
By David Poland poland@moviecitynews.com
Never Let Me Go director Mark Romanek
THERE WILL BE SPOILERS!

THERE WILL BE SPOILERS!
sanj on: DP/30: Darling Companion, co-writer/director Lawrence Kasdan, co-writer Meg Kasdan
Joshua/CaptainZahn on: DP/30 on Tribeca: Caroline & Jackie, writer/director Adam Christian Clark, actor Marguerite Moreau
Ozaltin on: DP/30: I AM, director Tom Shadyac
sanj on: DP/30 on Tribeca: Caroline & Jackie, writer/director Adam Christian Clark, actor Marguerite Moreau
Asfast on: DP/30: Darling Companion, co-writer/director Lawrence Kasdan, co-writer Meg Kasdan
David Poland on: Bright Star, director Jane Campion, actor Ben Whishaw (TIFF '09)
Ellena on: Bright Star, director Jane Campion, actor Ben Whishaw (TIFF '09)
zachary on: DP/30: Happy Feet 2, director/co-writer/producer George Miller
The Pope on: DP/30: Project X, actor Kirby Bliss Blanton
zachary on: DP/30: Happy Feet 2, director/co-writer/producer George Miller
DP/30 on Tribeca: Caroline & Jackie, writer/director Adam Christian Clark, actor Marguerite Moreau
DP/30: Darling Companion, co-writer/director Lawrence Kasdan, co-writer Meg Kasdan
DP/30 Emmy Watch: Necessary Roughness, actor Callie Thorne
DP/30 – The Raid: Redemption, writer/director Gareth Evans
DP/30: Project X, actor Kirby Bliss Blanton
DP/30: Good For Nothing, director Mike Wallis, actor Inge Rademeyer
DP/30: Footnote, director Joseph Cedar
DP/30 @ SXSW: Daylight Savings, co-writer/director Dave Boyle, actor/co-writer Goh Nakamura
DP/30 @ AFI: The Forgiveness of Blood, writer/director Joshua Marston
see all »
MT @thehighsign: Eyes of Dr.TJ Eckleburg pop out at audience in 3D! We joke, but this thing is directed by Baz Luhrmann. Expect desecration.
RT @tanehisi: RT @tcarmody: That's all Baz Luhrmann does. He's the Michael Bay of costume parties.
Philip Kaufman at 75: "I'd do 'War and Peace' if they'd let me film where I live." http://t.co/LxxCh0ba
RT @jeremyrsaunders: Gatsby poster is very nice. Gatsby trailer is not very nice.
RT @TheMikeFiggis: #editday53.I think I am finished editing for the moment.Me and the film need a break from each other.Plus it seems to be working.Its a ....
RT @eug: HOLY MOTORS: imagine what might happen if Tim Burton were head of the jury this year. #Cannes
RT @AlbertBrooks: When Facebook gets to $9 I'm in.
RT @keithcalder: Baz Luhrmann is one of my favorite directors, and his Gatsby looks incredible. http://t.co/LOXa6YSV
RT @TedNope: Late for this, but yes, @ColorWheelMovie is a must-see. A fascinating, nauseating mix of shoddy and brilliant. A goof-gem.
RT @gregmottola: @Jacobunny Sorkin has been an absolute pleasure to work with. I did three episodes of the first ten.
Lurhmann’s Eckleburg - MCN Indie
Holy HOLY MOTORS!! 9 images, video, press kit extracts - MCN Indie
“It’s Sailor Jerry. It’s a Spiced Rum.” Bill Murray On The Sets Of MOONRISE KINGDOM - MCN Indie
SIFF 2012 Dispatch: Opening Gala, Tibetan Protesters … and Oh Yes, Some Films - Film Essent
“Just got back from Dark Shadows at the Lincoln Square IMAX (102′ wide screen, over 50 sears per row). I loved almost every second of it. What a shock. I can see why people under 49 hate it, and it’s not just because of its ’60s TV roots–it’s a very traditional, classic-style horror film: leisurely-paced, character-driven, beautifully designed (mostly real sets, not CGI), music used as a humorous or ironic underline, not particularly violent (there’s more blood in the 1970 version), perfectly cast with superb actors, and of course a nice sense of humor to balance the horror. No jump scenes, no teens sliced to pieces by some mask-wearing non-entity, just good old-fashioned story-telling. It’s more like Hugo than Hostel, and not just because it shares cast members and underperformed. And as for the much-derided third act: the complaints are horseshit. Everything that takes place in the climax is logically built up to in what precedes it. Yes, the werewolf is a surprise, but it shouldn’t be given the family history and that character’s behavior, and the explanation is eminently reasonable. In an era where Bridesmaids is considered award-worthy writing, it’s no surprise that many people have forgotten what a well-made script can be like. So fuck all the haters. Dark Shadows lived up to my expectations (no small feat), and should be seen by everyone who still appreciates quality, grown-up, Old Hollywood-style filmmaking. Cadavra has spoken.”
~ Cadavra on Dark Shadows
‘This grooming and styling thing? It’s fucking poodles. Human poodles. I feel sorry for a poodle because he’s a dog. You know, a dog is a fucking great creature. They would do anything for you. And the poodle gets a haircut. No one asks if the poodle wants his hair cut like that. Do they? They just fucking cut his hair like that. And he just walks around. And everyone is like, “Why is that poodle so snarky?” Fuck you. Style, I think, is panache. Who are you? What did you do today? And what are you worth to me? What do you have to offer the world? How did you spend your time today on this planet? How are you spending your time every second? What are you doing now? Are you alive, or are you somnambulant? If you are somnambulant, then you are a fucking prick. Style is your ability to be awake. But who the fuck am I to judge? I’m starting to get really arrogant.”
GQ: Whose tuxedo did you wear on the red carpet here in Cannes?
“J.Lindeberg. Because I really love his suits.”
~ Stylin’ Tom Hardy

Great to hear the journey. I’ve been a fan of Marks for some time. would be a dream to collaborate with him.
Romanek— so zen.
**Possible SPOLIERS Below** In the interview, there was mention of answering the question “why don’t they just run” but it never seems to come. I mean I got from the stylistic approach by the filmmaking team why running wasn’t an option – Not in the sort of cultural b.g./influence in working out personal dilemmas, for lack of a better way of putting it – but that only explains the type of film they wanted to make. There’s no mention of this option in the film, which to me seemed more than a bit puzzling. I would liken it to perhaps making a film about kamikaze pilots and then having a particular pilot who didn’t want to go or at least postpone his duty. One question would be he’s in a plane, why not fly to freedom? But in the telling of the story and setting up the culture it could be answered why that really isn’t a considerable option.
One area I felt this film failed to answer was what was the mental foundation behind the running is not an option mentality. One so strong that it went without mentioning??? I get the barrier of fear placed on them in early life. Perhaps it’s like Truman Show where this sort of blockade stays in place up until the point when the procedures start and running would be too late but once they leave the kiddie boarding school and get some exposure to the outside world, especially TV & adult mags, what’s stopping their curiosity or fear from taking over? It’s not like fear was removed from their line of thinking, just the opposite, it was exploited to manipulate and control them.
OK, so that was a bit long. I enjoyed the film for what it didn’t try to be and respect the creative team’s decisions. Not sure Searchlight has made films that have blown me away but I’ve enjoyed some of their films because they seem to exercise self control and not try to blow people away.