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Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

Damon Was Robbed

I was surfing through the channels earlier and I saw that Steven Soderbergh’s The Informant! was on, so I decided to watch a few minutes.  I wound up watching about an hour of the movie because I got so wrapped up in Matt Damon’s lead performance.  I’ve long felt that Damon was one of the best young actors we have, but he just keeps getting better.  What he does in The Informant! has such a high degree of difficulty.  The tone of the performance is so perfectly calculated and one wrong note could throw the whole thing off.

But the point is that Damon was nominated for an Oscar last year…for Invictus.  I mean, Damon is fine in that movie and does a convincing South African accent, but I don’t understand how 1) that was only his second acting nomination and the first since Good Will Hunting and 2) that he was shut out for The Informant!.  It is astounding to me that Damon’s work in The Talented Mr. Ripley, Rounders, The Departed, and The Good Shepherd all went unrecognized by the Academy.

One of our best

This year, though, I just don’t see how Colin Firth (A Single Man) and Morgan Freeman (Invictus) got nominated ahead of Damon’s masterful performance.  Damon is objectively better than those two and he’s better than George Clooney in Up in the Air (although I don’t begrudge that nomination).  It almost seems to me that either there is a conspiracy against nominating Matt Damon in the acting categories or the majority of the Academy is stupid (the more likely explanation).

Damon should have three films coming out before the end of the year: True Grit, Hereafter, and The Adjustment Bureau.  That’s three chances for the Academy to screw up.

One Response to “Damon Was Robbed”

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“I run a movie for myself the first time, and if I can forget I had anything to do with the picture, and I’m halfway through the movie and I’m just the audience, then that is my litmus test for a film working. It doesn’t mean it’s going to work for anybody outside of myself, but when I lose the aesthetic distance between the screen and where I’m sitting, the first time I run a picture that I’ve directed for myself, if I’m aware to the very end that I’m the director, and all I can do is find things to fault, then I know I have my work cut out for me. And I have to roll up my sleeves and fix everything. But when I can watch a movie and I can forget that I made the movie, that’s the first sign that I’m going to be pretty happy with it, that I’m going to be able to live with it.”
~ Steven Spielberg On When He Thinks A Movie Is Working

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