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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Constance McMillen and the Super Secret Prom

Hey y’all, you know what would be funny? Like, hysterically funny? Like, let’s hold a super-secret prom and not tell that bee-yatch Constance McMillen about it! Then she and her lesbo girlfriend and the stupid LD kids will show up for that prom, while we are across town partying it up at our own private prom! Won’t that be, like, hilarious, y’all?! And then we’ll put pics of our secret prom on our Facebook pages to make sure we give the ACLU more arsenal for their stupid lawsuit, and so the whole world will know we’re a bunch of teenage bigots! Hahahahah! Boy, won’t THAT be something to be proud of later?
I was holding out on writing this up until there was some kind of confirmation that it actually happened, and now Constance has confirmed that it did.
Boy, you just can’t beat the stupid out of some people. In spite of Constance McMillen’s lawsuit against her school district when her high school denied her the right to attend her prom with her girlfriend, her bigoted fellow classmates (with, I’m sure, the help of their equally bigoted parents) still managed to keep Constance from going to her prom.
The school district had alleged in defending the lawsuit that the prom her school had canceled just to keep her from attending would, in fact, be held and that she would, in fact, be invited to it. And there was such a prom, and she was invited to the prom. Problem is, only seven people showed up to the official prom, with the rest of the students apparently attending a super-secret prom held in another location. What’s particularly shocking about this is that the entire student body apparently colluded in keeping Constance and the other kids who showed up for the official prom (two of whom have learning disabilities) from knowing about their secret prom.
Blogger Joe.My.God has pics on his site culled from a Facebook page of the teenage bigots partying it up at their secret prom, while Constance, her girlfriend, and the five other kids who showed up for the official prom sat at the other one wondering what the hell happened (well, I’m sure Constance is smart enough that she figured it out pretty quickly).
This whole business stinks to high heaven, but if you’ve seen Prom Night in Mississippi, the documentary about another Mississippi high school that held segregated proms until just a couple years ago (also with the collusion of parents and school officials) it’s not terribly shocking to learn that this kind of blatant ignorance and discrimination could happen in 2010. Apparently in Mississippi, some folks think it’s terribly important to teach their children that keeping those uppity gays in their place is important work. Wonder how many of them are also secretly Klan members? And how many of them went to church on Easter Sunday, false faces carefully in place as they purported to worship Jesus, who taught us to love our neighbor as ourselves, and to remove the mote from our own eye.
Seems like some folks down there need to read their Bibles a little more carefully. Criminy.
Constance seems to have a good head on her shoulders in spite of the bullshit that’s surrounded this whole affair. I hope she knows there are plenty of folks outside Mississippi who supported her fight to attend her prom and her right to be who she is, and who admire the bravery she’s shown in being an openly gay teen while surrounded by bigots. Frankly, I’m shocked she hasn’t been physically attacked yet. I also sincerely hope that Constance, when graduation is over (and hopefully there won’t be a “secret” graduation to which she’s not invited) will move the hell out of Mississippi and go live in NYC, or San Francisco, or Seattle … some place where she can be openly who she is without dealing with as much of that nonsense.

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DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato