By MCN Editor editor@moviecitynews.com

CHICAGO FESTIVAL ANNOUNCES AUDIENCE CHOICE AWARDS

Feature film TRUST and documentary LOUDER THAN A BOMB share 2010 Audience Choice Award

CHICAGO, October 22, 2010 – The 46th Chicago International Film Festival proudly announces the Audience Choice Awards, presented by Buick Regal, and the juried Chicago Award. Audiences received ballots at every public screening during the two-week Festival to rank films on a five-point scale. Votes are tallied and weighted based on attendance so each film has an equal opportunity to win the award.

Audience Choice Award, presented by Buick Regal
LOUDER THAN A BOMB (USA)

Who ever said poetry was boring? Four teams of supremely talented Chicago high school students harness the ecstatic power of words as they prepare to compete in the world’s largest youth poetry slam right here in Chicago. The film also received the Chicago Award, Special Jury Prize. Directors: Greg Jacobs and Jon Siskel

TRUST (USA)
After carefree teenager Anna’s life is shattered by an online sexual predator, her parents (Clive Owen, Catherine Keener) struggle to help her pick up the pieces. As anger and disbelief drive her father’s desire for revenge, Anna is left to contend with her feelings of guilt and shame. Commanding performances by an ensemble cast drive this fiercely honest look at the devastating aftermath of rape. Lilana Liberato was awarded the Festival’s Silver Hugo for Best Actress (photo attached). Director: David Schwimmer

Audience Choice Award – The Human Condition

The Audience Choice Award in our 60-second film competition The Human Condition goes to BOIL, directed by Chicagoan Darren Davidson. BOIL is a comedy about the importance of taking action.
Chicago Award
Designed to honor the best film from the Festival’s Illinois[e]makers program of short, feature, and documentary films, the Chicago Award goes to TONY & JANINA’S AMERICAN WEDDING, a heart-wrenching film that puts a very human face on a current and painful political issue by intimately and expertly telling the story of one family’s American Dream-turned-nightmare as they are torn apart by a flawed U.S. immigration system. Director: Ruth Leitman

The Special Jury Prize goes to LOUDER THAN A BOMB, a meticulously crafted and inspiring film that celebrates with vitality and good spirit a spectrum of American youth—Chicago youth to be exact—at their most creative.

The Chicago Award jury consisted of local filmmakers James Choi, Emily Hart, and Dan Rybicky.

Led by Presenting Partner, Columbia College Chicago, the 46th Chicago International Film Festival’s sponsors to date include: Premiere Partners – American Airlines, Buick; Producing Partners- Stella Artois, DePaul University, AMC Theaters; Major Partners – Allstate, WBBM and theWit as the returning Headquarters Hotel.

ABOUT CINEMA/CHICAGO

Cinema/Chicago is a not-for-profit cultural and educational organization dedicated to encouraging better understanding between cultures and to making a positive contribution to the art form of the moving image. The Chicago International Film Festival is part of the year-round programs presented by Cinema/Chicago, which also include the Summer Gala, the Hugo Television Awards, CineYouth Festival, INTERCOM Competition, International Summer Screenings Program and Education Outreach.

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“Last night’s Oscar bizarreness was not just bizarre but bizarre in a way that is typical of this entirely bizarre time. The rhythm of the yes-they-won-oh-my-God-no-they-didn’t event, with La La Land replaced by Moonlight as Best Picture, was weirdly like that of… Election Night. First, a more or less expected, if “safe,” result was on its way—though Hillary Clinton never got all the way to the stage, so to speak, the result did seem safely in hand at 7pm., according to the polling—and the expected and safe people were ready to deliver their touching but obviously polished pieces. Then the sudden confusion and visible near-panic of people running around in the backgroun, with the same slightly horrified spirit that one felt on Election Night as shocking results began emerging from exurban counties in Florida. Then, yes—can this be happening?—the revised and unexpected result.

“In this case, obviously, the result was positive to all but the poor La La Land producers, with their earnest and spouse-approved speeches already delivered. Moonlight was no Donald Trump of cinema, and obviously a popular favorite. But the rhythm of the night was disconcertingly the same, and the sheer improbability of the happenstance scarily alike. Nothing like this has remotely happened before. This wasn’t just a minor kerfuffle. This was a major malfunction. Trump cannot be President. People don’t say “Grab ’em by the pussy” and get elected President. Can’t happen. In the same way, while there have been Oscar controversies before—tie votes and rejected trophies—never before has there been an occasion when the entirely wrong movie was given the award, the speeches delivered, and then another movie put in its place. That doesn’t happen. Ever.

“And so both of these bizarre events put one in mind of a simple but arresting thesis: that we are living in the Matrix, and something has gone wrong with the controllers. This idea was, I’m told, put forward first and most forcibly by the NYU philosopher David Chalmers: what is happening lately, he says, is proof that we are living in a computer simulation and that something has recently gone haywire within it. The people or machines or aliens who are supposed to be running our lives are having some kind of breakdown. There’s a glitch, and we are in it. There may be not merely a glitch in the Matrix. There may be a Loki, a prankster, suddenly running it.”
~ Adam Gopnik

“I think they were focused so hard on politics that they didn’t get the act together at the end,” President Trump said. “It was a little sad. It took away from the glamour of the Oscars. It didn’t feel like a very glamorous evening. I’ve been to the Oscars. There was something very special missing, and then to end that way was sad.”
~ Trump Offers Breitbart Exclusive On His Thinking About Oscar