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Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

Making a List, Checking it Twice

I’m making my preliminary list for my annual “Top Ten Films to See This Fall” column and it’s going to be awfully hard to whittle it down to ten.  It’s also going to be hard to figure out which movies are actually going to be released this year.  Films like Terrence Malick’s Tree of Life and Peter Weir’s The Way Back are currently scheduled to be released sometime this year, but they are both without a firm date.  In the case of the Malick film, it’s unclear whether the film is even finished yet and it’s been on the last few of my “Top Ten Films to See” lists.  But even if one takes those two out of the running, we’re talking about filmmakers like David Fincher, Darren Aronofsky, David O. Russell, James L. Brooks, Florian Henckel von Donnersmarck, Anton Corbijn, Oliver Stone, Ben Affleck, Julian Schnabel, Robert Rodriguez, Clint Eastwood, Danny Boyle, Julie Taymor, The Coen Brothers, Mike Leigh, and many others I’m forgetting.  All of them releasing films this fall.  And that’s not counting films like Jackass 3-D, Due Date, the new Harry Potter flick, and Love and Other Drugs, which I’m looking forward to seeing as well.  Here’s hoping this is a fine fall, because we all know it’s been a miserable summer.

One Response to “Making a List, Checking it Twice”

  1. Great article! I can’t say the last time I read so much valuable information all in one place. You make strong points that I agree with and comprehend. You’ve done a great job on this.

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“Jonas Mekas spoke a lot about ‘necessity’ last night at the Film Society. “Why do anything if it’s not needed,” he asked at one point. Mekas said that he created a publication, wrote for the Village Voice, founded an archive, because it was necessary.

“Somebody had to do it,” the 93 year old Mekas said, standing during the entire hourlong Q&A. He also spoke to the notion of curation: “If I see something I like, I don’t really enjoy it unless I can share it with others.”
~ Jonas Mekas, via Eugene Hernandez

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic