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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Victory for Constance McMillen

A Mississippi court ruled that the Itawamba County School District violated the First Amendment rights of Constance McMillen when it canceled the school’s prom rather than allow the openly gay student to attend the prom with her girlfriend, wearing a gender-bending tuxedo. What?! Girls in tuxedos? What is the world coming to?
Good for the court for making the right ruling here. And wow, do I ever admire Constance, who has been open about being a lesbian since eighth grade. Ponder that a moment, if you would. I grew up in Oklahoma, not exactly what I would call the most welcoming, safe place to come of age and realize you are gay or lesbian or bisexual. Constance, growing up in Mississippi, had the courage to come out as who she is in eighth grade.
That, my friends, takes courage, and a remarkable sense of knowing who you are and believing in yourself at a very young age. Good for her, and I hope she and her girlfriend have a swell time at the alternative, open prom being planned by parents. Shine on in that tux, girl, and make some great memories.

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DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato