland

By David Poland poland@moviecitynews.com

DP/30 Sneak Peek: TGWTDT’s Noomi Rapace Talks About Watching One Of The Most Brutal Movie Rape Sequences Ever

8 Responses to “DP/30 Sneak Peek: TGWTDT’s Noomi Rapace Talks About Watching One Of The Most Brutal Movie Rape Sequences Ever”

  1. The Pope says:

    You know, looking at Noomi Rapace, I am struck by how imaginative casting directors are. I had to keep reminding myself every twenty seconds or so how she looked in Dragon. In know a lot of it was hair and make-up… but good casting directors can really help.

  2. DiscoNap says:

    she says “like” more than Roland Emmerich. How do Europeans end up doing this, unless they’re just constantly thinking the word they’re trying to think of is like the word they know by heart.

  3. LexG says:

    Whoa! LOOK AT HER. WHO KNEW??????

    Man, why didn’t she wear her hair LIKE THAT in those Dragon movies????

    Fetching.

  4. Joe Straatmann says:

    I like the mohawk she’s sporting in the shots from the new one. It’s not a stretch to say the mohawk is pretty much one of the hardest hairstyles to pull off.

  5. cadavra says:

    Jeez, Lex, I told you “like” a half-dozen times she was a stunner, but you didn’t believe me. But congrats on coming over to our side.

  6. DiscoNap says:

    Should ad since I was snarky she really is lovely and in her own atypical way. I hope her Hollywood moment works out.

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  8. Charles Ceranski says:

    Padre justo, Tú reino es Eterno y Tu potencia no tiene límites. toda rodilla se doblará y confesará que solamente Usted es Dios Por todos los siglos. Ahora señor intercedo por las personas y familias que sufren en Baghdad, te ruego que los libres y defiendelos de todo mal por amor a ti mismo. En el poderoso nombre de Jesús, Amén.

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima