MCN Columnists
David Poland

By David Poland poland@moviecitynews.com

Actress Charts – 19 Weeks To Go – 10/21/10

BEST ACTRESS
Actress – Film
Comment
Natalie Portman – Black Swan
Anette Bening – The Kids Are All Right
Carey Mulligan – Never Let Me Go
Jennifer Lawrence – Winter’s Bone
Reese Witherspoon – How Do You Know
Nicole Kidman – Rabbit Hole
Anne Hathaway – Love & Other Drugs
Lesley Manville – Another Year
Sally Hawkins – Made in Dagenham
Michelle Williams- Blue Valentine
Kimberly Elise – For Colored Girls… Hard to really know who will be the film’s choice for Lead
Diane Lane – Secretariat
Hilary Swank – Conviction
Helen Mirren – The Tempest
Rachel McAdams – Morning Glory
BEST SUPPORTING ACTRESS
Actress – Film
Comment
Helena Bonham Carter – The King’s Speech
Hailee Steinfeld – True Grit
Sissy Spacek – Get Low
Barbara Hershey – Black Swan
Whoopi Goldberg/Thandie Newton/Kerry Washington – For Colored Girls… Hard to really know who will be the film’schoice for Supporting
Julianne Moore- The Kids Are All Right
Melissa Leo – The Fighter
Sandra Oh – Rabbit Hole
Mila Kunis – Black Swan
Miranada Richardson – Made in Dagenham
October 21, 2010
by David Poland

Previous Chart

3 Responses to “Actress Charts – 19 Weeks To Go – 10/21/10”

  1. hcat says:

    No love for Amy Adams? The main reason I’m going to see the fighter is to watch her be all tough, earthy and concerned.

    And I would put Hathaway in over Witherspoon. I know Brooks has (had?) the magic touch with actresses but something about Love and Other Drugs just screams blockbuster to me. I could easily see this outgrossing all the other films with female leads, as well as becoming Fox’s biggest release this year.

  2. Everyone will be campaigned supporting in For Colored Girls.

  3. TPK says:

    Sandra Oh for Rabbit Hole over Dianne Wiest? Kind of love that, simply based on the few short clips that’ve been put out there.

Quote Unquotesee all »

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima

“They’re still talking about the ‘cathedral of cinema,’ the ‘communal experience,’ blah blah. The experiences I’ve had recently in the theatre have not been good. There’s commercials, noise, cellphones. I was watching Colette at the Varsity, and halfway through red flashes came up at the bottom of the frame. A woman came out and said, ‘We’re going to have to reboot, so take fifteen minutes and come back.’ Then they rebooted it from the beginning, and she had to ask the audience to tell her how far to go. You tell me, is that a great experience? I generally don’t watch movies in a cinema at all. Netflix is the future. It’s the present. But the whole paradigm of a series, binge-watching, it’s quite different. My first reaction is that it’s more novelistic, because if you have an eight-hour season, you can get into complex, intricate things. You can let it breathe and the audience expectations are such that they will let you, where before they wouldn’t have the patience. I think only the surface has been touched with experimenting with that.”
~ David Cronenberg