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David Poland

By David Poland poland@moviecitynews.com

Never Let Me Go actors Carey Mulligan & Andrew Garfield

THERE WILL BE SPOILERS!

22 Responses to “Never Let Me Go actors Carey Mulligan & Andrew Garfield”

  1. mutinyco says:

    The white balance is set to daylight…

  2. Lovely stuff. What a beautiful voice Carey Mulligan has.

  3. eugenen says:

    The biggest thing I walked away from Telluride with this year is how ridiculously talented these two are. NLMG could have been six hours long for all I care. I could watch them on screen together all day.

  4. J says:

    I love that she’s so eager to talk about the work (and I love her) but I hate that she just spoiled the end of both the book and the movie for me when I’ve still got eighty pages to go.

    Any way we can get a courtesy SPOILER WARNING on something about a film which hasn’t yet opened?

  5. Emmy says:

    Awesome interview. Carey and Andrew were so funny in the end of the video. Good job David, i enjoyed the interview A LOT.

  6. Emmy says:

    btw can you fix the embed code?

  7. Tofu says:

    Ever notice how some actors are suddenly cast in one billion movies all at once without any audience following yet?

    The meeting of these two is like some casting agency supernova.

  8. IOv3 says:

    Exactly. Few could pick these two out of a crowd and that they are in movie after movie, is just weird.

  9. LexG says:

    YEP YEEEEEEEEEEEEEEP.

    LOOK AT HER.

    But SHOES ON SOFA ALERT. It’s forgivable because it’s CAREY POWER, who could put her feet ALL over my pillows, but women ALWAYS DO THIS, putting their shoes all over everywhere and everything, because they have no concept that they’re walking around city streets where disgusting people spit all over the place and that shoes are carrying untold germs… and yet they’re roll right in and sit down on a bed upside down with shoes on the pillows, like COME ON.

    On a side note, ALL MEN’S SHOES have urine on them at ALL TIMES because men’s room floors are the most disgusting thing ever.

  10. Josh_A says:

    At what points in the video do the spoilers start and end? I want to watch, but I don’t want to be spoiled.

  11. Dan R says:

    Why is he Spider-man? He should be Plastic Man! Look at that neck!

  12. David Poland says:

    Only if you can tell me what’s wrong with it…

  13. David Poland says:

    My apologies, J… I was literally running out of the house to go to the airport when I posted these…

    And Josh_A… it depends what degree of spoiler you are concerned about. Some people consider the conceit of the film to be a spoiler… and I might be one of those..

  14. Foamy Squirrel says:

    Okies, looks like XHTML 1.0 with the p-tag disabled. Bum.

  15. Emmy says:

    when i try to post it on my blog it wont work. :[ It says “video not available. I will credit you for the video, dont worry.

  16. Josh_A says:

    I already know the premise, I meant the spoiler that J says she gives away, the ending of the book/movie.

  17. jtagliere says:

    Love this interview – I just love hearing young actors who are smart about their choices and quite clearly about life around them.

    Every time I see Andrew Garfield, I keep thinking its Mark Boal (sans beard, obviously).

  18. Triple Option says:

    Speaking of spoilers ** One Coming ** There were SPOILERS in the freckin’ trailer!! I hate, Hate, HATE THAT! ** I am so glad I hadn’t seen the trailer before seeing the movie. I went online to see what was sorta revealed in the marketing because I wanted to tell some people about it but didn’t want to give away anything more than absolutely necessary but there are pieces in the trailer I saw that not only come way late and in a climatic moment but do very little to piqué curiosity of the film. **END Spoilers**

    I wish there was some way to stop this process.

  19. Arbeit says:

    Ich habe immer gern ein über solche Dinge zu lesen, ist mein Blog in Verbindung, wenn Sie einen Blick ringsum wenden Sie sich wünschen. Ich habe Ihnen meinen Favoriten hinzugefügt.

  20. Lanie says:

    I love how intelligent these two are, and how genuinely invested they feel in their work. It’s refreshing to see these young actors who take so much love in their art and don’t care for the fame that comes with it!

  21. Etguild2 says:

    Hooo man, internet bots are getting dumber.

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“When Bay keeps these absurd plot-gears spinning, he’s displaying his skill as a slick, professional entertainer. But then there are the images of motion—I hesitate to say, of things in motion, because it’s not clear how many things there are in the movie, instead of mere digital simulations of things. It doesn’t matter. What matters is that there’s a car chase through London, seen from the level of tires, that could have gone on for an hour, um, tirelessly. What matters is that the defenestrated Cade saves himself by leaping from drone to drone in midair like a frog skipping among lotus pads; that he and Vivian slide along the colossal, polished expanses of sharply tilting age-old fields of metal like luge Olympians. What matters is that, when this heroic duo find themselves thrust out into the void of inner space from a collapsing planet, it has a terrifyingly vast emptiness that Bay doesn’t dare hold for more than an instant lest he become the nightmare-master. What matters is that the enormous thing hurtling toward Earth is composed in a fanatical detail that would repay slow-motion viewing with near-geological patience. Bay has an authentic sense of the gigantic; beside the playful enormity of his Transformerized universe, the ostensibly heroic dimensions of Ridley Scott’s and Christopher Nolan’s massive visions seem like petulant vanities.”
~ Michael Bay Gives Richard Brody A Tingle

How do you see film evolving in this age of Netflix?

I thought the swing would be quicker and more violent. There have been two landmark moments in the history of French film. First in 1946, with the creation of the CNC under the aegis of Malraux. He saved French cinema by establishing the advance on receipts and support fund mechanisms. We’re all children of this political invention. Americans think that the State gives money to French films, but they’re wrong. Through this system, films fund themselves!

The other great turning point came by the hand of Jack Lang in the 1980s, after the creation of Canal+. While television was getting ready to become the nemesis of film, he created the decoder, and a specific broadcasting space between film and television, using new investments for film. That once again saved French film.

These political decisions are important. We’re once again facing big change. If our political masters don’t take control of the situation and new stakeholders like Netflix, Google and Amazon, we’re headed for disaster. We need to create obligations for Internet service providers. They can’t always be against film. They used to allow piracy, but now that they’ve become producers themselves, they’re starting to see things in a different light. This is a moment of transition, a strong political act needs to be put forward. And it can’t just be at national level, it has to happen at European level.

Filmmaker Cédric Klapisch