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Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

How the Mighty Have Fallen…

Two times in the past week, I’ve gone to the movie theater and seen the preview for Devil.  Both times,  I thought the trailer was well-cut, moody, and effective.  And both times, the audience started giggling as soon as they saw M. Night Shyamalan’s name on the screen.  By no means am I a fan of the man’s recent output – in fact, I’d go so far as to say that the films he’s made since Signs have all been somewhat embarrassing travesties – but I don’t root for anyone’s failure.  I think Shyamalan is clearly a talented individual who has made at least one excellent film (Unbreakable) and one very good one (The Sixth Sense), but I don’t think anything has really changed in him.  I don’t think he’s a different kind of storyteller now, I just think he hasn’t evolved as a filmmaker.  Some chalk it up to an out-sized ego – and certainly there’s proof of that – but I’m not going to play amateur psychologist and assume that’s the case.  I think he is very comfortable making films the way he makes them and doesn’t see that much of a need to listen to outside opinions.

Having said all that, Universal should be more aware of what has happened to the M. Night Shyamalan over the last few years.  I don’t think it’s right that people are laughing at Shyamalan’s producer credit on Devil, but I also don’t think it’s smart for the marketing folks to prominently display the name of a man who has tarnished his brand in the eyes of most moviegoers.  One could point to the $130 million that The Last Airbender grossed, but that film had a built-in audience and still couldn’t make its budget back.

Devil is a smaller film that needs word of mouth and positive buzz.  It seems to be set almost entirely in an elevator with an outlandish premise, but the trailer is cut so well that it intrigued me and I don’t know why the studio would risk putting Shyamalan’s name in lights.  Let’s all hope the film is good and that it is step one in Shyamalan getting back into our good graces.  Step two is letting someone else write his scripts.

One Response to “How the Mighty Have Fallen…”

  1. Jeremy says:

    I have seen this trailer in theatres 5 or 6 times and it is true, every time his name comes up, the audience laughs or boos. And I’m always the guy in the back row screaming “The twist is that he’s been a shitty director the whole time!” I liked Sixth Sense and Unbreakable too, and thought Signs was a guilty pleasure, but the rest have been junk. I saw The Happening opening night, and the audience treated it like it was The Room–no joke. They didn’t throw spoons, but they hurled insults at the screen whenever they could.

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Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
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