By MCN Editor editor@moviecitynews.com

“THE BEST EXOTIC MARIGOLD HOTEL” TO BEGIN PRINCIPAL PHOTOGRAPHY

John Madden to direct all star cast with Dame Judi Dench, Dame Maggie Smith, Tom Wilkinson, Bill Nighy and Dev Patel

LOS ANGELES, CA October 6, 2010 – Fox Searchlight Pictures President of Production Claudia Lewis and Participant Media President Ricky Strauss announced today that that principal photography for THE BEST EXOTIC MARIGOLD HOTEL will begin on October 10th in India. John Madden (SHAKESPEARE IN LOVE) will direct an all star cast in the comedy THE BEST EXOTIC MARIGOLD HOTEL from a script by Ol Parker and Deborah Moggach based on the novel by Deborah Moggach. The film will star Judi Dench, Maggie Smith, Tom Wilkinson, Bill Nighy and Dev Patel and be produced by Graham Broadbent and Peter Czernin of Blueprint Pictures. Fox Searchlight Pictures has worldwide rights and they will co-finance the film with Participant Media and Imagenation Abu Dhabi.

“We’re honored to have John at the helm of this film, a director with a deft hand in both comedy and drama,” said Lewis. “And to welcome back esteemed actors from the Searchlight fold such as Judi, Bill, Tom, Dev as well as the other members of our exceptional cast.”

Strauss said, “We’re thrilled to be partnering with Fox Searchlight for this amazing lineup of talent and a story that’s engaging, optimistic, funny and romantic, yet still manages to deal with the real issues that people today are facing everywhere.”

Madden said, “This is a gorgeous script – witty, moving and hilarious – with a wonderful feel for its subject – India. It’s rare to find one that traverses comedy, romance, and melancholy with such a lightness of touch and it’s proved to be a magnet for the cast of your dreams: actors I know and would want to work with in every film – Judi Dench, Tom Wilkinson; and actors I’d feel lucky to be in the room with – Maggie Smith, Bill Nighy, Dev Patel, and an amazing ensemble. It’s a great project about a world that defies all categorization. No one could come to India and not be changed by it.”

“We have the best of Britain’s actors, the incomparable John Madden directing, a fresh and funny script about ‘outsourcing’ retirement, and amazing partners in Fox and Participant. We’re very excited to get started,” said Broadbent.

THE BEST EXOTIC MARIGOLD HOTEL follows a group of British retirees who decide to “outsource” their retirement to less expensive and seemingly exotic India. Enticed by advertisements for the newly restored Marigold Hotel and bolstered with visions of a life of leisure, they arrive to find the palace a shell of its former self. Though the new environment is less luxurious than imagined, they are forever transformed by their shared experiences, discovering that life and love can begin again when you let go of the past.

The project will be overseen by Senior Vice President of Production Zola Mashariki and Creative Executive DanTram Nguyen for Fox Searchlight and Executive Vice President of Production Jonathan King and Creative Executive Angel Lopez for Participant Media.

Fox Searchlight Pictures is a specialty film company that both finances and acquires motion pictures. It has its own marketing and distribution operations, and its films are distributed internationally by Twentieth Century Fox. Fox Searchlight Pictures is a unit of Fox Filmed Entertainment, a unit of Fox Entertainment Group.

Participant Media (participantmedia.com) is a Los Angeles-based global entertainment company specializing in socially-relevant documentary and non-documentary feature films, television, publishing and digital media. Participant exists to tell compelling, entertaining stories that bring to the forefront real issues that shape our lives. For each of its projects, Participant creates extensive social action and advocacy programs, which provide ideas and tools to transform the impact of the media experience into individual and community action. Participant’s online Social Action Network is TakePart (takepart.com).

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Who are the critics speaking to?
Nobody seems able to answer the question of how you can make theatre criticism more appealing, more clickworthy. One answer is to be a goddamn flamethrower every week, be a bombthrower, to write scorched-earth reviews. Just be completely hedonistic and ego-driven in your criticism, become a master stylist, and treat everything in front of you onstage as fodder for your most delicious and vicious language. That’s one road. And people may enjoy your writing. The thing that’s sacrificed is any sense of a larger responsibility, and any aesthetic consistency. I don’t think anyone is following that model right now—just being a complete jerk.

Well, Rex Reed is still writing.
Ah. Well, you can also be a standard bearer, and insist that work doesn’t measure up to your high standards. But I think the art makes the standards. I’m not going to sit there and say, “This is the way you do Shakespeare.” I believe that every play establishes its own standards, and our job is to just evaluate it. But everybody’s looking for the formula for how to talk about culture so that people who don’t have any time to read want to read about it. Is there something beyond thumbs-up, thumbs-down criticism? I would hope there’s a way to talk about a theatre event in real time—meaning while it’s still going on—in a way that’s engaging, funny, witty, and evaluates the elements of the thing. But it’s like if you had a friend who was like, “Gee, are you working out? You look great. But that’s a terrible haircut.” Nobody wants that person around.
~ Time Out’s 17-Year Theatre Critic, David Cote, Upon His Exit

“Now I am awake to the world. I was asleep before. When they slaughtered Congress, we didn’t wake up. When they blamed terrorists and suspended the Constitution, we didn’t wake up either. They said it would be temporary. Nothing changes instantaneously. In a gradually heating bathtub you’d be boiled to death before you knew it.”
“The Handmaid’s Tale,” Bruce Miller