MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

[PR] Composer John Barry to be honored at Ghent Film Festival

John Barry_sm_sm.jpg
John Barry to receive the Lifetime Achievement Award at 10th anniversary of World Soundtrack Academy
(Ghent, Belgium) On October 21, 2010 the music of four-time Oscar winner, John Barry will be performed live in concert at the Ghent International Film Festival.The 80 -iece Brussels Philharmonic will perform selections from Barry’s scores including Goldfinger, Mary Queen of Scots, Out of Africa, Dances with Wolves and Midnight Cowboy, conducted by Nicholas Dodd. The concert will be accompanied by a video presentation of film clips. With the John Barry concert, the Ghent Film Festival will be continuing its tradition of showcasing memorable, award-winning film music in the form of live concerts. Previous editions have featured Ennio Morricone, Maurice Jarre, Elmer Bernstein, Hans Zimmer, Howard Shore and Alexandre Desplat. Go here for more information.

Comments are closed.

Movie City Indie

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch