MCN Columnists
Leonard Klady

By Leonard Klady Klady@moviecitynews.com

True Grit: The Sands of Tommy

May 31, 2010


The pre-ordained juggernaut of Sex and the City 2 was naut. Smiling ogre the Memorial holiday weekend was Shrek Forever After with an estimated $55.6 million. The weekend’s incoming box office behemoths — Sex 2 and Prince of Persia: The Sands of Time — duked it out for the Miss Congeniality spot with photo finish results of $37.3 million and $37.9 million respectively.

Activity in the niches was restrained and while Bollywood took a pass, both the Tamil Singram with $108,000 at 23 venues and the Telugu Golimar with $36,800 on 12 screens were off to good starts. Exclusives for several imports were also quite encouraging with English-track Agora from Spain posting $42,400 at two sites and French imports Micmacs and Mademoiselle Chambon with opening salvos of $51,400 from four theaters theaters and $24,900 in two playdeates respectively.

The session also served up a new dish of zombies from George Romero with Survival of the Dead supping on a modest $52,600 from 20 screens while the 50th anniversary restoration of Breathless left them gasping with $37,100 from three new waves.

With results of incoming fare several notches below expectations it wasn’t a terribly festive holiday frame. Box office was a meager 1% (3-day to 3-day portion) improved from the immediate prior non-holiday weekend. It also amounted to a 14% decline from 2009 when charts were topped by debuts of Night at the Museum 2 and Terminator: Salvation with $70.1 million and $51.9 million.

Pulling out all the stops with a full bore marketing blitz, Sex and the City 2 was expected to reap a $60 million plus debut and advance sales as well as a pre-weekend Thursday gross of $14.2 million signaled that result. Instead revenues dropped progressively in subsequent days and its 5-day total barely exceeded $50 million.

The film nonetheless set a number of arcane records including topping 1987’s Beverly Hills Cop 2 gross, which had been the top R-Rated Memorial weekend champ. Its 90% female demographic also appears to be a record.

International results were more buoyant with top rankings in Great Britain of $9 million and Germany providing $7.2 million of a $27 million total from 17 territories.

The oft-delayed release of Prince of Persia was also expected to open more forcefully. It bowed internationally last weekend with $18 million in 23 countries. This weekend it ramped up to slightly more than $60 million overseas for a $100 million global weekend.

Meanwhile high profile holdovers continued to lose traction with Robin Hood pushing hard to get to a face-saving $100 million domestic gross. Mature audiences appear to be somewhat desperate for a fix and that’s been of great benefit to the likes of City Island, The Girl with the Dragon Tattoo, Harry Brown and The Secret in Their Eyes, which continue to hold screens despite the onslaught of summer blockbusters.
-by Leonard Klady


Weekend Estimates: May 28 – May 31, 2010

Title Distributor Gross (average) % change * Theaters Cume
Shrek Forever After Par 55.6 (12,740) -39% 4367 145.4
Prince of Persia: The Sands of Time BV 37.9 (10,390) New 3646 37.9
Sex and the City 2 WB 37.3 (10,830) New 3445 51.5
Iron Man II Par 20.6 (5,410) -38% 3804 279.2
Robin Hood Uni 13.5 (4,000) -45% 3373 86.2
Letters to Juliet Summit 7.2 (2,550) -35% 2825 37.9
Just Wright Fox 2.7 (2,230) -51% 1195 18.7
Date Night Fox 2.2 (1,980) -39% 1126 93.9
MacGruber Uni 1.9 (750) -63% 2546 7.6
How to Train Your Dragon Par 1.4 (1,730) -45% 825 213
Nightmare on Elm Street WB 1.1 (1,280) -62% 891 61.9
Alice in Wonderland BV .66 (1,940) 7% 341 333.1
Babies Focus .63 (2,090) -35% 301 6.1
The Secret in Their Eyes Sony Classics .57 (3,960) -4% 144 3.4
Girl with the Dragon Tattoo Music Box/Alliance .53 (2,880) 5% 184 7.8
City Island Anchor Bay .51 (2,540) -3% 201 4.8
Hubble 3-D WB .41 (8,660) 11% 47 7.1
The Back-Up Plan CBS .34 (870) -71% 391 36.6
Diary of a Wimpy Kid Fox .33 (1,170) -5% 283 62.8
Kites Big Picture .32 (1,780) -73% 181 1.5
Weekend Total ($500,000+ Films) $184.30 - - -
% Change (Last Year) - -14% - - -
% Change (Last Week) - 1% - - -
Also debuting/expanding
Please Give Sony Classics .24 (4,420) -13% 55 1.4
Harry Brown IDP .16 (3,080) -24% 53 1.1
Singam Sun .11 (4,710) New 23 0.11
Solitary Man Anchor Bay .11 (17,750) -11% 6 0.24
Survival of the Dead Magnolia 52,600 (2,630) New 20 0.05
Micmacs Sony Classics 51,400 (12,850) New 4 0.05
Agora Newmarket 42,400 (21,200) New 2 0.04
Breathless (reissue) Rialto 37,100 (12,370) New 3 0.04
Golimar Ficus 36,800 (3,070) New 12 0.04
Mademoiselle Chambon Lorber 24,900 (12,450) New 2 0.02

Domestic Market Share: January 1 – May 27, 2010


Distributor (releases) Gross Market Share
Fox (8) 885.1 21.40%
Paramount (8) 813.5 19.70%
Warner Bros. (15) 741.4 17.90%
Buena Vista (8) 477.9 11.50%
Universal (9) 289.3 7.00%
Sony (13) 241.8 5.80%
Lionsgate (7) 195.2 4.70%
Summit (7) 98.1 2.40%
Overture (4) 67.4 1.60%
Fox Searchlight (3) 63.2 1.50%
MGM (1) 49.7 1.20%
CBS (2) 48.7 1.20%
Weinstein Co. (4) 34.7 0.80%
Sony Classics (11) 31.6 0.80%
Other * (149) 105.1 2.50%
* none greater than 0.4% 4142.7 100.00%

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“Just got back from Dark Shadows at the Lincoln Square IMAX (102′ wide screen, over 50 sears per row). I loved almost every second of it. What a shock. I can see why people under 49 hate it, and it’s not just because of its ’60s TV roots–it’s a very traditional, classic-style horror film: leisurely-paced, character-driven, beautifully designed (mostly real sets, not CGI), music used as a humorous or ironic underline, not particularly violent (there’s more blood in the 1970 version), perfectly cast with superb actors, and of course a nice sense of humor to balance the horror. No jump scenes, no teens sliced to pieces by some mask-wearing non-entity, just good old-fashioned story-telling. It’s more like Hugo than Hostel, and not just because it shares cast members and underperformed. And as for the much-derided third act: the complaints are horseshit. Everything that takes place in the climax is logically built up to in what precedes it. Yes, the werewolf is a surprise, but it shouldn’t be given the family history and that character’s behavior, and the explanation is eminently reasonable. In an era where Bridesmaids is considered award-worthy writing, it’s no surprise that many people have forgotten what a well-made script can be like. So fuck all the haters. Dark Shadows lived up to my expectations (no small feat), and should be seen by everyone who still appreciates quality, grown-up, Old Hollywood-style filmmaking. Cadavra has spoken.”
~ Cadavra on Dark Shadows

‘This grooming and styling thing? It’s fucking poodles. Human poodles. I feel sorry for a poodle because he’s a dog. You know, a dog is a fucking great creature. They would do anything for you. And the poodle gets a haircut. No one asks if the poodle wants his hair cut like that. Do they? They just fucking cut his hair like that. And he just walks around. And everyone is like, “Why is that poodle so snarky?” Fuck you. Style, I think, is panache. Who are you? What did you do today? And what are you worth to me? What do you have to offer the world? How did you spend your time today on this planet? How are you spending your time every second? What are you doing now? Are you alive, or are you somnambulant? If you are somnambulant, then you are a fucking prick. Style is your ability to be awake. But who the fuck am I to judge? I’m starting to get really arrogant.”
GQ: Whose tuxedo did you wear on the red carpet here in Cannes?
“J.Lindeberg. Because I really love his suits.”
~ Stylin’ Tom Hardy

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