By MCN Editor editor@moviecitynews.com

“THE BEST EXOTIC MARIGOLD HOTEL” TO BEGIN PRINCIPAL PHOTOGRAPHY

John Madden to direct all star cast with Dame Judi Dench, Dame Maggie Smith, Tom Wilkinson, Bill Nighy and Dev Patel

LOS ANGELES, CA October 6, 2010 – Fox Searchlight Pictures President of Production Claudia Lewis and Participant Media President Ricky Strauss announced today that that principal photography for THE BEST EXOTIC MARIGOLD HOTEL will begin on October 10th in India. John Madden (SHAKESPEARE IN LOVE) will direct an all star cast in the comedy THE BEST EXOTIC MARIGOLD HOTEL from a script by Ol Parker and Deborah Moggach based on the novel by Deborah Moggach. The film will star Judi Dench, Maggie Smith, Tom Wilkinson, Bill Nighy and Dev Patel and be produced by Graham Broadbent and Peter Czernin of Blueprint Pictures. Fox Searchlight Pictures has worldwide rights and they will co-finance the film with Participant Media and Imagenation Abu Dhabi.

“We’re honored to have John at the helm of this film, a director with a deft hand in both comedy and drama,” said Lewis. “And to welcome back esteemed actors from the Searchlight fold such as Judi, Bill, Tom, Dev as well as the other members of our exceptional cast.”

Strauss said, “We’re thrilled to be partnering with Fox Searchlight for this amazing lineup of talent and a story that’s engaging, optimistic, funny and romantic, yet still manages to deal with the real issues that people today are facing everywhere.”

Madden said, “This is a gorgeous script – witty, moving and hilarious – with a wonderful feel for its subject – India. It’s rare to find one that traverses comedy, romance, and melancholy with such a lightness of touch and it’s proved to be a magnet for the cast of your dreams: actors I know and would want to work with in every film – Judi Dench, Tom Wilkinson; and actors I’d feel lucky to be in the room with – Maggie Smith, Bill Nighy, Dev Patel, and an amazing ensemble. It’s a great project about a world that defies all categorization. No one could come to India and not be changed by it.”

“We have the best of Britain’s actors, the incomparable John Madden directing, a fresh and funny script about ‘outsourcing’ retirement, and amazing partners in Fox and Participant. We’re very excited to get started,” said Broadbent.

THE BEST EXOTIC MARIGOLD HOTEL follows a group of British retirees who decide to “outsource” their retirement to less expensive and seemingly exotic India. Enticed by advertisements for the newly restored Marigold Hotel and bolstered with visions of a life of leisure, they arrive to find the palace a shell of its former self. Though the new environment is less luxurious than imagined, they are forever transformed by their shared experiences, discovering that life and love can begin again when you let go of the past.

The project will be overseen by Senior Vice President of Production Zola Mashariki and Creative Executive DanTram Nguyen for Fox Searchlight and Executive Vice President of Production Jonathan King and Creative Executive Angel Lopez for Participant Media.

Fox Searchlight Pictures is a specialty film company that both finances and acquires motion pictures. It has its own marketing and distribution operations, and its films are distributed internationally by Twentieth Century Fox. Fox Searchlight Pictures is a unit of Fox Filmed Entertainment, a unit of Fox Entertainment Group.

Participant Media (participantmedia.com) is a Los Angeles-based global entertainment company specializing in socially-relevant documentary and non-documentary feature films, television, publishing and digital media. Participant exists to tell compelling, entertaining stories that bring to the forefront real issues that shape our lives. For each of its projects, Participant creates extensive social action and advocacy programs, which provide ideas and tools to transform the impact of the media experience into individual and community action. Participant’s online Social Action Network is TakePart (takepart.com).

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MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé

A Haunted House 2 is not a movie. It is a nervous breakdown. Directed by Michael Tiddes but largely the handiwork of star, producer, and co-writer Marlon Wayans, the film is being billed as yet another Wayans-ized spoof of the horror movie genre, à la the first Haunted House movie and the wildly successful Scary Movie series. (Keenen Ivory Wayans and his brothers were responsible for the first two Scary Movie films; they have since left that franchise, which may explain why a new one was needed.) And there are some familiar digs at recent horror flicks: This time, the creepy doll and the closet from The Conjuring, the family-murdering demon from Sinister, and the dybbuk box from The Possession all make appearances. But this new film is mostly an excuse for star Marlon Wayans to have extended freak-outs in response to the horrors visited upon him—shrieking, screaming, crying, cowering, and occasionally hate-fucking for minutes on end. Yes, you read that last bit right. A Haunted House 2 puts the satyriasis back in satire.”
Ebiri On A Haunted House 2