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Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

Damon Was Robbed

I was surfing through the channels earlier and I saw that Steven Soderbergh’s The Informant! was on, so I decided to watch a few minutes.  I wound up watching about an hour of the movie because I got so wrapped up in Matt Damon’s lead performance.  I’ve long felt that Damon was one of the best young actors we have, but he just keeps getting better.  What he does in The Informant! has such a high degree of difficulty.  The tone of the performance is so perfectly calculated and one wrong note could throw the whole thing off.

But the point is that Damon was nominated for an Oscar last year…for Invictus.  I mean, Damon is fine in that movie and does a convincing South African accent, but I don’t understand how 1) that was only his second acting nomination and the first since Good Will Hunting and 2) that he was shut out for The Informant!.  It is astounding to me that Damon’s work in The Talented Mr. Ripley, Rounders, The Departed, and The Good Shepherd all went unrecognized by the Academy.

One of our best

This year, though, I just don’t see how Colin Firth (A Single Man) and Morgan Freeman (Invictus) got nominated ahead of Damon’s masterful performance.  Damon is objectively better than those two and he’s better than George Clooney in Up in the Air (although I don’t begrudge that nomination).  It almost seems to me that either there is a conspiracy against nominating Matt Damon in the acting categories or the majority of the Academy is stupid (the more likely explanation).

Damon should have three films coming out before the end of the year: True Grit, Hereafter, and The Adjustment Bureau.  That’s three chances for the Academy to screw up.

One Response to “Damon Was Robbed”

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 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
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