MCN Blogs
Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

Making a List, Checking it Twice

I’m making my preliminary list for my annual “Top Ten Films to See This Fall” column and it’s going to be awfully hard to whittle it down to ten.  It’s also going to be hard to figure out which movies are actually going to be released this year.  Films like Terrence Malick’s Tree of Life and Peter Weir’s The Way Back are currently scheduled to be released sometime this year, but they are both without a firm date.  In the case of the Malick film, it’s unclear whether the film is even finished yet and it’s been on the last few of my “Top Ten Films to See” lists.  But even if one takes those two out of the running, we’re talking about filmmakers like David Fincher, Darren Aronofsky, David O. Russell, James L. Brooks, Florian Henckel von Donnersmarck, Anton Corbijn, Oliver Stone, Ben Affleck, Julian Schnabel, Robert Rodriguez, Clint Eastwood, Danny Boyle, Julie Taymor, The Coen Brothers, Mike Leigh, and many others I’m forgetting.  All of them releasing films this fall.  And that’s not counting films like Jackass 3-D, Due Date, the new Harry Potter flick, and Love and Other Drugs, which I’m looking forward to seeing as well.  Here’s hoping this is a fine fall, because we all know it’s been a miserable summer.

One Response to “Making a List, Checking it Twice”

  1. Great article! I can’t say the last time I read so much valuable information all in one place. You make strong points that I agree with and comprehend. You’ve done a great job on this.

Leave a Reply

Quote Unquotesee all »

Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest