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Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

Television Goldmine

I’ve written about this subject several times over the past few years, but now it seems like it’s gaining steam more and more: television is a much more interesting landscape than film these days. That is not to say that I think all TV shows are better than all movies, but that I think television is an inherently more fascinating medium for character-based narratives. In a film, we get maybe three hours to see a character develop and grow and change; in television, we could have upwards of a hundred hours. Great film actors like Daniel Day-Lewis are able craft a persona and give us an idea of the depth of a character in something like There Will Be Blood, but how do I compare that greatness to, say, Jon Hamm’s creation of Don Draper on Mad Men.  It’s almost impossible to compare the two, but when all is said and done, I will probably feel like I know Don Draper and his motivations better than Daniel Plainview.

I was realizing just that point when I was watching Mad Men this past Sunday.  I’ve gotten to know Don Draper so well at this point that I feel like I can guess what he may or may not to do in any given situation.  That might make it sound really boring, like it would take the fun and excitement out of it, but instead it made me feel comfortable with the fact that I’ve spent almost four seasons getting to know this person (upwards of 40 hours) and now I know his tics.  And that’s a testament to the acting of Jon Hamm, that he’s able to convey the feelings that I know Don is having, but without having to state it as such.  Every furrow of the brow, every hesitation of an inhalation of cigarette, every faux-tender kiss on a woman’s mouth…we know what Don is feeling as he lies to the world.

It’s not just on Mad Men either.  All across the television landscape, there are shows and characters that are just starting to scratch the surface of what can be done with the medium.  No longer do we have stand-alone episodes of every show where we follow one character as they solve a mystery.  No, now we have mysteries and narratives that last for the entire length of a show’s run and characters that fall believably in and out of love.

Look, I will always love movies with all my heart – it’s my primary passion.  But even I can’t deny that television is kicking some serious ass right now.  It’s starting to feel more and more like film is the equivalent of a short story while TV shows are novels.  That’s not a knock on films at all, as some of the best stories are short ones.  But, I’ve got it on pretty good authority that Boardwalk Empire is going to kick all of our asses when it debuts on HBO in a couple weeks.  And, you know, it’s gotta say something when even Scorsese is noticing what television can offer these days.

4 Responses to “Television Goldmine”

  1. Amazing mob at Lovato’s Hotel in Toronto today! I was right behind 2 idiots who were much taller than me!

  2. We tried their restaurant and had the exact same experience.

  3. christian says:

    So tired of this meme. TV is for people who want a continuing serial. Do not confuse it with the theatrical experience. I find the overreaching suspect — I think people want to justify how many hours a week they spend watching these shows and then demanding that “you don’t get it unless you get to episode 25 of the sixth season.”

    And why are all TV characters scumbags these days?

  4. hcat says:

    I am quite a snob about television having spent most of the last two decades with Rabbit Ears and missing the “Golden Age of Cable”. And while I always thought the intention of a television program was simply to keep you interested through the commercial break, I have to say this season of Mad Men is absolutly incredible and keeps suprising me with little moments of brilliance.

    One person’s scumbag is another person’s complex character.

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DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato