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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

OKC's deadCENTER Fest Announces Winners

deadCENTER Film Festival Announces Award Winners for 2010
$300 Okie Film ‘Simmons on Vinyl’ Wins Grand Jury
OKLAHOMA CITY – Thousands of film enthusiasts from around the world gathered in Oklahoma City for the 10th annual deadCENTER Film Festival, a five-day celebration of independent film in the dead center of the United States June 9-13.
Of the more than 100 films selected to screen at seven downtown locations – many to sold-out audiences – ten rose above the rest to claim awards in the following ten categories: Student, Animation, Narrative Short, Documentary Short, Narrative Feature, Documentary Feature, Okie Short, Okie Feature, Grand Jury Narrative Feature and Grand Jury Narrative Documentary.
Awards were presented on Saturday night as part of “Cosmic Arts Jubilee,” a free outdoor celebration that concluded with the screening of the documentary feature film “Richard Garriott: Man on a Mission.”
The Winners:
Student: “In This Place”
Directed by: Amy Bench
Austin, TX
13 min.
Synopsis: A young artist struggles to find a place in her newly globalized family. In a story enhanced with collage-like animation, Jane travels from the plains of Texas to the jungles of Africa in an attempt to bring them all together again.
Animation: “O Pintor de Ceos (Painter of the Skies)”
Directed by: Jorge Morais Valle
Spain
20 min.
Synopsis: From the darkness of the lost cliffs, a crazy painter, marked by his past, and his faithful assistant try to find a solution against perpetual storms. Sea is destroying their home. A magic boiler and some tormented ghosts will help them to find the light.
Narrative Short: “Junko’s Shamisen”
Directed by: Solomon Friedman
Canada
10 min.
A young Japanese orphan, and her mystical friend, exact poetic justice on a malevolent samurai lord.
Documentary Short: “A Song for Ourselves”
Directed by: Tadashi Nakamura
Los Angeles, CA
35 min.
Synopsis: An intimate journey into the life and music of Asian American Movement troubadour Chris Iijima.
Narrative Feature: “earthwork”
Directed by: Chris Ordal
Los Angeles, CA
93 min.
Synopsis: The true story of real life crop artist Stan Herd who plants his unique, rural art form in New York City with the help of a group of homeless characters on a plot of land owned by Donald Trump.
Documentary Feature: “A Good Day to Die”
Directed by: David Mueller, Lynn Salt
Beverly Hills, CA
92 min.
Synopsis: American Indian Movement (AIM) co-founder and leader Dennis Banks looks back at his life and the confrontational actions that changed the lives of Native Americans—and all indigenous peoples—forever.
Okie Short: “The Rounder Comes to Town”
Directed by: Adam Beatty
Norman, Oklahoma
35 min.
Synopsis: An Okie Gothic film based on a traditional song dating back to 1720. A lone drifter with no history meets the young and beautiful wife of the most powerful man in town.
Okie Feature: “The Rock ‘n’ Roll Dreams of Duncan Christopher”
Directed by: Jack Roberts
Tulsa, Oklahoma
94 min.
Synopsis: The awkward son of a rock star works through the suicide of his father in the brutal underground world of karaoke.
Grand Jury Narrative Feature: “Simmons on Vinyl”
Directed by: Mark Potts
Norman, Oklahoma
75 min.
Synopsis: With the help of his friends, Zeek searches for a vinyl record that could win the heart of the woman he desires.
Fact Sheet: http://dl.dropbox.com/u/7391230/SimmonsOnVinyl_factsheet.pdf
Pre-festival radio interview: http://dl.dropbox.com/u/7391230/Filmmaker%20interview_SimmonsOnVinyl_TheSpy.mp3
Grand Jury Documentary Feature: “Our House”
Directed by: Greg King
Brooklyn, NY
60 min.
Synopsis: Illegal squatters, anarchist radicals, devout Christians…welcome to Our House.
Founded in 2001, the deadCENTER Film Festival – named for its central geographic location — has grown into a premiere international summer event. DCFF is a 501 (c) (3) non-profit organization, providing year round events to support its mission to promote, encourage and celebrate the independent film arts. Visit www.deadcenterfilm.org to learn more.
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One Response to “OKC's deadCENTER Fest Announces Winners”

  1. Mark Potts says:

    I just wanted to say thanks for mentioning my film, “Simmons on Vinyl.” I don’t know if you remember, but we met at the Oxford Film Festival in 2009.
    When we found out we won, we ran about 100 yards to the stage to accept, then couldn’t speak for a few seconds due to being out of breath. I don’t know if we’ll ever win another award, but if so, I now know to take my time getting to the stage.
    Thanks again.

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé