
By David Poland poland@moviecitynews.com
Heartbreaker, director Pascal Chaumeil actors Romain Duris and Vanessa Paradis

sanj on: DP/30: Darling Companion, co-writer/director Lawrence Kasdan, co-writer Meg Kasdan
Joshua/CaptainZahn on: DP/30 on Tribeca: Caroline & Jackie, writer/director Adam Christian Clark, actor Marguerite Moreau
Ozaltin on: DP/30: I AM, director Tom Shadyac
sanj on: DP/30 on Tribeca: Caroline & Jackie, writer/director Adam Christian Clark, actor Marguerite Moreau
Asfast on: DP/30: Darling Companion, co-writer/director Lawrence Kasdan, co-writer Meg Kasdan
David Poland on: Bright Star, director Jane Campion, actor Ben Whishaw (TIFF '09)
Ellena on: Bright Star, director Jane Campion, actor Ben Whishaw (TIFF '09)
zachary on: DP/30: Happy Feet 2, director/co-writer/producer George Miller
The Pope on: DP/30: Project X, actor Kirby Bliss Blanton
zachary on: DP/30: Happy Feet 2, director/co-writer/producer George Miller
DP/30 on Tribeca: Caroline & Jackie, writer/director Adam Christian Clark, actor Marguerite Moreau
DP/30: Darling Companion, co-writer/director Lawrence Kasdan, co-writer Meg Kasdan
DP/30 Emmy Watch: Necessary Roughness, actor Callie Thorne
DP/30 – The Raid: Redemption, writer/director Gareth Evans
DP/30: Project X, actor Kirby Bliss Blanton
DP/30: Good For Nothing, director Mike Wallis, actor Inge Rademeyer
DP/30: Footnote, director Joseph Cedar
DP/30 @ SXSW: Daylight Savings, co-writer/director Dave Boyle, actor/co-writer Goh Nakamura
DP/30 @ AFI: The Forgiveness of Blood, writer/director Joshua Marston
see all »
MT @thehighsign: Eyes of Dr.TJ Eckleburg pop out at audience in 3D! We joke, but this thing is directed by Baz Luhrmann. Expect desecration.
RT @tanehisi: RT @tcarmody: That's all Baz Luhrmann does. He's the Michael Bay of costume parties.
Philip Kaufman at 75: "I'd do 'War and Peace' if they'd let me film where I live." http://t.co/LxxCh0ba
DP: I wonder what a shotgun blast does to a person's head RT @ExtAngel: worried that andrew dominik can't find his sense of childlike wonder
DP: @TheMcRaj PS I'll get Dominik back on LA. I leave tomorrow and they press tomorrow. Remember... Lee Daniels did 3 DP/30s for Precious
“Just got back from Dark Shadows at the Lincoln Square IMAX (102′ wide screen, over 50 sears per row). I loved almost every second of it. What a shock. I can see why people under 49 hate it, and it’s not just because of its ’60s TV roots–it’s a very traditional, classic-style horror film: leisurely-paced, character-driven, beautifully designed (mostly real sets, not CGI), music used as a humorous or ironic underline, not particularly violent (there’s more blood in the 1970 version), perfectly cast with superb actors, and of course a nice sense of humor to balance the horror. No jump scenes, no teens sliced to pieces by some mask-wearing non-entity, just good old-fashioned story-telling. It’s more like Hugo than Hostel, and not just because it shares cast members and underperformed. And as for the much-derided third act: the complaints are horseshit. Everything that takes place in the climax is logically built up to in what precedes it. Yes, the werewolf is a surprise, but it shouldn’t be given the family history and that character’s behavior, and the explanation is eminently reasonable. In an era where Bridesmaids is considered award-worthy writing, it’s no surprise that many people have forgotten what a well-made script can be like. So fuck all the haters. Dark Shadows lived up to my expectations (no small feat), and should be seen by everyone who still appreciates quality, grown-up, Old Hollywood-style filmmaking. Cadavra has spoken.”
~ Cadavra on Dark Shadows
‘This grooming and styling thing? It’s fucking poodles. Human poodles. I feel sorry for a poodle because he’s a dog. You know, a dog is a fucking great creature. They would do anything for you. And the poodle gets a haircut. No one asks if the poodle wants his hair cut like that. Do they? They just fucking cut his hair like that. And he just walks around. And everyone is like, “Why is that poodle so snarky?” Fuck you. Style, I think, is panache. Who are you? What did you do today? And what are you worth to me? What do you have to offer the world? How did you spend your time today on this planet? How are you spending your time every second? What are you doing now? Are you alive, or are you somnambulant? If you are somnambulant, then you are a fucking prick. Style is your ability to be awake. But who the fuck am I to judge? I’m starting to get really arrogant.”
GQ: Whose tuxedo did you wear on the red carpet here in Cannes?
“J.Lindeberg. Because I really love his suits.”
~ Stylin’ Tom Hardy

i love vanessa
I love Romain. We watch everything of his.
Got to see his Moliere without subtitles in a Montreal theater when it came out. His physical comedy was fantastic.
Clearly he’s not makng a play for Hollywood, just promoting the film. Good for him. He’s putting together a collection of characters in French films that seems to be impossible for an American actor.
“Heartbreaker” is such a fun, gem of a movie. Caught it at CAL-COA and it’s stayed with me as just a surprisingly well-done romantic comedy.
Very nice to meet Mrs. Johnny Depp. I recommend she take an exec. producer credit on future films, making her somewhat privileged to info, or at least to ask questions, and then if a producer f’s up with a bad distro plan, Depp can entertain the idea of a buyback — just a bit of random advice, not referring to any knowledge of a situation in any way.
“mrs. johnny depp”, t.holly? i’m pretty sure paradis and depp aren’t married. plus it’s not the 1950′s