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Ray Pride

By Ray Pride Pride@moviecitynews.com

David Byrne On The Wall Street Soundtrack

Via David Byrne’s mailing list, notes on his substantial contribution to Oliver Stone’s latest. “On Friday, the movie Wall Street: Money Never Sleeps comes out, and I’m all over the soundtrack! Oliver Stone’s film recreates scenes from the bank collapses and bailouts, and the attendant shenanigans of a couple of years ago… and of course Gekko is back. Stone approached me about music a while back, and I met him at an office and gave him a pile of records. He ended up mainly using a lot of songs from my recent collaboration with Brian Eno (“Everything That Happens Will Happen Today”), a few songs from recent solo and dance score records, and a reprise of “This Must Be The Place,” the Talking Heads song that was used in the first Wall Street movie. It was almost like I’d scored the picture. Stone was super accommodating – inviting me numerous times to view rough assemblies to be sure I was OK with how the music was being used. This is pretty unusual; most times licensing a song for a movie is a bureaucratic formality, and the artist is never invited into the process. That said, I’ve only turned down movie song use once or twice for aesthetic reasons – if I thought a scene made unfortunate associations with a song. If you’ve got these recordings already, this all won’t mean anything to you, but if not, and if you see the movie and wonder, what was that music? – here is your answer. The music, along with some score pieces by fellow Scot Craig Armstrong, is available today on iTunes, and via all the usual download and online outlets.” (Info.)

3 Responses to “David Byrne On The Wall Street Soundtrack”

  1. Andrew Turrieta says:

    What a wonderful choice…Creative art begets creative thought, and once again we see ourselves in ways we would otherwise never have.

  2. The first thing I noticed was the music (which I hardly ever do) and that continued throughout and that’s why I am at this site.

    Next; the movie itself was well filmed and presented a tough subject. Over all I learned that Corporations/Banker/Anyone in chaoots with government is a bad thing; while capitalism without government can accomplish wonderful things (as if America doesn’t know this) as in the case of the the power company brought to fruition in the movie. Good movie story, acting and music.

  3. Proto - Lifetime Byrne fan... says:

    I too, am here because of the movie score. It made me pull this album back into my regular play lists. Great movie. Greater music…

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“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson 

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles